The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. Modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation.  The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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 Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star-Spangled Banner live at Woodstock 1969," and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard.  The JHS Pedals Unicorn is their version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. And just like the originals, they've included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting.  What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analogue, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch.  In a day and age when everything has been seen and done, JHS brings you the first-ever, 100% analogue vibe photocell modulator with onboard tap tempo. This pedal requires standard 9V DC Negative power, consumes 100mA, and measures 2.2"x4.8"x1.6".  

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 With a name like the JHS Pedals Mute Switch, it doesn’t take a rocket surgeon to guess what this little guy does. It’s a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. SPECIFICATIONS Small size is ideal for saving pedalboard space Easy-to-use latching design Enjoy absolute silence from everything before it in the chain Works great on pedalboards and in effects loops LED indicator changes from blue to red to show if the mute is engaged This pedal is passive but requires standard 9V DC Negative for the LED to function and it measures 3.6"x1.5"x1" Note: This is NOT a momentary switch. When clicked, the signal stays in the position chosen.

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  The Twin Twelve channel drive is the first ever all-analog stompbox to replicate the classic tones of the Silvertone 1484 "Twin Twelve" amplifier. The pedal’s sound and response are meticulously hand-tuned to achieve a striking similarity to the tones made famous by players such as Jack White, Beck, Coldplay, and others. With its ability to go from a spanky, clean preamp boost to a classic growling medium/heavy overdrive, the “Twin Twelve” V2 is a great option for the do-it-all overdrive spot on your pedalboard.   If you love pedals that can perform two tonal jobs in one, you’re going to love the Dirt/Clean. In the Dirt mode, you’ll enjoy the gritty amp-like tones of the cranked Silvertone. Flip the switch to Clean, and you’re instantly bathing in the sound of a clean preamp that works great as a boost or as an always-on tonal enhancement.   You can access both the Clean and Dirt circuits right in the middle of the song by hooking up your “Twin Twelve” to a JHS Red Remote footswitch (sold separately). The Red Remote’s tiny footprint barely takes up any precious real estate on your pedalboard, while offering on-the-fly switching of the “Twin Twelve’s” two voices. Two great tones, very little pedal space.   SPECIFICATIONS Power:    Standard 9V DC Negative Power Consumption:    34mA Dimensions:    2.2" X 4.8" X 1.6"

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 When you are hungry for fat, rich and legendary fuzz tones, look no further than the six-course meal that the Muffuletta serves up. The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favourite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king.  With the Muffuletta, our indecision is your gain. We crammed five all-analogue re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp.  No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal. With a pedal so stuffed with tasty tones, you will have a hard time needing anything else to curb your appetite. This pedal requires standard 9V DC Negative power, consumes 4mA, and measures 2.2"x4.8"x1.6".

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 Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million-dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. This pedal requires standard 9V DC Negative power, consumes 3 mA, and measures 3.6"x1.5"x1"

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 The Morning Glory is undoubtedly JHS' most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. JHS worked hard to make it one of the most transparent overdrives out there.  When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory.  When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly you get the idea. FEATURES Gain control sweeps from completely clean to rock ‘n’ roll Tame high end on brighter rigs with the side-mounted bright-cut switch Increased headroom and output for use as a full-frequency boost This pedal requires standard 9V DC Negative power, consumes 43mA, and measures 2.2"x4.8"x1.6"

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 The AT is Andy Timmons' signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs.  Tailoring it to Andy’s tastes, the “@“ was born and eventually released into production. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. FEATURES This pedal requires standard 9V DC Negative power, consumes 15 mA, and measures 2.2"x4.8"x1.6" You can safely run “The AT“ at 18 or 9 volts

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 Non-transparent overdrive that goes down as smooth as your grandaddy’s White Lightning. Thick rich mids, clear top end, the best bass response of any drive we make, more volume than you will ever need, and the ability to do medium/high gain overdrive like nothing you’ve ever heard make this a hard habit to kick. Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need. The Moonshine V2 is still the core tone of the version one and retains the simple Volume, Tone, and Drive knobs. However, on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone! The simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful coloured boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. This pedal requires standard 9V DC Negative power, consumes 30mA, and measures 2.2"x4.8"x1.6".

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 The Switchback is a small unassuming box with a massive feature set. It began its life as a device that JHS designed just for themselves to test and compare pedals in the JHS workshop but they soon realized that it was extremely useful for everyone’s guitar rig.  It has one input, one output and two selectable effects loops, plus an A/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way.

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 The Sweet Tea V3 is for anyone who wants a versatile overdrive/distortion that covers all the bases you need plus more. You’ll find medium-to-high gain tones and the ability to stack for the perfect way to melt faces. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7" X 3.7" X 1.5".

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 Supro tones in a pedal and a whole lot more. This discreet circuit does everything from clean boost to sagging exploding small amp distortion with ease. When JHS released the Superbolt in 2012, they never dreamed that it would become one of the most recognized and distinguished pedals in our history. Turns out there are guitarists all over the world that are loving the 60s-era Supro amp-in-a-box tones that this pedal churns out.  In designing the pedal, JHS paid very close attention to the feel and sound that made the original amps the go-to combos for players like Jimmy Page, Brian Setzer, and Switchfoot’s Drew Shirley.  And with the SuperBolt Version 2, they’ve upped the ante by giving you access to their versatile Gain boost circuit via the front-mounted toggle or their own JHS Red Remote footswitch (sold separately). 

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 The Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit.  Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards. FEATURES Small size is ideal for saving pedalboard space LED indicator tells you which ¼” you have selected Can run perfectly without power Built rugged This pedal is passive but requires standard 9V DC Negative power for the LED to function and it measures 3.6"x1.5"x1".

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 The Summing Amp gives you the ability to take two inputs and blend them into one output. Simply plug into the two marked inputs and then plug in your single output and you’re ready to go.  From two signals the Summing Amp creates one mono signal. This is perfect for putting effects in parallel so that they are not affected by one another.  The Summing Amp can use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. 

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 Though it’s a fairly nondescript-looking piece of gear, JHS' Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard.  By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away.  And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard.

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  This pedal kills your tone, and it does it brilliantly. The JHS Pedals Stutter Switch momentary mute pedal is a great option whether you’re looking for a kill-switch stutter effect, demand silent tuning while onstage, or need to fill any number of other purposes.    And best of all, there’s enough room on your pedalboard for this bite-sized button...almost. If you’re looking for a mute and prefer the immediate action of a momentary switch, the JHS Stutter Switch is the pedal for you.   The easiest way to describe a momentary switch is that it is active when depressed and non-active when not. So step on the Silent Switch when you want silence and step off when you don’t. There are so many applications for a pedal like this. It’s up to you how you use it.   SPECIFICATIONS A simple mute for players who demand momentary control Offers stuttering effects, silent tuning, and more Small size is ideal for saving pedalboard space - 1” x 2” x 2” Built rugged This pedal does not require power and measures 2"x2"x1"

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 The Emperor V2 absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice.  Spread its warm tones or icy sheen to a pristine-sounding stereo rig or utilize an external expression pedal to cop realistic rotary speaker sounds on a blues gig. This pedal requires standard 9V DC Negative power, consumes 57 mA, and measures 2.6"x4.8"x1.6".

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  The Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need. The right side is the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The left side of the Double Barrel is JHS' best-selling Morning Glory V4 overdrive.  When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the order switching toggle that lets you decide what pedal comes first in the signal chain. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7" X 3.7" X 1.5" 

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 The Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal.  You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedal board, the pedal’s ¼” and balanced XLR outputs have you covered.  This compressor/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution. This pedal requires standard 9V DC Negative power, consumes 32mA, and measures 2.6"x4.8"x1.5".

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 Enjoy the washed out layers that only true amp style spring reverb can give you in the Spring Tank. This compact reverb pedal offers tons of settings to tweak, yet with utilitarian simplicity and usability.  Create the perfect spring reverb for your sound with controls for Depth, Length, Highs, Boost (to control your overall volume), and two independent and switchable reverb mixes called Tank 1 and Tank 2. With options a plenty and easy to use controls, blast your signal into the stratosphere! This pedal requires standard 9V DC Negative power, consumes 73mA, and measures 2.6"x4.8"x1.6"

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 JHS Pedals is proud to release the Paul Gilbert signature distortion "PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.  This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! SPECIFICATIONS Power:    Standard 9V DC Negative Power Consumption:    67mA Dimensions:    2.2" X 4.8" X 1.6"

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 The JHS Pedals Prestige is a booster/buffer/enhancer that will give you that 'something', the magic, that you’ve been looking for. In a simple package, the Prestige can be used as an always-on preamp or buffer, or crank it up to send your amp into natural overdrive that will dazzle audiences far and wide. It’s time you added the JHS Pedals Prestige to your rig so you always have an ace up your sleeve! The Prestige features one knob for volume. In the first 25%, you have a natural buffer/enhancer that is great for long cable runs or just to add a touch of brightness to your signal. At 25% to 75% the Prestige becomes a volume boost to give you a nice push for solos or to put in front of an overdrive to create more saturation.  Above 75% and you’ll be sending your amp into a meaty natural breakup by pushing the tubes on your amp. This can be used as a first stage overdrive or a second stage to maintain your other overdrives’ tone while giving more of everything you love. This pedal requires standard 9V DC Negative power, consumes 7mA, and measures 3.6"x1.5"x1". 

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 The Supreme is an exact replica of the rare black and grey Univox Unicord Super-Fuzz. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11.  The controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost.  If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it.  SPECIFICATIONS Power:    Standard 9V DC Negative Center Power Consumption:    4mA Dimensions:    5.68" x 3.62" x 2.0" Weight:    0.85lbs

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 In 1968, the Beatles’ Revolution sent a piercing guitar tone through the speakers of the world. This tonal technique of plugging a guitar straight into a mixing console is now referred to as Direct-In Distortion. The JHS Pedals Crayon gets you these legendary tones faster and in a more guitarist-friendly way than ever before. The JHS Pedals Color Box is amazing. It’s powerful, it’s versatile, it sounds stunning as a guitar pedal or as a recording preamp, and sometimes, it’s a bit too much for guitarists. That’s why the Crayon was created. This straightforward pedal harnesses the exact same gritty preamp tones of the Color Box and puts them in a smaller stomp with a simplified control layout.  Three knobs control the gain, output, and tone of the pedal, while a Hi-Pass switch accesses even more aggressive characters. If you’re one of the musicians who is madly in love with those straight-to-console fuzz tones but don’t need all the extras, the JHS Pedals Crayon was made just for you.

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 The JHS Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly.  The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”. This mode sends the Smiley into high gain / gated fuzz territory that you may never want to come back from.  If you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn. SPECIFICATIONS Power    Standard 9V DC Negative Center Power Consumption    4mA Dimensions    5.68" x 3.62" x 2.0" Weight    0.85lbs

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 Welcome to the next generation of tiny Fuzz that you turn on with your foot or the Mini Foot Fuzz V2 as the folks at JHS like to call it.  Though this little purple guy may have a toy-like appearance, you will quickly realize the sounds that come from this box are no child’s play. From gated, low-gain splat to almost infinite sustaining buzz, the Mini Foot Fuzz V2 covers a lot of ground with very little fuss and a whole lot of attitude. This pedal requires standard 9V DC Negative power, consumes 3 mA, and measures 3.6"x1.5"x1"

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 The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple: a single pedal that offers up an echo/slap delay and a boost that can also be used as an always-on enhancer.  So here we are, an easy-to-use boost/echo 2-in-1 pedal with a small footprint that fits into any rig with ease. We’d love to go on and on about The Milkman, but its beauty is in its simplicity and tone of course. If you play country, rockabilly, swing, surf, or any other style of good old American twang, you need a slap echo and you need a boost. You need The Milkman. This pedal requires standard 9V DC Negative power, consumes 100mA, and measures 2.6"x4.8"x1.6".

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 The JHS Pedals Kodiak Tremolo is the newest addition to JHS' tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. This pedal requires standard 9V DC Negative power, consumes 10mA, and measures 2.6"x4.8"x1.6".

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 When StuG wanted a dirt box that could essentially cover any ground for his studio work and extensive touring gigs, the Kilt was born. The V2 refines it to be a compact and versatile tone-machine, and it still has that same fantastic circuit at heart: a heavily tweaked Expandora style dirt box that gives you a ton of tonal options. A specifically chosen op-amplifier offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original. FEATURES When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup.  G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything Power Requirement: 9V DC Negative Power Dimensions: 2.6" X 4.8" X 1.6" (6.6cm X 12.19cm X 4.06cm)

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The Allen & Heath SQ-Rack is the ultimate tool for audio professionals, delivering Allen & Heath’s renowned 96kHz SQ core in a compact, rack-mountable design. Perfectly crafted to meet the demands of live sound and installation environments, SQ-Rack combines power, flexibility, and intuitive control in one versatile solution.SQ-Rack packs SQ’s 96kHz XCVI core into a shallow 4U rack-mount form factor with built-in I/O, powerful SLink connectivity, option cards, and multichannel USB. Enjoy hands-on controls and customisable screens, along with remote access via SQ apps for ultimate control of your audio.SQ-Rack is built on Allen & Heath’s renowned 96kHz XCVI FPGA engine, delivering exceptional high-resolution audio quality, ultra-low latency of <0.7ms and variable bit depths for optimised dynamic range. XCVI allows SQ to handle 48 input channels at 96kHz, with massive mix headroom thanks to a 96bit accumulator, and the sheer power to embed our acclaimed DEEP plugins into all 48 input channels and all mixes.Specifications: Type: Digital Channels: 48 Inputs - Mic Preamps: 16 x XLR (mic/line) Inputs - Other: 2 x 1/4" (ST1), 2 x 1/4" (ST2), 1 x 1/8" (ST3) Outputs - Digital: 1 x XLR (AES) Outputs - Main: 2 x 1/4" (A out, B out) Outputs - Other: 12 x XLR (stereo mixes, L/R), 1 x 1/4" (footswitch) Inserts: Internal Pre EQ/Compressor Data I/O: 1 x Ethernet, 1 x RJ-45 (SLink) USB: 1 x Type B, 1 x Type A Computer Connectivity: USB (32x32), Ethernet I/O Expansion Slots: 1 x Option card port (Dante, Waves) Headphones: 1 x 1/4" EQ Bands: Parametric EQ, 28-band Graphic Effects: Delay, Reverb, Chorus, Flanger, Phaser (8 x RackFX engine) Signal Processing: Dynamics Talkback: 1 x XLR Screen: 7" capacitive touchscreen Software: SQ-Control App, SQ-MixPad App, SQ4You App Rackmountable: Yes, 4U Dimensions: 430 x 214 x 173 mm (6.9" x 8.4" x 6.8") Weight: 5.8 kg (12.8 lbs)

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The CQ-20B is an ultra-compact digital audio mixer designed to be operated via its built-in WiFi or through connection to a wired or wireless network. The processing engine, utilising Allen & Heath’s acclaimed FPGA technology, brings numerous time-saving tools to the CQ to speed up and simplify common tasks for users of all abilities. Gain Assistant automatically sets preamp gain to the optimal level and monitors and adjusts for any unexpected peaks in the signal. Feedback Assistant identifies and filters out problem frequencies across all outputs via simple one-button operation, with more in-depth control available for challengiWith the DX88-P 8x8 96kHz Remote Control Expander Rack, you can seamlessly enhance your audio setup. This device offers eight inputs and eight outputs on Phoenix/Euroblock connectors, making it an ideal solution for fixed installations. It's a straightforward way to add local or remote expansion to AHM Audio Matrix Processors.The DX88-P features eight mic/line inputs with a generous +60dB of gain, phantom power, and a -20dB pad. Additionally, it provides eight line outputs, all on Phoenix/Euroblock connectors. This device is designed for maximum flexibility, allowing you to position it up to 100m away from the mixer.SPECIFICATIONS Compatibility: Allen & Heath SQ Digital Mixers / AHM Audio Matrix Processors / Avantis Digital Mixers / dLive Digital Mixers Input Sensitivity: -60 to +15 dBu Gain: +5 to +60 dB (1 dB Steps) Pad: -20 dB Maximum Input Level: +30 dBu (Pad In) Maximum Output Level: +21 dBu Input Impedance: >4 kΩ (Pad Out), >10 kΩ (Pad In) Output Impedance: <75 Ω EIN: -127 dB (With 150 Ohm Source) Inputs / Outputs: 8x Block 3-Pin Line/Mic Input, 8x Block 3-Pin Line Output Power Source: AC Adapter with Power Brick (Included) DC Input Power: 12 VDC at 3.3 A Power Consumption: 39.6 W Operating Current: 3.3 A Operating Temperature: 32 to 104 °F (0 to 40 °C) Color: Black Mounting: Side: 1x Optional Rackmount Material: Metal Dimensions: 8.5 x 7.7 x 1.7" (21.6 x 19.6 x 4.3 cm) Weight: 3.33 lbs (1.51 kg)

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6Perfect companions for AHM matrix processors, dLive or Avantis systems in installations, CC-7 and CC-10 are control touch panels for desktop or wall mount use. Powered by the Allen & Heath Custom Control app, they can operate as fixed control devices or complementing a BYOD solution. From simple music source selection to level control, preset recall or paging, they offer an alternative to our range of IP remote controllers for applications where a touchscreen interface is preferred.Configured to run Custom Control in kiosk mode, the app prevents any unauthorised operation, securing the settings of the panel. The installer, integrator or system admin can exit the app to change the touch panel settings such as IP address or brightness, or to update the software.FEATURES: Power: PoE or DC 12V powered Network: Gigabit Ethernet port USB: USB-A port for Custom Control updates Mounting: VESA 75 × 75 mounting Accessories: Desktop stand (CC-STN) and wall/glass mount bracket (CC-BRK) available

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6Perfect companions for AHM matrix processors, dLive or Avantis systems in installations, CC-7 and CC-10 are control touch panels for desktop or wall mount use. Powered by the Allen & Heath Custom Control app, they can operate as fixed control devices or complementing a BYOD solution. From simple music source selection to level control, preset recall or paging, they offer an alternative to our range of IP remote controllers for applications where a touchscreen interface is preferred.Configured to run Custom Control in kiosk mode, the app prevents any unauthorised operation, securing the settings of the panel. The installer, integrator or system admin can exit the app to change the touch panel settings such as IP address or brightness, or to update the software.FEATURES: Power: PoE or DC 12V powered Network: Gigabit Ethernet port USB: USB-A port for Custom Control updates Mounting: VESA 75 × 75 mounting Accessories: Desktop stand (CC-STN) and wall/glass mount bracket (CC-BRK) available

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SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner. *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A, Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6SpecsType:    Digital MixerChannels:    64Inputs - Mic Preamps:    6 x XLRPhantom Power:    6 ChannelsInputs - Line:    6 x XLROutputs - Direct:    6 x XLRInputs - Digital:    1 x XLR (AES)Outputs - Digital:    1 x XLR (AES)Busses/Groups:    42-busMIDI I/O:    Control via TCP/IPData I/O:    1 x EtherCon (SLink), 2 x RJ45 (network)Headphones:    1 x 1/4" TRS, 1 x 1/8" TRSUSB:    1 x Type AI/O Expansion Slots:    2 x Slots AvailableWord Clock:    1 x BNC (I/O)Faders:    12 x Faders, 6 x LayersA/D Resolution:    24-bit/96kHzSignal Processing:    LPF/HPF, Gate, PEQ, Comp, DelayScreen:    15.6" TouchscreenPower Source:    Standard IEC AC CableHeight:    10.6"Depth:    24.7"Width:    21.5"Weight:    38.6 lbsManufacturer Part Number:    AH-AVANTIS-SOLO

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