Planet Waves Classic Series Instrument Cables offer you the key details you need to make sure your tone stays intact. They feature Planet Waves's exclusive In=Out technology to give you a guitar cable with the purest signal transparency and the longest life possible.    Nickel-plated plugs and oxygen-free copper ensure that Classic Series Instrument Cables remain highly conductive. Dense shielding and molded strain reliefs keep handling noise at a minimum and extend the lifespan of each cable. Music Bliss advice: if you're looking for a great-sounding cable that will last forever, pick up a Planet Waves Classic Series Instrument Cable.   FEATURES Right-angle plug ends Features Planet Waves's Exclusive In=Out technology Extremely low capacitance for pure signal transparency Nickel-plated plugs Ultra-pure oxygen-free copper conductors Dense shielding Virtually no handling noise Molded strain relief for ultimate durability   SPECIFICATIONS Connector 1:TS Male Right Angle 1/4 Connector 2:TS Male Right Angle 1/4 Length:3' Manufacturer Part Number:PW-CGTPRA-03

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The Planet Waves PW-G-15 Custom Series Instrument Cables feature gold plated connectors for superior signal flow and corrosion resistance.   Planet Waves Custom Series cables utilize ultra-pure, oxygen-free copper conductors for low capacitance and pure tone. Encapsulated and impenetrable soldering points with double-molded strain relief provide maximum durability and worry-free reliability. Two layers of shielding provide 100% coverage for superior insulation and noise rejection, making this the ultimate, high-performance cable.   FEATURES In=Out Technology: Low capacitance for pure signal transparency 24k gold-plated plugs provide superior signal flow and corrosion resistance Two layers of shielding provide noise rejection for quiet operation Straight-to-straight 1/4-inch plugs for standard input jacks

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  The Planet Waves PW-PEP1 Full Frequency Earplugs is a set of reusable, universal sized audio filters designed specifically for musicians. The Pacato filters provide full frequency, enjoyable audio at safe listening levels. An exclusive design offers an open air passage to the ear, minimising occlusion effect (low frequency emphasis), whilst keeping the ear ventilated for comfort. FEATURES Provides a noise reduction rating of 19dB Provides natural sound at safe listening levels Universal size fits all ears comfortably Reusable and includes carrying pouch 60% of inductees into the Rock and Roll Hall of Fame are hearing impaired, protect your hearing today

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  Planet Waves 5-foot SpeakOn speaker cables feature Neutrik connectors to ensure positive connection into speaker terminals.   Planet Waves SpeakOn cables feature ultra-fine stranded premium-quality copper 14 AWG conductors, offering maximum signal transfer and flexibility.

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  Play better and prolong the life of your strings with a variety of innovative and useful Planet Waves cleaners and lubricants.   Slick up your strings with Planet Waves' XLR8 string lubricant and cleaner. XLR8 is a lubricant/cleaner that prolongs the life of your strings while keeping them and the fretboard clean. If you're looking to kill annoying string noise at your next gig or studio date, this is the stuff.    The ergonomic applicator is easy to use and comes with an airtight metal tin to keep it from drying out. Grab the Planet Waves XLR8 string lubricant and cleaner and improve the playability and feel of your strings!   FEATURES String lubricant and cleaner with applicator Reduces string friction and finger squeak for faster playing Extends string life

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Guitarists, we're sure you're familiar with that nasty pop sound your amplifiers and speakers make when you unplug an active cable from you guitar. Not a good sound! But the D'Addario Circuit Breaker guitar cables put a built-in mute switch at your fingertips, letting you instantly, and silently, break the connection.    Once the cable connection is broken, you can remove the cable and insert it into a different guitar without any sound through your rig. When you're ready to play, just press the D'Addario Circuit Breaker Cable's mute button, and you're ready to go.   FEATURES Length: 15' Straight connectors Built-in momentary mute switch Prevents pops and squeals when unplugging your guitar   SPECIFICATIONS Connector 1 : TS Male 1/4 Connector 2 : TS Male 1/4 Length : 15'

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The D’Addario Circuit Breaker instrument cable features an actuated “kill switch” that allows for noise-free instrument changes. Press the switch once to mute the signal to the amplifier completely. Press again to reactivate the signal flow. Available in latching or momentary switches in straight or right-angle plugs in a variety of lengths. Circuit Breaker cables utilize ultra-pure, oxygen-free copper conductors for low capacitance and pure tone. Solderless plugs ensure a solid connection and are easy to fix on the gig with a simple cutter and screwdriver. Two layers of shielding provide 100% coverage for superior insulation and noise rejection, making this the ultimate, high-performance cable.  

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HelioFused soldering: Provides bulletproof construction that can withstand the rigors of the stage, gig after gig.   D’Addario’s patented Geo-Tip: Gives you the most secure connection possible. Ordinary cables tips don’t allow for varying jack tolerances. But the D’Addario-designed patented Geo-Tip works with any jack to give you the most secure, trustworthy connection possible.    Optimized capacitance: Audiophile quality wire tuned for optimized capacitance (28pF/ft), and shielded with 95% tinned copper braiding to eliminate handling noise and reject interference.   D'Addario American Stage Guitar Cables save your tone from being mangled before it hits your amplifier. American Stage Cables use audiophile-quality wire and custom-designed Neutrik 1/4" plugs that make a robust connection and deliver your precious tone with pristine clarity. So because sound quality and and reliability should be at the forefront of every player's needs onstage or in the studio, you don't want to compromise by using inferior cables. Open your ears to the difference a great cables make, and trust your signal to D'Addario American Stage Cables.   FEATURES Audiophile-quality wire made in the USA Reproduces the natural tones of your instrument with zero interference Precision manufactured using only the finest materials Exclusive in-line solder process creates a permanent bond between wire and plug Geo-Tip Neutrik connectors add stability to you connections Clear connection with incredible strength and durability

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  Planet Waves American Stage Kill Switch Cables let you sound your best. Inferior guitar/instrument cables can mangle your tone. But because these American Stage Kill Switch Cables use audiophile-quality wire and custom-designed Neutrik 1/4" plugs, you get a robust connection and clear delivery of your precious tone.    And with the integrated kill switch you'll avoid undo wear and tear on your amplifiers and speakers. The switch automatically kills the electrical connection when pulled so there is no pop when pulling an active cable from a jack. Onstage and in the studio - whether you play guitar, keyboards, bass, or any other electric instrument - you can trust your signal to Planet Waves American Stage Kill Switch Cables.   FEATURES High-quality instrument cable with built-in kill switch Built in momentary kill switch for silent instrument changes Patented Geo-tip design ensures a secure connection In-line soldering technology provides a superior connection Chuck style cable clamp provides powerful strain relief Reliable Neutrik connectors   SPECIFICATIONS Connector 1:TS Male 1/4 Connector 2:TS Male 1/4 Length:15' Manufacturer Part Number:PW-AMSK-15

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The D’Addario American Stage Microphone Cables are precision engineered and expertly assembled in our Farmingdale, New York facility. We begin with a premium, audiophile cable manufactured in the USA, and add exclusive high quality connectors built by Neutrik, in Liechtenstein, utilizing aerospace crimp connector technology. These unique engineering and cutting-edge manufacturing techniques combine to create a cable that will exceed the most demanding expectations, allowing the brilliance of your instrument or voice to shine through with the utmost in transparent, natural, and true-to-life sound. The gig is on the line every time you plug in, and we’re committed to giving you the best sounding, most reliable cable available, period.

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Utilizing the latest in cable manufacturing technology, D’Addario’s Custom Series Braided Instrument Cables feature a coaxial oxygen-free copper conductor with two layers of impenetrable noise-rejecting shielding formulated for low capacitance. The lower cable capacitance allows your instrument’s brilliance, presence and character to be transmitted with the utmost transparency. Additionally, the nylon braiding protects the cable against abrasions, cuts and kinking. Nothing should come between your instrument and amplifier—including your cable.

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D’Addario’s Classic Series Patch Cables provide the ultimate in quality and value. These cables utilize ultra-pure, oxygen-free copper conductors for low capacitance and pure tone. A single-molded strain relief plug provides durability and worry-free reliability. 90% spiral shielding eliminates virtually all handling noise. Available individually as well as in 3-packs of 6-inch cables and offers a great value when multiple patch cables are needed for pedalboard set up.

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Classic Series microphone cables utilize ultra-pure, oxygen-free copper conductors for low capacitance and pure signal transfer. A flexible molded collar provides outstanding strain relief for worry-free reliability. 95% shielding eliminates virtually all handling noise.

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The D’Addario Micro Headstock Tuner is a feature-packed tuner your audience will never see. This highly accurate tuner features a full-color display with four selectable viewing angles (two vertical, two horizontal) in a housing that blends with the aesthetics of any instrument. The advanced tuning algorithms allow you to tune in noisy environments, while the ratchet clamp securely attaches to the instrument to hang tight during live performance. It’s so small, convenient, and accurate, you’ll want one for every instrument you own.

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The D’Addario Micro Violin Tuner features an easy-to-read, full-color display in an attractive compact design. A non-marring, lever-lock clamp holds the tuner securely to the instrument while allowing easy application and removal. The precision violin tuner is not only perfect for tuning, the unique mounting system and fast pitch response allow it to be used as an effective practice tool for referencing and improving intonation while playing.

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Designed specifically for acoustic guitar, ukulele, and other acoustic instruments, the D’Addario chromatic Micro Soundhole Tuner remains perfectly concealed within the instrument’s soundhole for discreet tuning. The non-marring universal mounting clip allows stress-free installation, while the highly sensitive piezo transducer senses vibrations directly from the soundboard for fast and accurate tuning response. The bright, multi-color display allows easy viewing in any environment. It’s so small, convenient, and accurate, you’ll want one for every acoustic instrument you own!

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A modestly-priced tuner with unparalleled performance, the Equinox chromatic clip-on tuner offers fast, accurate chromatic tuning on and off the stage.The tuner features a full colour vertical display, auto power-off, and pitch calibration in a discreet, compact design. The multi-swivel action allows for the perfect viewing angle and can be mounted in front of or behind the headstock on right- and left-handed instruments.

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D’Addario Custom Series Cables utilize ultra-pure, Twisted pair, oxygen-free copper conductors for low capacitance and pure tone. Encapsulated and impenetrable soldering points with double-molded strain relief provide maximum durability and worry-free reliability. Two layers of shielding provide 100% coverage for superior noise rejection noise rejection and minimal handling noise, making this a superior, high-performance cable.

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Planet Waves Custom Series Instrument Cables offer ultra low capacitance for pure signal transparency. Built to last, the Planet Waves PW- MD Midi cables feature five pins, ideal for phantom power, and gold-plated plugs for superior data transfer. Exclusive Planet Waves overmolded connectors provide extra protection with unmatched strain relief. Custom Series cables come with a lifetime guarantee.   SPECIFICATIONS 5-pin, ideal for phantom power usage. Gold plated plugs provide superior data transfer. Shielding provides noise rejection for quiet operation. Molded plugs offer protection and strain relief.  

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D’Addario Protect is a natural protectant and sealer for all clear coated instruments, combining premium quality Brazilian Carnauba Wax and advanced chemistry to produce a distinct radiance with quick and easy application. Step 2 of a 3-part system.

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 D'Addario Shine spray cleaner and maintainer is an easy-to-use daily cleaner for all clear coated instruments. Shine erases dust, fingerprints, and minor imperfections, while color enhancers bring out your instrument’s beauty. Step 3 of a 3-part system.  Spray cleaner and maintainer Keep your finish looking like new Erases dust, fingerprints, and minor imperfections Brings out the natural color and beauty of your instrument Step 3 of a three part restoration system from Planet Waves  FEATURES Restores the natural colour of the instrument Removes dust, fingerprints, as well as minor imperfections Is the third step of a three-part restoration routine by Planet Waves

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  From Planet Waves, the trusted people who bring you D’Addario strings, comes a complete line of innovative, problem-solving, quality musical accessories including cables, picks, tuners, capos, straps, humidifiers, maintenance tools and more.   Part of a 3-step guitar care system, D'Addario Restore deep cleaning polish is a formula designed to remove swirl marks and even light scratches from all clear coated instruments.   FEATURES Designed to cut through the toughest grime Safe for all clear coated instruments Polish out swirl marks •Help remove minor scratches Step 1 of a three part restoration system from D'Addario Not designed for matte or natural finished instruments

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The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1215 provides standard features like dual channels, 15 2/3 octave bands, ISO frequency centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other thoughtful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.     The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 2U steel/aluminum chassis.   Features Switchable boost/cut ranges of ±6 or ±15 dB Electronically balanced/unbalanced inputs Servo balanced/unbalanced inputs RF filtered inputs and outputs XLR, Barrier Strip, and 1/4" TRS connectors -12dB/+12dB input gain range 18dB/octave 40Hz Bessel low-cut filter Chassis/signal ground lift capability Internal power supply transformer Power-off hardwire relay bypass with 2-second power-up delay

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When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.     The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.     Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.   Features Single 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12dB 12dB per octave, 3dB down @ 50Hz low-cut filter Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inputs and Outputs Frequency Response of <10Hz to >50kHz Dynamic range of greater than 108dB

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When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.     The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best.     Sure to find a home in the studio, on tour and with installed sound venues, the dbx 215s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.   Features Dual 15-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12 dB Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inpts and Outputs Frequency Response of <10Hz to >50kHz Dynamic range of greater than 108dB

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The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Recommended for: Portable. Features XLR balanced ins and outs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant

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When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.     The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.     Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.     Features Dual 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12 dB Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inpts and Outputs Frequency Response of <10Hz to >50kHz Dynamic range of greater than 108dB

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FEATURES TRS differentially balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant Connectors: 1/4" TRS Type: Electronically balanced/unbalanced, RF filtered Impedance: Balanced >50k ohm, unbalanced >25k ohm Max Input Level: >+22dBu balanced or unbalanced CMRR: >40dB, typically >50dB at 1kHz SPECIFICATIONS OUTPUTS Connectors: 1/4" TRS Type: Impedance-balanced/unbalanced, RF filtered Impedance: Balanced 200 ohm, unbalanced 100 ohm Max Output Level: >+21dBu balanced/unbalanced into 2k or greater CROSSOVER FREQUENCIES Stereo Mode: Low/High 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) Low/Mid 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) Mid/High: 450Hz to 9.6kHz (x10 setting) Mono Mode: Low/Low-Mid 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) Low-Mid/High-Mid 450 Hz to 9.6 kHz High-Mid/High 450 Hz to 9.6 kHz Filter type: Linkwitz-Riley, 24 dB/octave, state-variable FUNCTION SWITCHES Front Panel (Low Cut): Activates 40Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel Phase Invert: Inverts the phase at the output, one switch per output Rear Panel: x10: Multiplies crossover frequency range by 10, one switch per channel Mode: Selects stereo/mono and 2/3/4-way operation LF sum: Selects normal (stereo) or mono-summed low frequency operation INDICATORS Stereo Operation: Green LED Mono Operation: Yellow LED Low Cut: Red LED per channel x10 Green LED per channel Phase Invert: Red LED per output (3 per channel) SYSTEM PERFORMANCE Bandwidth: 20Hz to 20kHz, +0/-0.5dB Frequency Response: < 3 Hz to > 90 kHz, +0/-3 dB Dynamic Range: > 106 dB, unweighted, any output Signal-to-Noise: Ref: +4 dBu, 22 kHz measurement bandwidth THD + Noise: < 0.004% at +4 dBu, 1 kHz < 0.04% at +20 dBu, 1 kHz Interchannel Crosstalk: < -80 dB, 20Hz to 20 kHz Common Mode Rejection: Ref (+4dBu, 22kHz measurement bandwidth):Stereo Mode >94dB (Low Output); >93dB (Mid Output); >90dB (High Output)Mono Mode: >94dB (Low Output); >94dB (Low/Mid Output); >92dB (High/Mid Output); >88db (High Output) POWER SUPPLY Operating Voltage: 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz Power requirements: 15W Operating Temperature: 32F to 113F (0C to 45C) PHYSICAL Dimensions: 1.75" H X 6.9" D X 19" W (4.5cm x 17.5cm x 48.26cm) Weight: 4.0 lb. (1.8 kg); Shipping Weight: 5.8 lb. (2.6 kg) Dimension Packaging Weight : 3.0 kg

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Adding a dbx® 266xs Compressor/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.  dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.  Features Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode

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The dbx® 286s is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy® compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.     The dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1/4" TRS Line Input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to "loop out" to external processors (such as EQ or delay unit) or to mix the Mic Preamp's signal out to an external destination.     The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286s provides you with all the mic processing you need in one box, with the shortest, cleanest signal path to keep your music sounding its best!     Features Studio quality Mic Preamp/Channel Strip Processor Classic dbx Compression puts great sound within easy reach Frequency tunable De-Esser reduces sibilance and high frequency distortion Enhancer increases the detail and definition of the high and low frequencies Program adaptive Expander/Gate Insert jack allows you to add an external processor Full compliment of meters and status LEDs +48V Phantom Power Precision detented controls

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For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.     The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!   Features Based on dbx's fabled Subharmonic Synthesizer processors Simple, intuitive interface Synthesized frequency level indicator LEDs Individual controls for two ranges of subharmonic frequencies Subharmonics level control Synthesis Bypass switch

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The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!     With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.   Features Based on the classic dbx 902 Frequency Control Range from 800Hz to 8kHz Expanded Scale LED Gain Reduction Metering De-essing Amount Range from 0dB to 20dB In/Out Switch HF Mode Switch

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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.   The dbx 530's overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into “infinite notch” mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530's “On” switch. Load up your 500 Series rack with dbx 530 Parametric EQs­­ and cut your way through mixes like an audio surgeon!   Features Based on the classic dbx 905 3-band parametric EQ Selectable bell or shelf type filters on low and high frequency bands Adjustable Q on each band

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The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.   Featuring the same switch-selectable OverEasy® and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.   Choose low ratios and OverEasy compression to expertly smooth out fluctuating vocal and instrumental levels, or use the 560A's Hard Knee compression and high ratios for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals.   The 560A's 19-segment, switchable Input/Output LEDs and 12-segment Gain Reduction LEDs provide precise analysis at a glance. And, the dbx 560A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway mix levels.   Features OverEasy® or classic hard knee compression with dbx’s ultra-musical program dependent attack and release times Compression ratio variable from 1:1 through infinity:1 to -1:1 Precise RMS gain reduction and input/output meter displays with calibration control for different operating levels True RMS level detection Exclusive Infinity+ compression using negative ratios

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At dbx Professional Products we are proud to introduce the all new 676 Tube Mic Pre Channel Strip. The 676 represents all of the best of dbx’s more than 40 years of dynamics processing.     The 676 offers a pristine high-voltage, Class-A tube preamp section that runs on 250 volts, so your signal can be as crystal clean or dirty as you need it to be. The 676 also incorporates the compressor/limiter design from the highly-sought after dbx162SL, as well as a 3-band parametric EQ with sweepable mids.     The 676 provides audio professionals with the perfect channel strip for recording and live applications alike with its military-grade build, vintage-inspired controls and VU metering.     Features Class-A Vacuum Tube Preamp with High Voltage Gain High-Visibility Vintage VU Meter Compressor designed from the dbx162SL 3-Band Semi-Parametric EQ 1/4” and XLR Inputs and Outputs Front Panel Instrument Input Side Chain Insert

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The AFS2 Advanced Feedback Suppression processor has been completely re-designed to take the foundation of the best selling AFS224 and bring it to thte next level. The AFS2 now offers the highly-intuitive Wizard function that takes all of the guesswork out of setting up any room.  The AFS2 also incorporates a completely re-designed Advanced Feeback Supression module.  Best of all, the AFS2 now provides the user with a full LCD display setup and monitoring.   Features Wizard Setup Function Full LCD Display dbx’s patented (Advanced Feedback Suppression) AFS™ technology 24 Programmable Filters per Channel Stereo or Dual Independent Channel Processing Live and Fixed Filter Modes Selectable Filter Lift Times Application-specific filter types include: Speech and Music Low, Med and High Input channel Metering 24 LED per Channel Filter Metering XLR and TRS Inputs and Outputs

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We all know how frustrating and time consuming it can be when your audio cables fail. With the dbx CT2 cable testing unit you can now evaluate a large variety of your cables with ease. The CT2 offers many common connectors such as Speaker Twist, XLR, Phono, BNC, DIN, TRS, TS, DMX, & Banana. The CT2 allows for testing cables even with different connectors at each end. For example, it is simple to test a TRS to XLR cable. With well illuminated LED indicators and a simple rotary dial, users can quickly establish whether a cable is wired and functioning correctly, or if it is dead and in need of repair.   Features 6-position rotary selector with individual LED’s for up to five pins plus internal battery life check ‘Banana’ connector continuity tester with beeper and LED indicator Super-rugged construction for durability and longer life (2) Speaker Twist connectors for testing of 4 pin->to pin connections (2) XLR connectors (1 x Male, 1 x Female) for testing of 3 pin->to pin connections (2) RCA Phono connectors for testing of 2 pin->to pin connections (2) BNC connectors for testing of 2 pin->to pin connections (2) MIDI (5-pin DIN) connectors for testing of 5 pin->to pin connections (2) DMX (5-pin) connectors for testing of 5 pin->to pin connections (2) 1/4” TRS connectors for testing of 3 pin->to pin connections (2) Banana connectors for testing of 1 pin->to pin connections

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The dbx CT3 is an advanced cable testing unit allowing you to evaluate a large variety of cables with ease. The CT3 offers many common connectors such as RJ45, RJ11, MIDI, Speaker Twist, XLR, RCA Phono, BNC, DIN, TRS, TS, DMX, & Banana. It can be split into 2 parts, a SENDER and RECEIVER so preinstalled and long cables can be tested.   Features Tests up to 8-pin cables 2 piece chassis for testing installed cables Test Tone Generator Allows connection between different format connectors with ease ‘Banana’ connector continuity tester with beeper and LED indicator Super-rugged construction for durability and longer life (2) DMX (5-pin) connectors for testing of 5 pin->to pin connections (2) BNC connectors for testing of 2 pin->to pin connections (2) RCA Phono connectors for testing of 2 pin->to pin connections (2) XLR connectors (1 x Male, 1 x Female) for testing of 3 pin->to pin connections (2) MIDI (5-pin DIN) connectors for testing of 5 pin->to pin connections (2) Speaker Twist connectors for testing of 4 pin->to pin connections (2) Banana connectors for testing of 1 pin->to pin connections (2) 1/4” (6.3mm) TRS/TS connectors for testing of 3 pin->to pin connections (2) RJ45 connectors for testing of 8P8C modular connections (2) 1/8” (3.5mm) TRS/TS connectors for testing of 3 pin->to pin connections

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At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didn’t settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally there’s a direct box worthy of the dbx name. Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound. As a professional, you don’t have time for interference, so we’ve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units. Recommended for: Studio, Tour, Portable. Features Premium Performance Rugged Design Stackable Chassis with Durable Rubber Foot Gold-plated Neutrik® XLR Connector Premium Chrome Toggle Switches Hi-Z 1/4" Input Jack Parallel 1/4" Thru Jack Transformer Isolated Premium Shielded Custom dbx Transformer Balanced XLR Lo-Z Output 3-Way 0/20/40 dB Pad Switch Flat/High-Cut Filter Switch Output Polarity Invert Switch Ground Lift Switch

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At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didn’t settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally there’s a direct box worthy of the dbx name. Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.   As a professional, you don’t have time for interference, so we’ve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.   Features Premium Performance Rugged Design Stackable Chassis with Durable Rubber Foot Gold-plated Neutrik® XLR Connector Premium Chrome Toggle Switches Hi-Z 1/4" Input Jack Parallel 1/4" Thru Jack Transformer Isolated Premium Shielded Custom dbx Transformer Balanced XLR Lo-Z Output 3-Way 0/20/40 dB Pad Switch Flat/High-Cut Filter Switch Output Polarity Invert Switch Ground Lift Switch

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The dbx Di1 is a compact high-quality active direct injection box. Ideal for both studios and on the road, the Di1 will ensure audio signals reach their intended destination in both a balanced format and free from unwanted noise.     Connect the output from electric guitars, bass amplifiers, keyboards, etc., directly to a console mixer without the use of a microphone.     Built for toughness and reliability, the Di1 has all the features of a fully featured gig-ready workhorse DI unit.     Features Level and impedance matching function Output impedance: > 600 Ohms Signal pass through connector Output connector: XLR balanced Battery LED indicator Distortion: (THD) < 0.005% at 1kHz, 0dBu Phantom power LED indicator Max Input: +12dBu (at 0dB) Level +32dBu (at -20dB) +52dBu (at -40dB) Output Noise: <-100dB unweighted TS and XLR inputs and outputs Frequency response: 10Hz to 70kHz, +0dB/-3dB Attenuation control Phantom Power: +18 volts DC to +48 volts DC Ground lift switch Main/Standby: 9V battery Input Impedance: >250k Ohm Metal Chassis

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The 4-channel Di4 is designed to be used as a standard tool for many audio applications. Offering four channels, the Di4 easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The Di4 also functions as multi-channel stereo line mixer. This feature allows you to connect all your keyboards, samplers and modules into just one rack unit on stage and supply independent XLR balanced outputs to the stage box for a front of house engineer and set your own independent mix for stage monitoring. The Di4 also offers a headphone output.   Features Four totally independent DI box units in 1/2 RU package Independent 20dB pad switch per channel Independent ground (earth) lift switch per channel Independent volume control per channel for line mixer output Independent pan control per channel for line mixer output Master volume Headphone output

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The 2-channel passive DJdi is designed to be used as a standard tool for many audio applications. Offering two channels, the DJdi easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of signal levels and its passive design means clean, quiet and uncolored operation with no power required.   Features Dual Channel (2) 1/4” 50k Ohm TS Inputs (2) XLR Transformer-Isolated 600 Ohm Input/Outputs Passive Circuit Design Continuously Variable Input Attenuator Ground Lift Switch

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The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus® limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare™ GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system     Features Feedback Elimination 2.7 Seconds of Alignment and Zone Delay RS-232 PC GUI control Classic dbx Compression and Limiting Graphic and Parametric EQ Auto-EQ Function Full Bandpass, Crossover, and Routing Configurations Auto Gain Control Pink Noise Generator and fulltime RTA Setup Wizard with JBL speaker and Crown Power Amplifier Tunings Security Lockout

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The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx’s proprietary AutoEQ™ and AFS™ algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.   Features All New Setup Wizard Streamlined AutoEQ™ All New AFS™ (Advanced Feedback Suppression) Mobile Control (Android®, iOS®, Mac®, Windows®) dbx Compression Graphic EQ 8-Band Parametric EQ (adjusted when using the AutoEQ) Input Subharmonic Synthesis Crossover (supports full range, 2-way, and 3-way systems) 8-Band Parametric EQs (used for speaker tunings) Output dbx Limiting Driver Alignment Delays

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The VENU360 provides all the processing and flexibility you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx’s proprietary AutoEQ™ and AFS™ algorithms, additional input channels, ethernet control via an Android,® iOS,® Mac,® or Windows® device, and updated wizards, the DriveRack VENU360 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.   Features INPUT PROCESSING dbx Compression AFS™ (Advanced Feedback Suppression) 31-Band Graphic EQ 12-Band Parametric EQ (with narrow notch capabilities) Subharmonic Synthesis Backline Delay Noise Gate     OUTPUT PROCESSING Crossover (supports full range up to mono 6-way systems) 12-Band AutoEQs (8 AutoEQ bands, 4 User bands) dbx Compression Automatic Gain Control Subharmonic Synthesis Noise Gate Tower Delays (up to 1000ms per output) 8-Band Parametric EQs (used for speaker tunings) dbx Limiting Driver Alignment Delays     TESTED WIRELESS ROUTERS: Dlink 636L Dlink Cloud router 2000 Cisco / linksys: WRT54G2V1 Netgear WGR614 v7 Netgear WNR 1000

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With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx® legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 31-band channels of 1/3-octave equalization, the iEQ-31 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.     The iEQ series represents a major step forward in the performance of graphic equalizers. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-31 offers out of this world specifications with a down-to-earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-31 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional’s choice in signal processing. With such pristine design and quality, the iEQ-31 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.     Features Advanced Feedback Suppression (AFS™) Type V™ Noise Reduction PeakStopPlus® Limiting 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of +6 or +15dB 18 dB per octave 40Hz low-cut filter +12dB input gain range XLR, TRS and Euroblock Inputs and Outputs Internal Toroidal Transformer Dyanmic range of greater than 113dB User Power Up Features Relay Bypass for Power Failure System Protection

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The PB-48 is a patchbay that just works, all the time, every time. It comes in two flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear. The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup.   FEATURES 48 patch points 24 pairs on 24 cards Each pair/card can be set to any normalled configuration or entirely de-normalled All connections are 1/4" TRS Contacts made of pure nickelsilver SPECIFICATIONS Number of Points:48 Format:Rack Connector Types - Front:1/4" TRS Connector Types - Back:1/4" TRS Function Mode:Normal, Half Normal, De-Normalled (Thru) Analog/Digital:Analog Height:1.74" Depth:2.6" Width:19" Weight:2.3 lbs. Dimension Packaging Weight : 4.2 kg  

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