The Universal Audio UAD-2 Satellite Thunderbolt 3 will do just that. This is the QUAD model four SHARC processors deliver a massive level of DSP, enabling you to pack your mixes with the world's most authentic analog emulation plug-ins. What’s more, this DSP accelerator’s Thunderbolt 3 connectivity gives it sub-2ms latency and enough bandwidth to build massive daisy chains of Thunderbolt-equipped devices. The UAD-2 Satellite Thunderbolt 3 includes UA’s Analog Classics Plus plug-in bundle, and you can access over 90 optional plug-ins from Ampex, Lexicon, Studer, Neve, and more. The UAD-2 Satellite Thunderbolt 3 sports updated cosmetics with a convenient front-panel power switch and eye-catching backlit UA logo.FEATURES Portable DSP Accelerator unit plus UAD plug-in package Run UAD Powered Plug-ins via Thunderbolt 3 Juiced performance at higher sample rates with less than 2ms of latency 4 SHARC processors provide a massive DSP boost for running large professional mixes Access over 90 plug-ins (sold separately) from Ampex, Lexicon, Studer, Neve, Manley, SSL, EMT, and more Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals* Fan-free construction for quiet operation Great for mobile mixing with UAD plug-ins on your Thunderbolt 3-equipped computer Expands the DSP power of your Thunderbolt-equipped Apollo audio interface; can be combined with other UAD-2 DSP Accelerators Updated cosmetics with convenient front-panel power switch and eye-catching backlit UA logo SPECIFICATIONS Computer Connectivity : Thunderbolt 3 Form Factor : Desktop DSP Accelerator Built In DSP/FX : 4 x SHARC Processors - Realtime UAD processing Thunderbolt : 2 x USB-C (Thunderbolt 3) Software : UAD Analog Classics Plus Plug-in Bundle: Fairchild, UA, Pultec, Precision, Teletronix, RealVerb Pro OS Requirements - Mac : OS X 10.12 or later OS Requirements - PC : Windows 10 Anniversary Update or later

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  Want to shift your music production into high gear? The Universal Audio UAD-2 Satellite Thunderbolt 3 will do just that. This is the OCTO model eight SHARC processors deliver a massive level of DSP, enabling you to pack your mixes with the world's most authentic analog emulation plug-ins. What’s more, this DSP accelerator’s Thunderbolt 3 connectivity gives it sub-2ms latency and enough bandwidth to build massive daisy chains of Thunderbolt-equipped devices. The UAD-2 Satellite Thunderbolt 3 OCTO Custom includes UA’s Analog Classics Plus plug-in bundle, and your choice of three additional plug-ins at registration from Ampex, Lexicon, Studer, Neve, and more. The UAD-2 Satellite Thunderbolt 3 sports updated cosmetics with a convenient front-panel power switch and eye-catching backlit UA logo. FEATURES Portable DSP Accelerator unit plus UAD plug-in package Run UAD Powered Plug-ins via the Thunderbolt 3 connection on your computer Juiced performance at higher sample rates with less than 2ms of latency 8 SHARC processors provide a massive DSP boost for running large professional mixes Choose any 3 additional UAD plug-in titles at registration from Ampex, Lexicon, Studer, Neve, Manley, SSL, EMT, and more Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals Fan-free construction for quiet operation Great for mobile mixing with UAD plug-ins on your Thunderbolt 3-equipped computer Expands the DSP power of your Thunderbolt-equipped Apollo audio interface; can be combined with other UAD-2 DSP Accelerators Updated cosmetics with convenient front-panel power switch and eye-catching backlit UA logo SPECIFICATIONS Computer Connectivity : Thunderbolt 3 Form Factor : Desktop DSP Accelerator Built In DSP/FX : 8 x SHARC Processors - Realtime UAD processing Thunderbolt : 2 x USB-C (Thunderbolt 3) Software : UAD Analog Classics Plus Plug-in Bundle: Fairchild, UA, Pultec, Precision, Teletronix, RealVerb Pro ; Additional plug-in access OS Requirements - Mac : OS X 10.12 or later OS Requirements - PC : Windows 10 Anniversary Update or later

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The Universal Audio 6176 combines two pro audio legends the 610 mic/line tube preamp and the 1176LN solid-state compressor/limiter to create what may be the ultimate channel strip. The preamp section is packed with features, such as mic, line, and hi-Z inputs; two bands of shelving EQ; and a 15dB pad. The dynamics section maintains all the classic features found on the classic 1176LN. Each unit has dedicated ins and outs and can be used independently in Split mode or in series in Join mode via a front-panel switch. Handcrafted in Universal Audio's Scotts Valley, California labs, the 6176 offers weapons-grade build quality and colorful sonic character at an accessible price.FEATURES Classic Putnam 610 console mic/line preamplifier High- and low-frequency shelving EQ, each with 3 selectable hinge frequencies Classic 1176LN compression Variable input gain and output levels Ultra-quiet operation Mic, balanced line, and hi-Z inputs Multiple impedance settings 15dB pad, polarity reverse, 48V phantom power Stereo interconnection of multiple units via 1176-SA Use mic pre and compressor separately (Split) or in series (Join) Legendary UA build quality and heritage SPECIFICATIONS Preamp Type : Tube Number of Channels : 1 Phantom Power : Yes EQ : Yes Compressor : Yes Analog Inputs : 1 x XLR (Preamp, Mic), 1 x XLR (Preamp, Line), 1 x XLR (Compressor, Line) 1 x 1/4" (Hi-Z) Analog Outputs : 1 x XLR (Preamp), 1 x XLR (Compressor) Frequency Response : 20Hz-20kHz Rack Spaces : 2U Height : 3.5" Depth : 12.5" Width : 19" Weight : 12 lbs.

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  Leveraging Universal Audio's renowned analog expertise, the Volt 1 is a USB-C audio interface worthy of UA's decades-long legacy. The Volt 1 boasts top-flight analog circuitry, along with class-leading 24-bit/192kHz AD/DA conversion, enabling you to create professional-sounding music productions, livestreams, and podcasts. This bus-powered audio interface boasts one microphone preamplifier with switchable 610-style analog sound and convenient input metering. Stereo analog outputs and a headphones output make monitoring a snap, plus you get direct monitoring for zero-latency operation. You also get MIDI I/O for your synths and controllers. The Universal Audio Volt 1 vaunts a rugged, retro-inspired industrial design and comes with a cutting-edge native software bundle. FEATURES 1-in/2-out USB-C audio interface with 1 microphone preamp/input channel Top-flight analog circuitry and class-leading 24-bit/192kHz AD/DA conversion Selectable Vintage Preamp Mode employs solid-state electronics for tube-like dynamic saturation and clipping Convenient input metering makes setting levels a piece of cake Stereo analog outputs and a headphones output make monitoring a snap Direct monitoring supplies zero-latency operation MIDI I/O for your synths and controllers Rugged, retro-inspired industrial design Comes with a cutting-edge native software bundle SPECIFICATIONS Computer Connectivity: USB 2.0 Form Factor: Desktop Simultaneous I/O: 1 x 2 Number of Preamps: 1 x mic Phantom Power: Yes A/D Resolution: 24-bit/192kHz Analog Inputs: 1 x XLR-1/4" combo (mic/instrument) Analog Outputs: 2 x 1/4" (L/R) Headphones: 1 x 1/4" MIDI I/O: In/Out USB: 1 x USB-C Software: Ableton, Melodyne, UJAM, Marhsall, Ampeg OS Requirements - Mac: macOS 10.14 or later, iPadOS/iOS 14 or later OS Requirements - PC: Windows 10 or later (64-bit) Bus Powered: Yes Power Supply: USB bus powered / 5V DC power supply (sold separately) Height: 1.96" Width: 5.70" Depth: 5.11" Weight: 1.20 lbs.

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 The Universal Audio Volt 176 leverages UA's renowned analog expertise to deliver a USB-C audio interface worthy of a decades-long legacy. The Volt 176 boasts top-flight analog circuitry, along with class-leading 24-bit/192kHz AD/DA conversion, enabling you to create professional-sounding music productions, livestreams, and podcasts. This bus-powered audio interface boasts one microphone preamplifier with switchable 610-style analog sound and convenient input metering. This interface's crown jewel, however, is its built-in 1176-derived FET compressor with three push-button application modes. Beyond that, stereo analog outputs and a headphones output make monitoring a snap, plus you get direct monitoring for zero-latency operation. You also get MIDI I/O for your synths and controllers. The Volt 176 vaunts a rugged, retro-inspired industrial design and comes with a cutting-edge native software bundle.FEATURES 1-in/2-out USB-C audio interface with 1 microphone preamp/input channel Top-flight analog circuitry and class-leading 24-bit/192kHz AD/DA conversion Selectable Vintage Preamp Mode employs solid-state electronics for tube-like dynamic saturation and clipping Convenient input metering makes setting levels a piece of cake Built-in 1176-derived analog compressor with 3 expert presets Stereo analog outputs and a headphones output make monitoring a snap Direct monitoring supplies zero-latency operation MIDI I/O for your synths and controllers Rugged, retro-inspired industrial design with wood side panels Comes with a cutting-edge native software bundle SPECIFICATIONS Computer Connectivity: USB 2.0 Form Factor: Desktop Simultaneous I/O: 1 x 2 Number of Preamps: 1 x mic Phantom Power: Yes A/D Resolution: 24-bit/192kHz Analog Inputs: 1 x XLR-1/4" combo (mic/instrument) Analog Outputs: 2 x 1/4" (L/R) Headphones: 1 x 1/4" MIDI I/O: In/Out USB: 1 x USB-C Software: Ableton, Melodyne, UJAM, Marhsall, Ampeg OS Requirements - Mac: macOS 10.14 or later, iPadOS/iOS 14 or later OS Requirements - PC: Windows 10 or later (64-bit) Bus Powered: Yes Power Supply: USB bus powered / 5V DC power supply (sold separately) Height: 2.55" Width: 5.90" Depth: 5.11" Weight: 1.44 lbs.

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FEATURES 2-in/2-out USB-C audio interface with 2 microphone preamps/input channels Top-flight analog circuitry and class-leading 24-bit/192kHz AD/DA conversion Selectable Vintage Preamp Mode employs solid-state electronics for tube-like dynamic saturation and clipping Convenient input metering makes setting levels a piece of cake Built-in 1176-derived analog compressor with 3 expert presets Stereo analog outputs and a headphones output make monitoring a snap Direct monitoring supplies zero-latency operation MIDI I/O for your synths and controllers Rugged, retro-inspired industrial design with wood side panels Includes a large-diaphragm condenser microphone with stand mount and cable Includes studio headphones for high-quality monitoring Comes with a cutting-edge native software bundle SPECIFICATIONS Computer Connectivity: USB 2.0 Form Factor: Desktop Simultaneous I/O: 2 x 2 Number of Preamps: 2 x mic Phantom Power: Yes A/D Resolution: 24-bit/192kHz Analog Inputs: 2 x XLR-1/4" combo (mic/instrument) Analog Outputs: 2 x 1/4" (L/R) Headphones: 1 x 1/4" MIDI I/O: In/Out USB: 1 x USB-C Software: Ableton, Melodyne, UJAM, Marhsall, Ampeg OS Requirements - Mac: macOS 10.14 or later, iPadOS/iOS 14 or later OS Requirements - PC: Windows 10 or later (64-bit) Bus Powered: Yes Power Supply: USB bus powered / 5V DC power supply (sold separately) Height: 2.55" (Volt 276) Width: 7.28" (Volt 276) Depth: 5.11" (Volt 276) Weight: 1.74 lbs. (Volt 276) Dimension Packaging Weight : 1.2 kg

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  Leveraging Universal Audio's renowned analog expertise, the Volt 2 is a USB-C audio interface worthy of UA's decades-long legacy. The Volt 2 boasts top-flight analog circuitry, along with class-leading 24-bit/192kHz AD/DA conversion, enabling you to create professional-sounding music productions, livestreams, and podcasts. This bus-powered audio interface boasts two microphone preamplifiers with switchable 610-style analog sound and convenient input metering. Stereo analog outputs and a headphones output make monitoring a snap, plus you get direct monitoring for zero-latency operation. You also get MIDI I/O for your synths and controllers. The Universal Audio Volt 2 vaunts a rugged, retro-inspired industrial design and comes with a cutting-edge native software bundle. FEATURES 2-in/2-out USB-C audio interface with 2 microphone preamps/input channels Top-flight analog circuitry and class-leading 24-bit/192kHz AD/DA conversion Selectable Vintage Preamp Mode employs solid-state electronics for tube-like dynamic saturation and clipping Convenient input metering makes setting levels a piece of cake Stereo analog outputs and a headphones output make monitoring a snap Direct monitoring supplies zero-latency operation MIDI I/O for your synths and controllers Rugged, retro-inspired industrial design Comes with a cutting-edge native software bundle SPECIFICATIONS Computer Connectivity: USB 2.0 Form Factor: Desktop Simultaneous I/O: 2 x 2 Number of Preamps: 2 x mic Phantom Power: Yes A/D Resolution: 24-bit/192kHz Analog Inputs: 2 x XLR-1/4" combo (mic/instrument) Analog Outputs: 2 x 1/4" (L/R) Headphones: 1 x 1/4" MIDI I/O: In/Out USB: 1 x USB-C Software: Ableton, Melodyne, UJAM, Marhsall, Ampeg OS Requirements - Mac: macOS 10.14 or later, iPadOS/iOS 14 or later OS Requirements - PC: Windows 10 or later (64-bit) Bus Powered: Yes Power Supply: USB bus powered / 5V DC power supply (sold separately) Height: 1.96" Width: 6.88" Depth: 5.11" Weight: 1.43 lbs.

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When the legendary ’67 was introduced in 1960, many audio pros lauded the large-diaphragm tube condenser as the most natural-sounding microphone yet. Of course, it went on to become an enduring, coveted classic and spawned legions of worthy descendants, both tube and solid-state. Back in the day, pro audio equipment was handwired and assembled with mil-spec parts and materials — which, together with their extraordinary sonics, explains why we still see half-century-old microphones in major studios worldwide. The cost and complexities of maintaining these vintage treasures in working order, however, are more than most small studio owners care to take on. Enter the Universal Audio Bock 167. David Bock is well known in the contemporary pro audio community for the excellence of his vintage-style microphone designs. Equipped with its custom K 67 capsule and optimized tube electronics, the Bock 167 delivers the sonic proficiency of the venerable ’67 in a cutting-edge modern design with enhanced sensitivity, detail, and enhancements that render it considerably more versatile than the original. Features: Continuously variable (omnidirectional, cardioid, figure-8) polar pattern 4-position HF tone-shaping switch for impressive versatility Fat switch changes tube bias for 2 distinct sonic personalities 50Hz rumble filter removes undesirable LF content Proprietary all-brass capsule with 6-micron diaphragm Inductor-based power supply for increased dynamic range and tube longevity Includes shockmount, power supply, 20-foot cable, and signature wood storage box Handcrafted in the USA   Specs Microphone Type:Tube Condenser Mono/Stereo:Mono Polar Pattern:Multi-pattern, Continuously variable Diaphragm Size:1" (25.4mm) Frequency Response:10Hz-18kHz Max SPL:118 dB 1% THD Output Impedance:200 ohms Signal to Noise Ratio:75dB (A weighted) Sensitivity:-29 dB (33 mV) ref 1V at 1 Pa, 1 kHz Self Noise:19dB (A weighted) Pads:-20dB Tube:New Old Stock EF732 Features:PAD (-20 dB): off/on, MODE: fat/norm, Hi FREQ: Cut 5 kHz, Cut/Boost 10 kHz, Flat Color:Blue Power Source:External power supply Connector:5-pin XLR Dimensions:8" x 2.04" Weight:1.55 lbs. Included Accessories:Shockmount, power supply, 20' cable, signature wooden box Manufacturer Part Number:MIC-UA167

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The Universal Audio Bock 251 is David Bock’s take on the vintage large-diaphragm tube condenser that is considered by legions of audio professionals to be the best-sounding microphone ever made. But how do you improve on perfection? The manufacturing processes of the 1950s and ’60s didn’t have the precision tolerances today’s products benefit from. Thus, no two vintage microphones sounded identical when fresh off the assembly line, much less after decades of (ab)use. The UA Bock 251 mic is a meticulous re-creation of a primo original unit, secured after an exhaustive worldwide search. Bock’s creation, however, is no mere clone.  Features: Re-creation of an iconic mic from the Golden Age of Analog Proprietary all-brass C12-type capsule Switchable cardioid, omnidirectional, and figure-8 polar patterns Custom transformer delivers extended frequency response and generous headroom Inductor-based power supply for increased dynamic range and tube longevity Includes power supply, 20-foot cable, shockmount, signature wood storage box, and vintage-style suitcase Handcrafted in the USA   Specs Microphone Type:Tube Condenser Mono/Stereo:Mono Polar Pattern:Cardioid, Omnidirectional, Figure-8 Diaphragm Size:1" (25.4mm) Frequency Response:10Hz-18kHz Max SPL:118 dB 1% THD Output Impedance:150 ohms Signal to Noise Ratio:76dB (A weighted) Sensitivity:-34 dB (19 mV) ref 1V at 1 Pa, 1 kHz Self Noise:18dB (A weighted) Tube:New Old Stock ECC85 Features:Polar pattern selector Color:Green Power Source:External power supply (included) Connector:5-pin XLR Dimensions:2" x 8.5" Weight:12 lbs. Included Accessories:Shockmount, power supply, 20' cable with Tuchel connectors, signature wooden box, suitcase Manufacturer Part Number:MIC-UA251

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The Universal Audio Galaxy ’74 Tape Echo & Reverb pedal is an expertly crafted emulation of a lauded ‘70s-era Japanese tape reverb/delay unit, with an all-encompassing slew of upgrades that arguably make it an upgrade over the vintage original. Every nuance of the original’s wow, flutter, and gritty preamp are perfectly replicated, offering full modeling of the multi-head tape delay mechanism, tap tempo, and twice the repeat time. This results in an exceptionally warm, rich analog repeat with rhythmic possibilities that were simply impossible on the original unit. And while the ’74 Tape Echo sports a robust control section to dial in your sound, a quick flip of the Alt switch unlocks secondary functions on the bottom three knobs to further tweak your tone. Finally, pairing your Galaxy ’74 with the UAFX Control app allows you to swap the footswitch functions between Effects/Performance mode and Delay/Reverb mode, unlocking everything from feedback swells to echo rate ramps to bog-standard bypass options.  Features: Stereo reverb and delay pedal that perfectly emulates a legendary Japanese tape echo unit from the ’70s UAFX dual-engine processing delivers the highest level of sonic authenticity Runs separate stereo instances of the reverb and delay sides for maximum depth and atmosphere Delay side contains all the wow, flutter, and preamp grit of the original unit for an exceptionally character-packed echo sound 3-position Head Select switch and tape age knob for a true-to-tape echo experience Delay time is double the original unit, allowing for rhythmic divisions simply impossible on the vintage version Spring-style reverb adds a cascading splash to your tone for a touch of extra atmosphere Versatile tone-shaping options, with secondary functions available by flipping the Main/Alt switch Optional UAFX Control app allows you to configure your footswitch controls, adjust real-time effects, and customize how your pedal’s distinct oscillation sounds Utility features include silent switching, buffered bypass, analog dry through, switchable trails mode, and stereo/dual mono operation   Specs Pedal Type:Reverb, Echo Analog/Digital:Digital Inputs:2 x 1/4" TS Outputs:2 x 1/4" TS USB:1 x USB-C Bypass Switching:Buffered Software:UAFX Control app Power Source:9V DC power supply (sold separately) Power Usage:400mA Height:2.56" Width:3.62" Depth:5.55" Weight:1.24 lbs. Manufacturer Part Number:GPM-GLXY

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The Universal Audio Bock 187 is David Bock’s spin on the venerable ’87 — an industry standard, if there ever was one. From its introduction in 1967, the large-diaphragm FET condenser mic gained instant favor with engineers, producers, and their clients; and by the mid ’70s it was a staple in every world-class recording studio. Mr. Bock has built his considerable reputation with cutting-edge microphone designs that deliver the the most coveted sonic characteristics of beloved vintage classics along with modern precision, enhanced performance, and rock-solid reliability. The Bock 187 is no mere clone, however; it serves up its own inimitable sound with a creamy-smooth midrange and sparkling detail. It also offers extended low end and high headroom, courtesy of its large custom output transformer. Unlike the original, the Bock 187 features a versatile, fixed cardioid polar pattern. It’s also equipped with a true rumble filter hinged at 50Hz. Plus, its proprietary Fat switch instantly plumps up signals for enormous guitars and drums. Perfect for lead vocals and acoustic instruments, the Universal Audio Bock 187 sounds great on everything you point it at. Add one or two to your mic locker today!  Features: Versatile fixed cardioid polar pattern Proprietary all-brass capsule with dual diaphragm Fat switch adds instant low-end girth 50Hz rumble filter removes undesirable LF content Large output transformer delivers extended low-frequency response and headroom 10dB pre-attenuation pad Includes stand mount and signature wooden box Handcrafted in the USA   Specs Microphone Type:FET Condenser Polar Pattern:Cardioid Diaphragm Size:1" (25.4mm), dual symmetrical backplate K67 type Frequency Range:20 Hz to 16 kHz Max SPL:125 dB 1% THD Output Impedance:200 ohms Sensitivity:-42 dB (8 mV) ref 1V at 1 Pa, 1 kHz Signal to Noise Ratio:82dB A weighted Self Noise:12dB A weighted Low Cut Filter:LO CUT: off/on Pads:-10dB Connector:XLR Features:Fat switch, 50Hz Rumble Filter Color:Green Power Source:48V phantom power Dimensions:2" x 7.7" Weight:1.6 lbs. Included Accessories:Mic stand mount, signature wooden box Manufacturer Part Number:MIC-UA187

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Universal Audio Sphere LX offers a streamlined approach to the company's renowned microphone modeling system. You get a high-quality large-diaphragm condenser mic that works in concert with software that meticulously models the sonic attributes of 20 of the most coveted microphones ever made. The mic's compact design ensures flexible placement options, while IsoSphere software reduces unwanted coloration and room ambience in challenging spaces. The included Sphere DSP plug-in even lets you change your mic selections, polar patterns, and other characteristics, even after tracking. You can also blend the sound of two mono mics using Sphere LX's Dual Mode — a surefire way to maximize mic'd snare drums and guitar cabinets. Universal Audio Sphere LX is your one-way ticket to a dream mic locker. Features: Cutting-edge microphone modeling technology Record with the sound of 20 coveted vintage and modern microphones Blend the sound of 2 mono mics with 1 microphone Change mic type, polar pattern, and other mic characteristics — even after recording Audition the sound of different microphones without frustrating the singer Off-Axis Correction lets you attenuate bleed and unwanted room coloration  Specs Microphone Type:Modeling Condenser Polar Pattern:Variable Dual Output Diaphragm Size:1" (25.4mm) Frequency Response:20Hz-20kHz Max SPL:145dB SPL (1% THD @ 1kHz) Output Impedance:200 ohms Signal to Noise Ratio:84dB A weighted Self Noise:10dB A weighted Connector:5-pin XLR Features:20 Virtual Modeled Microphone available Color:Black Power Source:48V phantom power Dimensions:7.7" x 2" Weight:1.2 lbs. Included Accessories:Mic Stand Mount, 10' Cable, Hardshell Case Manufacturer Part Number:MIC-UALX

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From lush acoustic guitars to crisp drum overheads, Universal Audio’s SP-1 Standard Pencil Microphone Pair will accurately capture your source in beautiful stereo sound! These small-diaphragm condensers deliver a rounded top-end, boasting an incredible clarity that picks up every nuance of your sound. UA have also included a wealth of accessories that make the SP-1 pair ready to record right out of the box — audio engineers at Live Music Centre especially love the inclusion of a stereo T-bar that makes it easy for even the least experienced users to get a wide stereo capture. Plus, UA’s Apollo SP-1 presets will give you mix-ready results with the click of a button!  Features: Includes a matched pair of SP-1 small diaphragm condenser microphones for high-fidelity stereo capture of acoustic instruments, drums, and more Cardioid polar pattern for rejection of unwanted background noise Frequency range: 20Hz–20kHz Includes 2 mic stand mounts, 2 foam windscreens, and 2 thread adapters for easy setup right out of the box T-bar mount that allows you to use both mics with 1 stand and makes stereo recording a breeze Apollo SP-1 presets will maximize your recordings with a pro-level sound   Specs Microphone Type:Condenser Mono/Stereo:Stereo Pair Polar Pattern:Cardioid Frequency Range:20Hz-20kHz Max SPL:142dB SPL (1% THD) Output Impedance:200 ohms Sensitivity:12.6mV/Pa (-38dB) Connector:XLR Color:Nickel Power Source:48V phantom power Dimensions:5" x 0.93" Weight:0.28 lbs. Included Accessories:2 x Mic Stand Mounts, Stereo T-bar, 2 x Foam Windscreens, 2 x Mic Thread Adapters Manufacturer Part Number:MIC-UASP-1

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Boasting three classic compressor models and a spot-on tube preamp emulation, the Universal Audio Max Preamp & Dual Compressor pedal contains the power of a small studio setup in a standard stompbox form factor. From a classic guitar pedal compressor to a smooth optical tube model to UA’s own 1176, the Max’s dual-compressor design allows for a single instance of compression or the first instance stacked into the second for maximum squash and density. A versatile control section including Attack, Ratio, Release, and Comp adjust each compressor individually depending on where the 2-way Comp Select switch is selected — a knob tweakers dream, and that’s before you throw the harmonic warmth of the 610-style Preamp into the mix! Lastly, if you’re seeking greater adjustability, pair your Max with Universal Audio’s UAFX Control software for improved equalization options, series/parallel switching, and even a sidechain bass filter for an endless array of tonal choices.  Features: Stereo dual compressor and preamp pedal with 3 classic compressor emulations and a preamp modeled after the UA 610 tube preamp UAFX dual-engine processing delivers the highest level of sonic authenticity 3 classic compressor models to choose from, including a staple compressor guitar pedal, UA’s own 1176 FET compressor, and an iconic optical tube compressor Preamp knob captures the tube-style warmth and harmonic grit of the UA 610 preamp Dual compressor design, with 2 x 3-way switches to pick any combination of the Max’s 3 compressors to combine Attack, Ratio, Release, and Comp controls, in addition to a 2-way Comp Select switch that allows you to dial in both compressors with a single set of knobs UAFX Control app offers enhanced equalization options, series/parallel operation, sidechain bass filter, and much more Utility features include silent switching and buffered bypass

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One part Golden Reverberator and one part Starlight Echo Station, Universal Audio’s Del-Verb Ambience Companion combines six of the UAFX series’ authentic effect models into a stereo reverb and delay powerhouse. First up, this pedal’s reverb side contains three exacting emulations, with a classic tube-driven spring reverb, an atmospheric plate reverb unit, and a clarity-packed hall reverb from the early days of the digital revolution. They’re all perfectly paired with the delay side’s ‘70s-style tape echo, pedal-inspired analog delay, and the UAFX Precision delay for a well-defined digital snap. Moreover, the delay side offers two setting-specific knobs — Color and Mod — to unlock an endless level of tweaking, and that’s before you get to the UAFX app’s downloadable custom voicings. A wealth of utility features, including analog dry through, spillover/trails functionality, tap tempo, stereo/dual mono operation, and more, complete the long-standing UAFX formula of packing studio-grade sound into a simple stompbox.  Features: Stereo reverb and delay pedal boasting immaculately emulated replications of some of the most sought-after hardware units in history UAFX dual-engine processing delivers the highest level of sonic authenticity Runs separate stereo instances of the reverb and delay sides for maximum depth and atmosphere 3 spot-on emulations of legendary reverb units, including an amp-style spring reverb, a moody plate reverb, and one of the world’s first digital reverb units 3 vintage-style echoes, from a timeless analog delay pedal to a ’70s-style tape echo replication to Universal Audio’s own Precision Delay Optional UAFX Control app offers tap tempo, custom effect voicing, and many other fine-tuning features Buffered bypass operation keeps your signal strong in long cable runs Analog dry through retains your dry signal’s purity Optional spillover/trails to keep the echo rolling when the pedal is disengaged Can be operated in both stereo and dual mono modes   Specs Pedal Type:Delay, Reverb Analog/Digital:Digital Inputs:2 x 1/4" TS Outputs:2 x 1/4" TS USB:1 x USB-C Bypass Switching:Buffered Software:UAFX Control app Power Source:9V DC power supply (sold separately) Power Usage:400mA Height:2.56" Width:3.62" Depth:5.55" Weight:1.24 lbs. Manufacturer Part Number:GPM-DLVRB

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FEATURES Authentic end-to-end replication of one of the most iconic 1 x 12-inch combo amplifiers of the ‘60s Boost control for easier breakup, with unique settings on each amp mode Built-in spring reverb and vibrato to capture the sound of the ’60s 3 separate speaker/cab/mic options for a wide range of different tonal flavors Stock mode is supplemented with 2 of the most iconic mods of the original 3 bonus cabs are provided when registering the Dream ’65 4-cable mode bypasses your amplifier's preamp when the pedal is engaged, giving you 2 more channels to play with USB-C port for firmware updates Bluetooth-compatible for access to Universal Audio’s UAFX app Save and access presets using the right footswitch SPECIFICATIONS Pedal Type:Amp Emulation, Boost Analog/Digital:Digital Inputs:2 x 1/4" TS Outputs:2 x 1/4" TS USB:1 x USB-C (firmware updates) Bluetooth:Yes, v5.0 Bypass Switching:Buffered EQ:2-band EQ Controls:Reverb, Boost Features:3 x Speaker models, 3 x Amp emulations, 3 x Cabinet emulations Software:UAFX mobile app Power Source:9V DC power supply (sold separately) Power Usage:400mA Height:2.56" Width:3.62" Depth:5.55" Weight:1.24 lbs. Dimension Packaging Weight : 1.0 kg

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Inspired by the legendary 2 x 12-inch combo amplifier that powered the British invasion, Universal Audio’s Ruby ’63 Top Boost amp pedal is loaded with jangle and bite! This pedal is an end-to-end emulation of one of the most iconic British amps of the ‘60s, sporting Brilliant, Normal, and Vibrato channels that deliver everything from chimey cleans to all-out crunch. Guitarists at Live Music Centre are amazed at how closely the Ruby ’63 recreates the sound of a tube amp recorded in a live room, and this life-like quality comes courtesy of UA’s incredible mic, cab, and Dynamic Room Modeling technology. What's more, each pedal in the UAFX series allows you to bypass your amplifier's preamp when the pedal is engaged via the special "4-cable" mode, supercharging your amp with two additional channels. If you’re looking for even greater control, the Ruby ’63 sports Bluetooth compatibility to connect to Universal Audio’s UAFX app for enhanced editing, access to artist presets, and more! Features Authentic end-to-end replication of one of the most iconic 2 x 12-inch British combo amplifiers of the ’60s 3 separate channels including Brilliant, Normal, and Vibrato to run the tonal gamut Deep, harmonic vibrato available on the Vibrato channel Room knob adds some air and ambiance to your signal Boost control for easy breakup, with unique functions on each amp channel 3 separate speaker/cab/mic options for a wide range of different tonal flavors 3 bonus cabs are provided when registering the Ruby ’63 4-cable mode bypasses your amplifier's preamp when the pedal is engaged, giving you 2 more channels to play with USB-C port for firmware updates Bluetooth-compatible for access to Universal Audio’s UAFX app Save and access presets using the right footswitch

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Record stellar vocals, podcast episodes, and more with Universal Audio’s SD-1 Standard Dynamic Microphone. UA’s flagship dynamic microphone, the SD-1, boasts a flat frequency response and captures a rich, natural sound that’s dynamite on close-miked vocals and instruments. At Live Music Centre, our team members have taken advantage of the SD-1’s cardioid polar pattern to participate in Zoom calls from home without any background noise bleeding through. This microphone also includes UA-designed Apollo Channel Strip Presets with settings for any source imaginable. Complete with its low-cut and articulation boost switches, the Universal Audio SD-1 Standard Dynamic Microphone makes it easier than ever to capture top-notch audio from any source.  Features: Universal Audio’s flagship dialogue microphone Classic dynamic design is ideal for close-miked vocals and instruments Cardioid polar pattern focuses on your voice Internal shockmount and built-in windscreen keep distracting noises to a minimum Low-cut switch cuts rumble for greater clarity Articulation boost switch enhances presence Included Apollo Channel Strip presets help you sound your best with a single click Sleek design looks great on camera

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