The JHS Crimson is an exact replica of Mike Matthew's Red Army Overdrive (based on Electro Harmonix's legendary Big Muff), allowing you to own a unique part of fuzz history.   The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never before heard “JHS Mode”. Push that button for a mid-frequency boost that forces your sound through the mix.  If you love the tones of the Smashing Pumpkins, Wilco, Sonic Youth, David Gilmour, White Stripes and Dinosaur Jr, then this is the pedal for you. SPECIFICATIONS Power    Standard 9V DC Negative Center Power Consumption    4mA Dimensions    5.68" x 3.62" x 2.0" Weight    0.85lbs

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  In 2016 JHS brought you Andy Timmons’ artist signature pedal, the AT or @, and we're really proud to bring you the next iteration of this phenomenal stomp box: The AT+. The JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. So pay ATtention and we’ll see what makes the AT rock. Features: Controls: Volume, Drive, EQ, Air, Boost, Toggle Connections: 1/4” Input jack, 1/4” jack Output jack Current Draw: 15mA consumption Power: Uses 9V to 18V DC Negative Center. This pedal CAN be run at 18V for more headroom and greater dynamics. Do not use more than 18V DC.   

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Taming a screaming-loud tube amp doesn’t always require bulky and expensive load boxes and attenuators. The JHS Pedals Little Black Amp Box takes care of the job while being able to fit into the palm of your hand. Simply run it through your amp’s effects loop and control the amount of signal you send to your amplifier’s power section. You’ll love the way the Little Black Amp Box lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. FEATURES Small size is ideal for saving pedalboard space or even setting on top of your amp Can easily be mounted underneath your board Built rugged Black powder coating keeps the buffer hidden in the background This pedal does not require power and it measures 3.6"x1.5"x1"

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive.  The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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 With the Charlie Brown V4 amp-in-a-box, put a thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45. FEATURES Turns any amp into a gritty JTM45 stack Go from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knob Drive and Volume control interact the same as a master volume amp head Back off your guitar’s volume to control your gain levels without losing clarity Fine-tune your tone with controls for Bass, Middle, and Treble Active controls boost and cut their selected frequencies Stacks beautifully with overdrive pedals for even more shades of grit This pedal requires standard 9V DC Negative power, consumes 9mA, and measures 2.6"x4.8"x1.6".

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The ROSS Phaser is a versatile and easy to use OTA-based phaser and is a faithful reproduction of the original ROSS circuit. This pedal excels at vintage phase tones: fast, slow and everything in between. If you need phasing that can sit perfectly in the mix, inspire a new riff or flawlessly replicate the past, this pedal is for you.  Features: Controls: “Rate” adjusts the speed of the LFO (left is slower, right is faster). “Recycle” controls the amount of feedback from the phaser output stage to the input stage, emphasizing frequencies or resonance (left is less intense, right is more intense). The side push switch toggles between two modes: classic Analog Phaser and Univibe (simulating the late sixties Shin-Ei circuit).The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active. Jacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 42mA. This pedal requires 9V DC negative center. 42mA consumption. Do not use more than 9V DC. Dimensions: 3.5" W x 1.7" D x 5" H

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The ROSS Fuzz is a pedal that never existed in the previous ROSS history, but its circuit was pulled from the Kustom amplifiers also made by Bud Ross during his Kustom Electronics era. John Fogerty used the Kustom amp’s distortion for hit songs like “Run Through the Jungle” and “Fortunate Son”, and other artists like the Grateful Dead, Leon Russell, Johnny Cash, The Jackson Five, Carl Perkins, the Carpenters and Charley Pride depended on these amps for many of their signature sounds. This pedal is a tribute to that transistorized Kustom distortion effect. It’s a fairly unorthodox fuzz, not associated with classic topologies like the Fuzz Face, Tone Bender or Big Muff. It highlights a hidden moment in distortion history, allowing you to place a vintage tone in your modern rig. Features: Controls: “Level” controls the volume (right is louder, left is quieter). “Fuzz” controls the amount of fuzz/distortion in the circuit (left is less, right is more). The side push switch toggles between two modes: Standard and More (More adds bass/gain and results in a more full, heavy fuzz/distortion tone). The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active. Jacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 46mA. This pedal requires 9V DC negative center. 46mA consumption. Do not use more than 9V DC. Dimensions: 3.5" W x 1.7" D x 5" H

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The JHS Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors.The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never-before-heard “JHS Mode”. Push that button for more gain and a mid frequency boost to send you leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about.If you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.Specifications Power Standard 9V DC Negative Center Power Consumption 4mA Dimensions 5.68" x 3.62" x 2.0" Weight 0.85lbs

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 Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million-dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. This pedal requires standard 9V DC Negative power, consumes 3 mA, and measures 3.6"x1.5"x1"

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 The Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.  FEATURES Addition of an Output transformer Safely Passes 48v Phantom Power EQ Shift Knobs for precision EQ control Hi/Lo Switch for ultra clean headroom 100% available clean signal even on acoustic guitar Silent switching, aka no "switch-pop" Runs on standard 9V DC Neg power 

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. Modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation.  The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.FEATURES:• MIX: Controls how much clean signal is blended with the wet (delayed) signal, left is more dry signal, right is more wet signal• TAPE SPEED: Controls the length of delay effect from 15ms to 950ms• REPEATS: Controls how many repeats occur after you play, left is less, right is more• FLUTTER: Switch down is standard effect, switch up introduces mild modulation reminiscent of vintage units with mechanical wearSPECIFICATION:• Power: 9VDC negative center power• Current Draw: 65mA• Dimensions: 4.42” x 2.38” x 1.22”

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  n 1973, effects legend Craig Anderton and John Lang launched Seamoon Inc., releasing their flagship fuzz pedal the same year: the Fresh Fuzz. Initially, a faulty enclosure design caused these plastic Bakelite pedals to shatter when guitarists stomped on them, so Seamoon began re-casing them in metal enclosures within a few months. Despite inaccurate reviews that the Fresh Fuzz was “thin sounding,” it gained popularity and has been used extensively by artists like Tom Scholz (Boston) and guitar virtuoso Eric Johnson. This is a JHS tribute to the rarer single op amp 741 version (Version 1). Features: Gain - Controls overall output volume. Left is Less, right is more. Bite - Controls the amount of fuzz, Left is less, right is more JHS Mode - "Bright" switch, greatly increases the treble frequency response   Specifications Connections 1/4” output jack, 1/4” output jack Power Requirements Uses 9V DC Negative Center (Do not use more than 9V DC), 9V battery Current Draw 4mA Dimensions 5.68" × 3.62" × 2.0" Weight 0.85 lbs              

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.FEATURES:• 10 Year Anniversary Special Edition Mod• Polished aluminium finish with Expandora-style knobs• Updated Scottish flag-inspired icon• Improved Gain Control• Enhanced High-End Clarity• Increased Volume Headroom• Refined Toggle Switches• Diode Choice EnhancementSPECIFICATION:• Power: 9 V SDC• Current Draw: 64 mA• Dimensions: 2.6” x 4.8” x 1.6”

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position.  The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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 In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the then mainstream throes of MXR, DOD and even BOSS’s product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.The PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Schofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead.Building on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift).

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 The Angry Charlie has become a staple of the JHS line, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig makes it a popular choice for all genres.  And unlike many other British amp-in-a-box pedals, it sports a 3-band tone stack to help nail those warm yet searing tones and boundless sustain. Gluttons for high-gain overdrive/distortion that has a British flavour will love the Angry Charlie V3. FEATURES Turns any amp into a screaming Marshall stack Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob Drive and Volume control interact the same as a master volume amp head Back off your guitar’s volume to control your gain levels without losing clarity This pedal requires standard 9V DC Negative power, consumes 11mA, and measures 2.6"x4.8"x1.6".

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The 424 Gain Stage gives all the elastic, lo-fi tone you get from plugging a guitar rig straight into a TASCAM® Portastudio® 424. Now in pedal form, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists. FEATURES:• Volume (Corresponds to Portastudio® Master): Controls the output volume, left is less, right is more, on the Portastudio 424 this is the MASTER fader• Gain 1 (TRIM): Sets how much preamplification will be added to the input signal, on the Portastudio 424 this is the TRIM control• Gain 2 (CHANNEL): Sets the volume level of the second gain stage, on the Portastudio 424 this is the CHANNEL fader• Bass: Cuts or boosts bass frequencies, left is less, right is more• Treble: Cuts or boosts the treble frequencies, left is less, right is more• Silent soft touch switching with a buffered bypassSPECIFICATION:• Power: 9VDC center negative power• Current Draw: 50mA• Input: Top ¼” right jack• Output: Top ¼” left jack• XLR Output: Balanced output which can be used as a direct-out straight into a mixer or interface, the 1/4” output and XLR output can be used simultaneously• Switch: Dip switch on the left side of the pedal, use to lift ground if hum/buzz occurs with XLR output• Dimensions: 2.6” X 4.8” X 1.6”

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.Feature: Power Supply: 9V DC Negative Center power and  Power Consumption: 70mA Dimensions: 4.42” (L) X 2.38” (W) X 1.22" (H)

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 The JHS Overdrive Preamp is a faithful replication of this unobtainable V1 of DOD’s most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit that used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. The internals featured a floating/loose hand-etched PCB and the same DOD 250 circuit, but with a few changes. The internal parts dated as early as 1972 and, according to David, were harvested from old radios and electronics he scavenged when he started building his first effects. Features: Level Controls - Adjusts the overall output of the circuit and lets you cut or boost the signal.  Gain - Adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive.  Slider - This slider switch allows you to explore two variations within the V1 clipping arrangements. The slide switch DOWN replicates the clipping from the earliest version ever found (this mode is the most distorted and saturated of the two). The slide switch UP uses the clipping arrangement found in a later serial number (this mode is a bit more open, louder and more clear).  Can be powered between +9 to +18 DCV centre negative. Do not use more than +18 DCV.   5mA current consumption. 

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 The Cheese Ball is JHS's faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz/distortion sound.  In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.  The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale. SPECIFICATIONS Power:    Standard 9V DC Negative Power Consumption:    9mA Dimensions:    2.6" X 4.8" X 1.6" 

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 The Morning Glory is undoubtedly JHS' most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. JHS worked hard to make it one of the most transparent overdrives out there.  When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory.  When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly you get the idea. FEATURES Gain control sweeps from completely clean to rock ‘n’ roll Tame high end on brighter rigs with the side-mounted bright-cut switch Increased headroom and output for use as a full-frequency boost This pedal requires standard 9V DC Negative power, consumes 43mA, and measures 2.2"x4.8"x1.6"

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.Feature: Power Supply: 9V DC Negative Center power and  Power Consumption: 70mA Dimensions: 4.42” (L) X 2.38” (W) X 1.22" (H)

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The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought-after circuits. In the mid-’60s, the world’s first nuclear company, Victoreen Instruments, launched Jordan Electronics. They started out manufacturing transistorized guitar amps and debuted the first commercially successful U.S.-based plug-in effect at the 1966 NAMM Show, the Boss Tone, though it didn’t hit the market until 1967. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone (a true testament to the ingenuity of Jordan Electronics’ owner, George Cole, and head engineer, Bob Garcia). The original unit is a small 1¾ by 2¼ inch moulded plastic box that plugs directly into the guitar’s output jack. Unfortunately, plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so JHS created a floor-based pedal that features the same unique tone.Features: Volume - Controls overall output volume. Left is less, right is more.  Attack - Controls the amount of fuzz. Left is less, right is more. JHS Mode - Boosted gain with less compression and increased mid-range dynamics.

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted.  The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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The ROSS Distortion is an op-amp hard clipper built around the classic 1970s topology seen in pedals like the MXR Distortion Plus, the DOD 250, the Proco RAT and the BOSS DS-1. While this pedal can be used in almost any situation, it excels at creating natural tube-like overdrive distortion and pushing your amplifier into natural breakup. Features: Controls: “Level” controls the volume (right is louder, left is quieter). “Distort” controls the amount of hard-clipping distortion (right is more distorted, left is less distorted). The side push switch allows the player to toggle between two different versions of the circuit produced during its fifteen year history: Germanium mode ( “Era 2” version) and Silicon mode ( “Era 3” version). The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active. Jacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 40mA. This pedal requires 9V DC negative center. 42mA consumption. Do not use more than 9V DC. Dimensions: 3.5" W x 1.7" D x 5" H

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambience. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone.  The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power, consumes 74mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.In 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high-frequency and low-frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on the harmonic trem effect.Features: Volume - Controls the overall volume of the pedal. Left is less, right is more. Tons of volume on tap. Rate - Controls the rate of the tremolo. Left is slower, right is faster. Depth - Controls the depth of the tremolo. Left is less, right is more. Type Toggle - Switch down is a harmonic tremolo, switch up is a standard tremolo.   Specifications Input 1/4” jack on the right side of the pedal  Output 1/4” jack on the left side of the pedal  Power Requires 9V DC negative centre power and consumes ( Do not use more than 9V DC) Current Draw 70mA

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up.  Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavours not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.In the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.The JHS Pedals 3 Series Octave Reverb runs on 9V DC negative center power and consumes 65mA.Features: Verb: Controls the amount of reverb. Left is less, right is more Octave: Allows you to blend the octave amount in the reverb. Left is mild, right is more extreme. Decay: Controls the length of the reverb trail. Left is shorter, right is longer Up/Down: Selects if the reverb octave is one octave up or down.

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6FEATURES:• MIX: Controls the mix of echo and clean signal, left is less, right is more• SPEED: Controls the length of the delay time from 100ms to 330ms, left is shorter, right is longer• FEEDBACK: Controls the feedback of the delay signal, adjusting the number of repeats from fewer (left) to more (right), toggle switch selects light or heavy modulation with speed tied to delay time, shorter settings run faster and longer settings slower for vintage oil-can style warbleSPECIFICATION:• Power: 9VDC negative center power• Current Draw: 65mA• Dimensions: 4.42” x 2.38” x 1.22”

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The ROSS Chorus is a bucket-brigade true-analog chorus which utilizes the V3207 BBD chipset. While this pedal excels at the vintage bucket-brigade chorus and vibrato tones you’ve heard for decades, these straightforward controls can also create a wide range of textures and are versatile enough for any style of music. Features: Controls: “Rate” controls the speed of the LFO (left is slower, right is faster). “Depth” controls the depth or perceived mix of the chorus effect (left is less, right is more). The side switch toggles between two modes: Classic Chorus and Pitch Vibrato (reminiscent of effect pedals like the BOSS VB-2). The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active. Jacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 47mA. This pedal requires 9V DC negative center. 46mA consumption. Do not use more than 9V DC. Dimensions: 3.5" W x 1.7" D x 5" H

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 The Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.  Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you'd send your signal.  Because the pedal has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.

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The ROSS Compressor is an OTA-based, vintage style compressor. This is a faithful reproduction of the coveted “Era 2” Gray Box ROSS Compressor circuit. Possibly the most legendary and hyped compressor of its kind, we are excited to bring this design into a new era. Features: Controls: “Level” controls the volume (right is louder, left is quieter). “Sustain” controls the amount of compression/sustain (right is more compressed/sustained, left is less compressed/sustained). When activated, the side push switch toggles between two modes: Standard and Bright. The Bright mode helps your guitar cut through the mix when you need a little extra clarity for darker pickups or amplifiers. The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active. Jacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 37mA. This pedal requires 9V DC negative center. 46mA consumption. Do not use more than 9V DC. Dimensions: 3.5" W x 1.7" D x 5" H

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 The Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer.  It's important to know that the Bonsai is not a "box of mods," it is exact replications of these nine units all housed in one box! When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has. This pedal requires standard 9V DC negative power, consumes 20 mA, and measures 2.6"X4.8"X1.6".

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 The Clover is an end-all preamp/boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound.  No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp/boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. From country, rock, metal and even acoustic, The Clover covers every base. In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp FEATURES Push your small wattage amp into natural rich overdrive and distortion Find sounds in your larger more powerful wattage amp that you have never heard before Strat and Tele players can use the Clover to create extra punch, depth and dynamics Les Paul and humbucker players can find clarity, bite and definition galore  SPECIFICATIONS The XLR output is identical to the 1/4” output. Has up to +24dB of gain (X16.4) (EQ Flat). Treble +/- 15dB shelving filter at 10kHz Middle +/- 15dB peaking filter at 1.3kHz Bass +/- 15dB shelving filter at 270Hz (3dB freq) Lo cut engaged -3dB point at 212Hz Input impedance >1M ohm Output impedance = 520ohms Current draw at idle = 45.5mA

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 The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought-after circuits. Kay Musical Instruments was founded by Henry “Kay” Kuhrmeyer on July 1, 1931. Although Henry quickly shifted production focus to all types of stringed instruments (including basses, violas and guitars), they didn’t enter the guitar pedal market until the late 1960s with a series of knobless, treadle-based delightfully odd plastic pedals. Each of these four units (the Fuzz-Tone F1, Tremolo T1, Wah Wah W1 and Bass Boost B1) was housed in knobless, treadle-based enclosures allowing one parameter of each effect to be adjusted by foot. The Kay Fuzz Tone was most likely released in late 1968/early 1969. Initially designed as a low-cost version of the Shin-ei/Univox Superfuzz, this fuzz is one of the Edge’s go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. They’ve even added knobs and an expression pedal output for those who want to use it as it was originally intended.Features: Volume - Controls overall output volume. Left is less, right is more.  Frequency - Controls the frequency response. Left is darker, right is brighter.  JHS Mode - Increases the fuzz level with more pronounced mids.   Specifications Connections 1/4” output jack , 1/4” output jack, Expressing TRS input Power requirements Uses 9V DC Negative Center (Do not use more than 9V DC), 9V battery Current Draw 4 mA Dimensions 5.68" × 3.62" × 2.0" Weight 0.85 lbs

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  The Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need. The right side is the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The left side of the Double Barrel is JHS' best-selling Morning Glory V4 overdrive.  When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the order switching toggle that lets you decide what pedal comes first in the signal chain. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7" X 3.7" X 1.5" 

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 The AT is Andy Timmons' signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs.  Tailoring it to Andy’s tastes, the “@“ was born and eventually released into production. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. FEATURES This pedal requires standard 9V DC Negative power, consumes 15 mA, and measures 2.2"x4.8"x1.6" You can safely run “The AT“ at 18 or 9 volts

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 When you are hungry for fat, rich and legendary fuzz tones, look no further than the six-course meal that the Muffuletta serves up. The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favourite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king.  With the Muffuletta, our indecision is your gain. We crammed five all-analogue re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp.  No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal. With a pedal so stuffed with tasty tones, you will have a hard time needing anything else to curb your appetite. This pedal requires standard 9V DC Negative power, consumes 4mA, and measures 2.2"x4.8"x1.6".

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 The Summing Amp gives you the ability to take two inputs and blend them into one output. Simply plug into the two marked inputs and then plug in your single output and you’re ready to go.  From two signals the Summing Amp creates one mono signal. This is perfect for putting effects in parallel so that they are not affected by one another.  The Summing Amp can use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. 

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  This pedal kills your tone, and it does it brilliantly. The JHS Pedals Stutter Switch momentary mute pedal is a great option whether you’re looking for a kill-switch stutter effect, demand silent tuning while onstage, or need to fill any number of other purposes.    And best of all, there’s enough room on your pedalboard for this bite-sized button...almost. If you’re looking for a mute and prefer the immediate action of a momentary switch, the JHS Stutter Switch is the pedal for you.   The easiest way to describe a momentary switch is that it is active when depressed and non-active when not. So step on the Silent Switch when you want silence and step off when you don’t. There are so many applications for a pedal like this. It’s up to you how you use it.   SPECIFICATIONS A simple mute for players who demand momentary control Offers stuttering effects, silent tuning, and more Small size is ideal for saving pedalboard space - 1” x 2” x 2” Built rugged This pedal does not require power and measures 2"x2"x1"

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 Enjoy the washed out layers that only true amp style spring reverb can give you in the Spring Tank. This compact reverb pedal offers tons of settings to tweak, yet with utilitarian simplicity and usability.  Create the perfect spring reverb for your sound with controls for Depth, Length, Highs, Boost (to control your overall volume), and two independent and switchable reverb mixes called Tank 1 and Tank 2. With options a plenty and easy to use controls, blast your signal into the stratosphere! This pedal requires standard 9V DC Negative power, consumes 73mA, and measures 2.6"x4.8"x1.6"

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 Though it’s a fairly nondescript-looking piece of gear, JHS' Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard.  By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away.  And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard.

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 The Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal.  You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedal board, the pedal’s ¼” and balanced XLR outputs have you covered.  This compressor/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution. This pedal requires standard 9V DC Negative power, consumes 32mA, and measures 2.6"x4.8"x1.5".

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 The Supreme is an exact replica of the rare black and grey Univox Unicord Super-Fuzz. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11.  The controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost.  If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it.  SPECIFICATIONS Power:    Standard 9V DC Negative Center Power Consumption:    4mA Dimensions:    5.68" x 3.62" x 2.0" Weight:    0.85lbs

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 The Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit.  Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards. FEATURES Small size is ideal for saving pedalboard space LED indicator tells you which ¼” you have selected Can run perfectly without power Built rugged This pedal is passive but requires standard 9V DC Negative power for the LED to function and it measures 3.6"x1.5"x1".

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 The Emperor V2 absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice.  Spread its warm tones or icy sheen to a pristine-sounding stereo rig or utilize an external expression pedal to cop realistic rotary speaker sounds on a blues gig. This pedal requires standard 9V DC Negative power, consumes 57 mA, and measures 2.6"x4.8"x1.6".

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