Step on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.Zelzah is actually two different phasers, side by side in one pedal. Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.Features: Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage)  or in series, with independently adjustable stereo spread for each All controls are carefully voiced to produce musically useful sounds at any setting Adjustable input level switch to allow for both instrument and line level signals Selectable Buffered or True Bypass Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations High impedance ultra low-noise discrete Class A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Independent on/off footswitch for each phaser Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 480MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized dark purple aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current Dimensions: 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA

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  Delivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb algorithm, with powerful sound-sculpting controls for limitless sonic possibilities.To capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic media when driven hard, to hands-on real-time controls for mechanics, wear, head-spacing, and low cut, Volante instantly adds tons of vibe to your sound.Volante provides the full experience and sonic attributes of iconic multi-head echo machines. At the centre of Volante’s control surface are four delay playback heads with individual feedback, panning, and level controls—delivering unlimited creative options right at your fingertips. All of this range allows the creation of complex rhythmic patterns as well as reverb-like atmospheric textures.FEATURES9V DC power supply includedPower requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of currentDimensions: 4.5″ deep x 7″ wide x 1.75″ tall (114.3 mm deep x 177.3 mm wide x 44.5 mm tall)Designed and built in the USADigital delay pedal that re-creates the full gamut of analog-style echoes3 magnetic delay types: magnetic drum echo, tape echo, and reel-to-reel studio echo4 playback heads with individual control over level, feedback, and panning3 echo machine speeds exhibit an interesting range of effectsMagnetic record head saturation yields warm, luscious delay signalsLooper with reverse, tape stop, and speed change effectsVariable head spacing creates interesting sonic interactionsProduce sonic cacophony with self-oscillating feedback loopsDedicated spring reverb adds dimension to your playingTap tempo footswitch lets you set tempo on the flyProvides instant access to 8 presets with up to 300 available via MIDIExpression pedal input for instantaneous, continuous controlInstrument/line-level capabilities make it equally at home on your pedalboard or in the studioSelectable true bypass/analog buffered bypass switching

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  Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. After studying six circuit types found in many truly timeless and iconic overdrive and boost pedals, here are Strymon's takes on all six of them into a single two-channel unit.Sunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent ?more amp? to heavy saturated fuzz, and all the best places in between.FEATURES6 classic overdrive/boost circuits in a single dual-channel pedalRun any circuit on its own, or run 1 channel into the other for stacked overdrive tonesAnalog Class A JFET input gain stage for vibrant tone and up to 20dB of analog gainAdvanced SHARC DSP re-creates the harmonic complexity and sonic richness of analog driveFamiliar Drive, Tone, and Volume controls, plus a rear-panel Bright switchNoise Reduction available as a secondary function, to eliminate hum and buzz when you're not playingExpression pedal mode allows you to set heel-to-toe range independently for every knobVolume mode allows you to use an expression pedal as a smooth volume control with logarithmic taperInstantly recall your favorite setting with the Strymon Favorite Preset Switch (sold separately)Switchable True Bypass or Analog Buffered Bypass operationIncludes 9V DC power supply

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The Tap Favourite switch can be set to either as a favourite setting on the Brigadier, Flint, Lex or El Capistan. Or it can be a remote tap tempo for the Timeline, Mobius and Flint. Switch between Favorite mode and Tap Tempo mode via an internal jumper Super small and lightweight: measures 2" W x 2.25" D x 1.8" H No additional power supply required 1/4" TRS cable included Designed and built in the USA

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    A first for Strymon to create a limited run of some of their favourite pedals they’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colourful and inspiring as ever. Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs. To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future. Features: Three rugged metal footswitches for preset selection and effect bypass LED display for preset info, reverb decay time, and extended parameter control Multi-colour preset LEDs (green for active preset, amber for edited preset) Full MIDI implementation allows extended control for those with more complex rigs Sturdy and lightweight light blue anodized aluminium chassis, with laser-etched artwork Durable black anodized aluminium knobs Studio-grade audio input and output jacks Stereo input and output Expression pedal input with selectable control over any knob or combination of knobs, saveable per preset (also configurable as external tap input) MIDI input and output Included 9V center-negative power supply (300mA minimum required) Analog dry path for a zero latency dry signal that is never converted to digital Premium analog front end and output section Ultra-low noise, high performance 24-bit 96kHz A/D and D/A converters 115dB typical signal to noise at 50% wet mix (120db at 100% dry mix, 109dB at 100% wet mix) 20Hz to 20kHz frequency response +8dBu maximum input level easily handles instrument and line signals Analog dry path for a zero latency dry signal that is never converted to digital Premium analog front end and output section Ultra-low noise, high performance 24-bit 96kHz A/D and D/A converters 115dB typical signal to noise at 50% wet mix (120db at 100% dry mix, 109dB at 100% wet mix) 20Hz to 20kHz frequency response +8dBu maximum input level easily handles instrument and line signals True Bypass (electromechanical relay switching) High quality, transparent Analog Buffered Bypass mode +/- 3dB Boost/Cut, saveable per preset Optional Kill Dry mode mutes dry signal, for use in parallel effects loops Dimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep Designed and Built in the USA

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 The TimeLine has proven itself to become one of the most powerful delay pedal; almost ubiquitous on any guitarist's board. From slapback, to modulated dotted eighth and infinite shimmer delay, the TimeLine pushes the boundary of your sonic creativity with its outstanding sounds and features.FEATURESTrue Bypass (electromechanical relay switching), Selectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per presetUltra-low noise, high performance 24-bit 96kHz A/D and D/A convertersHandcrafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiencesIncluded 9V DC power supply (300mA required minimum)Crafted with love in the USA

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  A first for Strymon to create a limited run of some of their favourite pedals they’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colourful and inspiring as ever. When Strymon decided to develop an effects pedal that delivers the sound and feel of their favourite tape echo machines, they spent months in the Strymon's sound design labs with an intense focus on capturing the warm, saturated, distinctive qualities of tape echo machines. The result is our handcrafted dTape™ technology. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. Features: Stereo output High impedance mono input (internal jumper enables selectable TRS stereo input) Please read this FAQ for more info on the TRS input. Expression pedal input with selectable control over any knob parameter Connect an optional Favorite switch to save a favourite preset Tap Tempo and Bypass footswitches Ultra-low noise, high performance 24-bit 96kHz A/D and D/A converters 115dB typical signal to noise Analog dry path for a zero latency dry signal that is never converted to digital Premium analog front end and output section Super high-performance SHARC DSP in a compact form factor True Bypass (electromechanical relay switching) Selectable Trails Mode with high quality, transparent Analog Buffered Bypass 9V center negative DC supply included 250mA current draw Strong and lightweight gunmetal grey anodized aluminium chassis Crafted with love in the USA

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  A first for Strymon to create a limited run of some of their favourite pedals they’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colourful and inspiring as ever. Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard. From the inherent warmth and luscious tape saturation—to the forgotten art of how these machines were manipulated—they are capable of creating a huge range of beautiful, distinctive, and enveloping sounds. Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation while fattening it with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds. Features: High impedance mono input (internal jumper enables selectable TRS stereo input) Stereo output Two signal routing modes: Standard, Wide Stereo Mode Individual Tape Saturation Bypass and Doubletracker Bypass footswitches Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote time control of Doubletracker), or Favorite switch (to save a Favorite preset) Super low noise, high performance 24-bit 96kHz A/D and D/A converters 110db signal to noise +8dBu maximum input level easily handles instrument and line signals Premium analog front end and output section Super high-performance SHARC DSP in a compact form factor 32-bit floating-point processing True Bypass (electromechanical relay switching) High quality, transparent Analog Buffered Bypass mode 9V centre negative DC power supply included 250mA current draw Strong and lightweight electroless nickel plated aluminium chassis Designed and built in the USA

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 TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.Features: Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences Twelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape™, dBucket™. Seven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth Additional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability 200 easily accessible and nameable presets, save and recall at the press of a switch Three rugged metal footswitches for preset selection, effect bypass, looper control, and Tap Tempo LED display for preset info, BPM/time readout, and extended parameter control Multi-color preset LEDs (green for active preset, amber for edited preset) Full MIDI implementation allows extended control for those with more complex rigs 30-second stereo Looper, routable pre- or post-delay, with MIDI capability. Sturdy and lightweight gunmetal gray anodized aluminum chassis, with laser-etched artwork Durable black anodized aluminum knobs Studio-grade audio input and output jacks Stereo input and output Expression pedal input with selectable control over knob or combination of knobs, saveable per preset (also configurable as external tap input) MIDI input and output Switchable I/O configuration: Stereo Out or Mono with Delay Feedback Loop Insert Included 9V center-negative power supply (300mA minimum required) Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters 115dB typical signal to noise Analog dry path for a zero latency dry signal that is never converted to digital Premium analog front end and output section Super high performance DSP in a compact form factor 32-bit floating point processing True Bypass (electromechanical relay switching) Selectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per preset +/- 3dB Boost/Cut, saveable per preset Selectable Tap Subdivision, saveable per preset Optional Kill Dry mode mutes dry signal, for use in parallel effects loops Optional Global Tap Tempo mode Dimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep Designed and Built in the USA

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  DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format. Features: Two simultaneous, integrated delays, with unique digital rack delay voicings Five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, Repeats One modern and two classic digital delay voicings: 24/96, adm, 12 bit Five rhythmic subdivisions: Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter Three choices for delay line modulation: Off, Light, Deep Five “hidden” knobs for deep dual delay control: Delay 1 Subdivision, Sync/Free Mode, Filter, Config, Delay 2 Repeats Selectable Free Mode disables subdivisions and synchronization Press and hold Circular Repeats effect 20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision) High impedance mono input, with selectable TRS stereo input Stereo output Three signal routing configurations: Series, Parallel, Ping Pong Tap tempo and Bypass footswitches Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote control of tempo), or Favorite switch (to save a Favorite preset) Super low noise, high performance 24-bit 96kHz A/D and D/A converters 115db typical signal to noise Analog dry path for a zero latency dry signal that is never converted to digital +8dBu maximum input level easily handles instrument and line signals 20Hz to 20kHz frequency response Premium analog front end and output section Super high-performance SHARC DSP in a compact form factor 32-bit floating-point processing True Bypass (electromechanical relay switching) Selectable Trails Mode with high quality, transparent Analog Buffered Bypass mode 9V centre negative DC power supply included 250mA current draw Strong and lightweight anodized carnation pink chassis Designed and built in the USA

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  Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp. Features: Hand crafted, computationally intense Plate, Room and Spring algorithms Normal, Mod and Shimmer modes per algorithm for extremely versatile reverb options High Damp and Low Damp controls for über-flexible reverb tone shaping Mod mode for a beautifully modulated spring, room or plate reverb Shimmer mode for infinite pitch effects “in the tank” Dedicated Pre-Delay control to fine tune reflection times Stereo input and output Favourite footswitch to save a favourite sound True Bypass (electromechanical relay switching) Selectable “trails” mode with high quality Analog Buffered Bypass Adjustable +/- 3dB boost or cut when the effect is engaged Powered with a standard 9V center negative DC supply. 250mA minimum Strong and lightweight sky blue anodized aluminum chassis Crafted with love in the USA Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters 115dB typical signal to noise Analog dry path for a zero latency dry signal that is never converted to digital 20Hz to 20kHz frequency response +8dBu maximum input level easily handles instrument and line signals Premium analog front end and output section Super high performance DSP in a compact form factor

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The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.Whether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.blueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful.Intuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A/D and D/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.Features: High impedance ultra low-noise discrete Class A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated Favorite & On/Off footswitches Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized blue aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current Dimensions: 11.4cm (4.5”) D x 10.2cm (4”) W x 4.4cm (1.75”) H Designed and built in the USA

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 Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds.Strymon's journey begins with the early recording studios of the ’50s and ’60s. The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable. These early machines really were the first effects pedals — they just wouldn’t have fit on your pedalboard!Features: High impedance ultra-low-noise discrete Class-A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated Tape Saturation On/Off & Doubletracker On/Off footswitches Premium JFET analog front end Ultra low noise, high-performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating-point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized silver aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall / 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA

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 Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere.Everything from classic slapback echoes to psychedelic space explorations has stunning richness and depth, responding to each note and knob turn in a musically inspiring way.Turn up the repeats for organic delay feedback with just the right amount of grit. Dial-in some spring reverb to further enhance the sense of space. Effortlessly create multi-layered ambient soundscapes with the tape-style sound on sound looper.Transform your pedalboard into the inspiration machine it was meant to be.Features: High impedance ultra-low-noise discrete Class-A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated tap tempo & On/Off footswitches Premium JFET analog front end Ultra-low noise, high-performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating-point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized dark grey aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall / 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA

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 Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.Strymon's thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12-bit pulse code modulation mode, and the modern high-resolution 24/96 mode.Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.Features: High impedance ultra-low-noise discrete Class-A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated Tap Tempo & On/Off footswitches Premium JFET analog front end Ultra low noise, high-performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating-point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight pink aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall / 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA

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 The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern-day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.Flint is a studio-class effects pedal that delivers this classic combination. Strymon carefully studied their favourite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in their hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.Features: High impedance ultra-low-noise discrete Class-A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated Reverb On/Off & Tremolo On/Off footswitches Premium JFET analog front end Ultra low noise, high-performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating-point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized black aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall / 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA

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Riverside is the culmination of a thorough analysis of numerous analogue and vacuum tube circuits. Strymon's goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. Strymon didn’t want to build just another distortion or overdrive. Strymon knew they must examine what has been done, and bring a new approach to the world of drive sounds.Features: Custom cascading multistage distortion topology provides a wide range of tube-inspired drive tones Digitally controlled analogue class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analogue gain Precision-crafted DSP gain stages provide detailed complexity and responsiveness Low gain channel for smooth classic overdrive High gain channel for modern saturated distortion 3-band EQ with independent Bass, Middle and Treble controls Selectable post-analogue gain mid-band EQ push Presence switch to tailor the sound for use with all amplifiers from dark to bright Optional variable-threshold noise reduction helps tame noisy guitar pickups High-impedance mono input Mono output Favourite footswitch to save a favourite setting Favourite Input to connect an external MiniSwitch to recall a Favorite preset Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode) MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations Boost pedal input allows connection of an external footswitch for up to +6dB of analogue boost, or to toggle the Favorite preset on other Strymon pedals (Favorite Out mode) Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Premium analogue front end and output section Super high-performance SHARC DSP in a compact form factor 32-bit floating point processing True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass Strong and lightweight anodized gold aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 250mA of current Designed and built in the USA

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Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. Strymon studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put their takes on all six of them into a single two-channel unit.Features: Six drive circuit topologies with custom-tuned voicing for each drive type Precision-crafted drive circuits are stackable in multiple combinations for a wide variety of complex, responsive tones. Analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analogue gain Drive and Tone control ranges optimized for each circuit topology Series, reverse series, and parallel drive circuit stacking via Config switch Bright switch to tailor the sound for use with all amplifiers from dark to bright Optional variable-threshold noise reduction for taming noisy guitar pickups High-impedance mono input Mono output Favourite Input to connect an external MiniSwitch to recall a Favorite preset Expression pedal input allows the connection of an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode) MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Premium analogue front end and output section Super high-performance SHARC DSP in a compact form factor 32-bit floating point processing True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass Strong and lightweight anodized red aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 250mA of current Designed and built in the USA

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There is something uniquely powerful about the sound of a vintage rotary speaker system. The organic chorusing as the treble horn and bass rotor start speeding up. The grit of the internal tube-driven amplifier creates additional harmonics that spin around the room. Plug into Lex, close your eyes, and be transported by this classic sound, recreated with astonishing realism and depth for your pedalboard.Features: High impedance ultra-low-noise discrete Class-A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated Slow/Fast rotary speed & On/Off footswitches Premium JFET analog front end Ultra-low noise, high-performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating-point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized brown aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall / 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA

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Strymon wanted to do a limited run of some of their favourite pedals they’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colourful and inspiring as ever.Zelzah not only gives you truly sublime, perfectly voiced classic phaser tones with tons of vibe—it’s also a multi-modulation pedal that allows two effects at once. Enjoy gorgeous studio quality flanging and chorus, vintage vibrato, 4-stage and 6-stage phasing, a super expressive touch-sensitive envelope phaser, plus captivating new sounds never heard before—all instantly musical with a superb tone all the way across every dial.Zelzah offers true stereo signal processing and a premium discrete stereo JFET analogue input circuit, plus full MIDI control with 300 preset locations. With fully independent control over two effects at once and a huge range of sought-after sounds, Zelzah may become the only modulation pedal you keep on your board.Features: Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with an independently adjustable stereo spread for each All controls are carefully voiced to produce musically useful sounds at any setting Adjustable input level switch to allow for both instrument and line level signals Selectable Buffered or True Bypass Full-featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations High impedance ultra low-noise discrete Class A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Independent on/off footswitch for each phaser Premium JFET analogue front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 480MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Strong and lightweight anodized dark purple aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5” (D) x 4” (W) x 1.75” (H) / 11.4 cm (D) x 10.2 cm (W) x 4.4 cm (H) Designed and built in the USA

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Strymon wanted to do a limited run of some of their favourite pedals they’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colourful and inspiring as ever. Compadre is a studio-quality analogue compressor with two distinct voices for smooth transparent compression or vintage squeeze. A dedicated Boost switch lets you add clean boost or soft-clipped dirty boost separately, with the EQ curve of your choice for greater tonal control. Pair that with an adjustable dry signal mix that allows you to keep more of the initial transient in the signal if you wish, and you get the key to your dream tone. Additional features include full MIDI control, 300 presets and the industry’s best analogue VCA volume control (addressable via the expression pedal jack), combining the best of analogue sound and feel with digital flexibility. Features: Premium analogue VCA (Voltage Controlled Amplifier) compressor circuits Two voicing options: smooth studio compression and hard pedal style compression Independently controlled clean or dirty boost circuit with 3 EQ options Dirty boost option provides overdrive when the boost is engaged DRY Knob lets you blend the dry signal with the compressed signal to preserve attack transients High impedance ultra low-noise discrete Class A JFET preamp input Low-impedance mono output Output VCA allows Compadre to function as a volume pedal when a standard TRS expression pedal plugged into the dedicated Volume jack Compatible with MiniSwitch for remote selection of a Favorite preset Compatible with MultiSwitch Plus for remote selection of 3 presets Full-featured MIDI control. Access to 300 presets and remote parameter control via quarter-inch TRS. (requires Strymon MIDI EXP Cable or MIDI > TRS interface) Selectable True Bypass (electromechanical relay switching) or ultra low-noise Buffered Bypass Strong and lightweight anodized dark red aluminium chassis 9V DC power supply included Designed and built in the USA Compressor Signal/Noise: 109 dB typical Power requirements: maximum 9 volts DC centre-negative, with a minimum of 150mA of current Dimensions: 4.5” (D) x 4” (W) x 1.75” (H) / 11.4 cm (D) x 10.2 cm (W) x 4.4 cm (H)

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Strymon wanted to do a limited run of some of their favourite pedals they’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colourful and inspiring as ever.NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. Go where no reverb has gone before with real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes.Additional features include full MIDI control, 300 presets and a step sequencer with variable glide.Features: Three selectable reverb types offer a wide variety of ambient textures MOD section with various waveforms to modulate the reverb or tone filters TONE section to sculpt the high and low EQ of the reverb VOICE section to enhance the aural spectrum of the reverb Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb GLIMMER dynamically enhances high or low-frequency harmonics for synth-like textures Pre or Post DRIVE to add saturated overdriven harmonics to the reverb Adjustable reverb core size to increase or decrease the space for reflections Independent REVERB and DRY level controls Step sequencer for programming rhythmic pitch variations of the reverb Access to 16 presets from the front panel and 300 presets via MIDI High impedance ultra low-noise discrete Class A JFET preamp stereo inputs Low-impedance stereo outputs Input Level switch allows for both instrument and line level signals On, Favorite, and Infinite footswitches Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4” to MIDI cable Full-featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more USB jack for controlling via MIDI from a computer or for performing firmware updates Analog dry path for a zero latency dry signal that is never converted to digital Premium JFET analogue front end Ultra-low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Super high-performance SHARC DSP 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass Strong and lightweight anodized dark blue aluminium chassis 9V DC power supply included Power requirements: maximum 9 volts DC centre-negative, with a minimum of 300mA of current Dimensions: 4.5″ (D) x 7″ (W) x 1.75″ (H) / 114.3 mm (D) x 177.3 mm (W) x 44.5 mm (H) Designed and built in the USA

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Sometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end.The simple look and feel of Cloudburst belies the power underneath the hood because it produces some of the most gorgeous ambient reverb tones and soundscapes that you’ve ever heard out of a guitar reverb pedal – there’s literally nothing else quite like it.Features: Full MIDI implementation with 300 preset Send MIDI commands from your controller or DAW via the EXP/MIDI jack or USB-C connection True/Buffered Bypass High impedance ultra low-noise discrete Class A JFET TRS stereo input Low impedance TRS stereo output Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection USB jack for controlling via MIDI from a computer or for performing firmware updates Premium JFET analogue front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Strong and lightweight anodized aluminium chassis ARM Processor that has more processing power for every sonic nuance, and less power consumption on your pedal board Specifications Power requirements maximum 9 volts DC centre-negative, with a minimum of 250mA (power supply NOT included) Dimensions 4.6” (D) x 2.7” (W) x 2.5” (H) / 11.7 cm (D) x 6.9 cm (W) x 6.4 cm (H)

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A warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and dynamic response to your picking are all hallmarks of the true vibe experience. Thicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition. This feeling has been difficult to find outside of large and expensive fully analogue boutique units, but the search for that elusive experience is now over. Delivering a vintage vibe tone that’s second to none with simple and powerful controls for instantly obtaining a rich variety of captivating sounds, UltraViolet is the vibe pedal you’ve been looking for.Features: High impedance ultra low-noise discrete Class A JFET TRS stereo input Low-impedance TRS stereo output Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection USB jack for controlling via MIDI from a computer or for performing firmware updates Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Typical signal-to-noise ratio: 116dB Strong and lightweight anodized aluminium chassis Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included) Designed and built in the USA Dimensions: 4.6” (D) x 2.7” (W) x 2.5” H) / 11.7 cm (D) x 6.9 cm (W) x 6.4 cm (H)

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