The ISA stereo ADC embodies cutting-edge conversion technology, encompassed within pristine Focusrite circuitry, providing 2 channels of the highest quality 24-bit conversion at all sample rates up to 192kHz.    Digital output formats include 2 channel single/dual wire AES/EBU or 2 channel S/PDIF, all via a 9 pin D-type connector, as well as optical S/PDIF and ADAT. The ADAT (TOSlink) port is stereo and operates at 24-bit, up to 96kHz.   The card comes as standard with the ISA One Digital and can be retrofitted to an ISA 430 MKII or an ISA One at any time.

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 Whatever you record and however you work, sooner or later you are going to find yourself in need of more inputs. The Focusrite Clarett OctoPre gives you eight - and eight outputs too - that you can use to extend the capabilities of a Clarett Thunderbolt or any other manufacturer's interface fitted with ADAT optical inputs and outputs. The mic pres have been designed specifically for the Clarett range, with plenty of gain, yet low noise and distortion - and great sound quality. They include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. In addition Focusrite has been making digital audio converters almost as long as their superb mic preamps, and those in the Clarett OctoPre ensure that you maintain the highest possible quality getting your music in and out of your DAW.To learn about the technical specifications, download the user manual here.

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  Clarett+ 4Pre is the studio-grade audio interface for PC and Mac, designed for music makers who demand the highest quality while recording and mixing their audio creations. The Clarett+ 4Pre has four high-headroom, low-noise, low-distortion Clarett+ mic preamps that feature All-analogue Air with impedance switching and relay control to capture vocals, drums and acoustic instruments with immense clarity. Two JFET instrument inputs let you plug straight in and preserve the natural tone of your guitar, just like plugging into an amplifier.Features: Four professional-quality Clarett+ Preamps Two JFET instruments inputs All-Analogue Air New and Improved A-D/D-A Converters Powerful and transparent headphone output ADAT optical input Focusrite Control Software Specifications Mic Inputs Frequency Response 20-20kHz ± < 0.03dB, -35kHz ± < 0.15dB Mic Inputs Dynamic Range (Min Gain) 118dB Mic Inputs Max Level 18dBu Line Inputs Frequency Response 20-20kHz ± < 0.05dB, 20-35kHz: ± < 0.15dB Line Inputs Dynamic Range (Min Gain) 118dB Line Inputs Max Level 26dBu Instrument Inputs Frequency Response 20-20kHz ± < 0.04dB, 20-35kHz ± < 0.15dB Instrument Inputs Dynamic Range 116dB Instrument Inputs Max Level 15dBu Line Monitor Outputs Frequency Reponse 20-20kHz ± < 0.02dB, 20-35kHz ± < 0.02dB Line Monitor Outputs Dynamic Range 124dB Line Monitor Outputs Max Level 18dBu Headphone Outputs Frequency Reponse 20-20kHz <0.06dB, 20-35kHz <0.07dB Headphone Outputs Dynamic Range 118dB Headphone Outputs Max Level 16dBu

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    Clarett+ 8Pre is a high-performance and immensely capable studio centrepiece for PC and Mac, which inspires producers, engineers and artists to create their best work. With eight high-headroom, low-noise, low-distortion Clarett+ mic preamps, the Clarett+ 8Pre features All-analogue Air with impedance switching and relay control to capture vocals, drums and acoustic instruments with precise clarity. Two JFET instrument inputs preserve the natural tone of guitars, just like plugging into an amplifier. Features: Eight professional-quality Clarett+ Preamps All-Analogue Air New and Improved A-D/D-A Converters Powerful and transparent headphone output ADAT optical input Focusrite Control Software Specifications Mic Inputs Frequency Response 20-20kHz ± < 0.03dB, -35kHz ± < 0.15dB Mic Inputs Dynamic Range (Min Gain) 118dB Mic Inputs Max Level 18dBu Line Inputs Frequency Response 20-20kHz ± < 0.05dB, 20-35kHz: ± < 0.15dB Line Inputs Dynamic Range (Min Gain) 118dB Line Inputs Max Level 26dBu Instrument Inputs Frequency Response 20-20kHz ± < 0.04dB, 20-35kHz ± < 0.15dB Instrument Inputs Dynamic Range 116dB Instrument Inputs Max Level 15dBu Line Monitor Outputs Frequency Reponse 20-20kHz ± < 0.02dB, 20-35kHz ± < 0.02dB Line Monitor Outputs Dynamic Range 124dB Line Monitor Outputs Max Level 18dBu Headphone Outputs Frequency Reponse 20-20kHz <0.06dB, 20-35kHz <0.07dB Headphone Outputs Dynamic Range 118dB Headphone Outputs Max Level 16dBu

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  The ISA eight channel 192kHz A-D converter outperforms every other converter yet devised, and was the first audio A-D converter to utilise Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips. With cutting-edge conversion technology seated within Focusrite custom analogue circuitry, the card delivers unparalleled performance; specifications include a dynamic range of 122dB and jitter less than 250 picoseconds. More information about Focusrite's ISA A-D converters can be found on the right.   The card can be retrofitted to an ISA428, ISA428 MkII or ISA828 at any time and, thanks to its convenient 25-pin D-Type connector, integrates seamlessly with Pro Tools HD as well as other popular hard disk recorders and mixing desks.   All eight converters are always available with this option, even when using the ISA428 and ISA428 MkII. When installed in one of these four-channel mic preamps, the the extra 4 converters of the A-D card are fed by four XLR inputs on the back labeled "ADC Input".   Digital formats include an eight-channel single/dual wire AES/EBU and S/PDIF output, as well as an eight-channel ADAT lightpipe (SMUX/SMUX2) output. Word clock i/o is provided via dedicated BNC connectors.  

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  Featuring a rugged, portable all-metal enclosure, the ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel and optional 192kHz precision A/D conversion.   Whether you're an artist, engineer or producer, you?ll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A/D converter and separate rear-panel XLR output.

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  The original Focusrite ISA modules, commissioned by the late Sir George Martin, are time-honoured and coveted by engineers the world over. Literally hundreds of hit recordings have been made with Focusrite's ISA range-a legacy that continues today.   The ISA Two comprises an independent pair of legendary ISA microphone preamps based on the original ISA 110 module. It combines the best of traditional solid-state electronics with the original input transformer-the Lundahl LL1538.    Two is a nice round number, ideal for recording, say, a vocal and an instrument, or a stereo piano. However, you may only need two mic preamps, but you owe it to your music to use the best.

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  Whatever type of music you want to make, iTrack Dock is the easiest way to create professional recordings on iPad. Just dock, plug in and hit record.   Start recording the moment inspiration strikes, by plugging any instrument or mic straight in.   *If you want a great mic and headphones as well, take a look at the iTrack Dock Studio Pack. It gives you closed-back studio quality headphones and a large-diaphragm condenser microphone, plus a cable and stand clip, so you can set up and record straight away.   FEATURES Record Two Channels Simultaneously Two Scarlett Pres w/ +48V Phantom Power iPad 4th Generation, iPad Air, iPad Mini Gain LED Ring Halos Record at up to 24-Bit 96 kHz Resolution Balanced XLR and Line Inputs 1/4" Instrument DI Input TRS Monitor Outputs  

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  You could spend another evening browsing for equipment. Or you could spend it recording your songs. Get everything you need to record on iPad in one big box - and get it done. You won't need anything else to make professional-quality recordings on iPad. iTrack Dock Studio Pack includes a high-quality microphone and headphone too. Whatever type of music you want to make, iTrack Dock is the easiest way to make professional recordings on iPad. Just dock, plug in and hit record. If you love your songs, you want your recordings to sound as good as the real thing. This large diaphragm CM25 condenser mic captures beautifully crisp and clean sound, so your tracks will always sound as good as you do. It also comes with a long cable and a stand clip, so you can get started straight away. The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate. These professional standard HP60 closed-back headphones block out background noise and give you absolutely stunning playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.

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Record a professional condenser microphone directly into your Apple device (iPhone, iPad) with Focusrite iTrack One. No need for external power here, this preamp and instrument input is ideal for recording on the go and has really stripped away all the previously needed gadgets; capture high resolution audio from a mic or guitar direct. Where you want and where you want.

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  iTrack Pocket is the simplest way to record your songs onto your iPhone. Just connect your phone, open the app and hit record. Forget the sound of your iPhone mic. Capture your performances with a high-quality stereo microphone that fits in your pocket.   Get your ideas down without any background noise. Plug your guitar into your phone, using a dedicated input with powerful built-in amp simulation. You never know when inspiration is going to strike. Keep iTrack Pocket on you, take it anywhere and connect your phone every time you have a great idea.   FEATURES Designed for the Singer-Songwriter Create High-Quality YouTube Videos Built-in Stereo Microphone Hi-Z Input for Guitar Compatible with Free Impact App Portable Design Powered by Lightning-Equipped iPhone MFi Certified

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 FEATURES 2-channel audio interface for Lightning-equipped iOS devices, Mac, and PC Focusrite mic preamp with phantom power gives you open and detailed recordings Direct instrument input makes it easy to record your guitar or bass XLR mic input with available 48V phantom power for condenser mics Aluminum unibody design is rugged for dependable portable use Up to 24-bit/96kHz resolution with your desktop computer USB and Device Link ports allow use with both computers and iOS devices Ships with Ableton Live Lite and the Scarlett plug-in suite Dimension Packaging Weight : 1.2 kg

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  With eight channels of Focusrite preamplification and a built-in 24-bit / 96 kHz ADAT output, OctoPre MkII is Focusrite's powerful input upgrade for your Pro Tools system, or any digital audio workstation. It's also a great expansion for any analogue or digital console, or hard disk recorder.   The digital output allows you to make the most of often-neglected ADAT inputs; ideal for expanding the number of mic pre inputs on your interface. Connect OctoPre MkII to your audio interface's ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, as well guitars, keyboards, vocals and more.

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  With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrite's feature-rich expansion upgrade for any digital audio workstation. It's equally an ideal expansion for any analogue or digital console, or hard disk recorder.   Digital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.   With this entire package fitting into a single 1U chassis complementing Focusrite's Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.

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  RedNet 1 from Focusrite is an eight-channel, remote controlled input/output analog audio interface that uses the Dante digital audio networking system to bring studio quality sound to any modern audio application. The unit features 24-bit A-D and D-A conversion for excellent audio performance, with 119 dB of dynamic range at sample rates up to 192 kHz. Rock-stable JetPLL clocking and premium multi-layered board circuitry further facilitate the delivery of uncompromised audio.   The RedNet system was designed for use in multiple audio applications, from live sound rigs to multi-room recording studios, houses of worship, audio distribution installations, post production environments and anything in-between. The system is scalable and delivers near zero latency audio distribution, with the ability to expand I/O channel count, interface digital components, and/or bridge between Pro Tools|HD or MADI and a Dante audio network.   There are three methods of connecting the RedNet 1 to a computer using a single Ethernet cable. These are via an optional RedNet PCIe card (for ASIO and Core Audio applications), directly into the computer's Ethernet port using DVS (Dante Virtual Soundcard) software where near zero latency is not essential, or through an existing RedNet 5 interface for connecting directly to Pro Tools HD, Pro Tools HDX and Pro Tools HD Native.   FEATURES Dante enabled, eight analog input/output digital audio converter Suitable for live sound rigs, multi-room recording studios, houses of worship, audio distribution installations, post production environments, and more Connects to a computer via single Cat6 Ethernet cable Up to 192 kHz sample rates Remote control via RedNet software 2U rackmount chassis

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  RedNet 3 from Focusrite is a remote controlled, thirty-two channel input/output ADAT digital audio interface that uses the Dante networking system to transfer studio quality sound between any modern audio application. The sixteen ADAT optical ports support thirty-two digital channels in and out, even at 96 kHz using S-MUX2. The unit also includes support for eight channels of AES/EBU and two channels of S/PDIF digital audio I/O and allows the RedNet system to be synchronized to incoming signal clock or a Wordclock source .   The RedNet system was designed for use in multiple audio applications, from live sound rigs to multi-room recording studios, houses of worship, audio distribution installations, post production environments and anything in-between. RedNet 3 can be used simply as a means of converting thirty-two channels of digital audio between formats and delivering it somewhere else on the network at near-zero latency. Sample rate conversion is available on the AES and S/PIDF inputs.   There are three methods of connecting the unit to a computer using a single Ethernet cable. These are via an optional RedNet PCIe card (for ASIO and Core Audio applications), directly into the computer's Ethernet port using DVS (Dante Virtual Soundcard) software where near zero latency is not essential, or through an existing RedNet 5 interface for connecting directly to Pro Tools HD, Pro Tools HDX and Pro Tools HD Native.   FEATURES Dante enabled, thirty-two ADAT digital audio input/output interface Support for eight channels of AES/EBU and two channels of S/PDIF digital audio formats Wordclock I/O Sample Rate Conversion (SRC) is available on the AES and S/PDIF inputs Suitable for live sound rigs, multi-room recording studios, houses of worship, audio distribution installations, post production environments, and more Connects to a computer via single Cat6 Ethernet cable Up to 192 kHz sample rates Remote control via RedNet software 2U rackmount chassis

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  RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI's, RedNet 4 provides an effective range of analogue inputs for your system.   The unit includes Focusrite's world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel.    The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.   FEATURES Dante enabled, eight Focusrite "RedNet" microphone preamp equipped digital audio converter Eight line inputs and two front-panel instrument inputs Independently switchable, per-channel phantom power Suitable for live sound rigs, multi-room recording studios, houses of worship, audio distribution installations, post production environments, and more 24-bit conversion at up to 192 kHz sample rates, with JetPLL jitter-reduction technology Connects to a computer via single Cat6 Ethernet cable Remote control via RedNet software 2U rackmount chassis

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  RedNet 5 from Focusrite is a multi-channel bridge interface that provides bi-directional communication between a Pro Tools HD system and a Dante network. The RedNet system was designed for use in multiple audio applications. The system is scalable and delivers near zero latency audio distribution, with the ability to expand I/O channel count, interface digital components, and/or bridge between Pro Tools HD and MADI and a Dante audio network.   A single RedNet 5 unit acts as a 64 channel (32 inputs plus 32 outputs) digital break-in/break-out box between a Pro Tools system and a RedNet network. Connectivity between RedNet 5 and Pro Tools is via Pro Tool's standard DigiLink connectors; an adaptor cable is included to allow compatibility with Pro Tools|HD systems that use the Mini DigiLink connectors.   Up to six units can be connected to a single Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. Pro Tools HD Native and Pro Tools HD (TDM) are also supported and the RedNet 5 is interoperable with other Pro Tools interfaces with no RedNet PCIe card required.   FEATURES Upgrade to RedNet interfaces while remaining fully compatible with saved sessions Each RedNet 5 can route up to 32 input and 32 output channels between a RedNet network and a Pro Tools HD system Connecting six RedNet 5 units to a Pro Tools HDX system allows up to 192 inputs and outputs - the maximum supported by Pro Tools HDX Maintain existing Pro Tools workflow with simple, logical assignment of RedNet I/O to Pro Tools HD inputs and outputs Compatible with Pro Tools HD TDM systems Connects to a computer via single Cat6 Ethernet cable Remote control via RedNet software 2U rackmount chassis

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  RedNet A8R is a 1U, 8x8 analogue line-level I/O interface for any Dante audio-over-IP network. Featuring network and power supply redundancy, RedNet A8R is the ideal choice for providing analogue I/O in many critical-path applications, whether in Post Production, Broadcast, Live Sound or the Recording Studio.   High-quality conversion with up to 119dB of dynamic range is provided through two rear-panel DB25 connectors while an additional pair of AES3 I/O is provided through male and female XLR for added flexibility. Word Clock I/O on BNC connectors allows external devices to clock to RedNet A8R, or alternatively allows RedNet A8R to act as a network clock grand master slaved to external input.    Power is supplied through a pair of locking IEC power inlets, and network connections are provided with a pair of locking Neutrik etherCON connectors; providing redundant operation or daisy-chained operation.  

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  RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of AES/EBU connectivity to and from the Dante audio network. Perfect for bridging between digital consoles, power amplifiers or any other AES3-equipped audio equipment and any Dante network, RedNet D16R has SRC (Sample Rate Conversion) on each input pair allowing plug-and-play operation with any AES3 source. Word Clock I/O and DARS (Digital Audio Reference Signal) connections allow synchronisation with a wide range of external sources and hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players. The D16R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy for maximum reliability. In addition, the unit offers a compact 1U rack-mount form factor.  

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  The RedNet D64R 64-Channel MADI-Dante Bridge from Focusrite allows large-scale digital systems, such as audio consoles and conversion systems, to send multiple channels of audio over a single interface. RedNet D64R provides the link between a Dante Ethernet-based audio system and any MADI / AES10 setup. D64R supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional, allowing the use of any Dante components including RedNet's high-quality interface products with a MADI system, or MADI components with a Dante system.   D64R features a sample rate converter (SRC) on each input and output allowing interfacing between MADI and Dante irrespective of the sample rate at which either system is operating. A Dante network can be connected to MADI-based digital consoles, computer cards, converters, and much more. In addition to both coax and optical MADI interfaces, RedNet D64R provides Word Clock in and out.   Dual Ethernet ports are provided, with locking etherCON connectors and several operating modes including daisy-chaining and redundancy confirmed by front-panel indicators. Two separate power supplies with fault detection capability are included, with separate power input sockets (including retaining clips) on the rear of the unit. Power status is indicated both remotely and on the front panel.   FEATURES Connects a MADI system and a Dante network seamlessly together. Connect Dante to digital mixing consoles, interfaces, and cards that use MADI; or extend a MADI system with RedNet's versatile, high-quality audio interfaces and connectivity – or any other Dante compatible devices. Built-in redundancy with dual locking power and etherCON network connectors Supports both coax and optical interfaces – connect simply to any MADI equipment Slave either the Dante system or MADI streams to an external clock Supports up to 64 channels of digital audio I/O at standard sample rates (44.1/48 kHz) from a MADI system, 32 channels at 96 kHz, and 16 channels at 192 kHz. Sample rate conversion (SRC) on each input and output, allowing MADI and Dante systems to operate simultaneously at different sample rates. Operates at standard sample rates between 44.1 kHz and 192 kHz D64R fully supports the MADI varispeed (56-channel) mode Compact 1U form factor rack-mount module with the classic red aluminum faceplate RedNet Control and Dante software allows remote routing and control from the audio computer system via a software control panel – no hardware patching required.

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  The RedNet HD32R 32-Channel Dante Networks Pro Tools|HD Bridge from Focusrite is a 1U, 19-inch rack-mount Dante interface that allows Pro Tools|HD users direct access to the full benefits of the Dante digital audio networking system. This includes its very flexible network topology and high-quality audio interfaces. The Pro Tools system is connected to the HD32R via standard Mini DigiLink ports.   The HD32R utilizes dual Ethernet ports with the provided locking etherCON connectors, and several operating modes, including daisy-chaining and redundancy, which are confirmed by front-panel indicators. Two separate power supplies with fault detection capability are included, with separate power input sockets (with retaining clips) on the rear of the unit. Additionally, its power status is indicated both remotely and on the front panel.   The HD32R features a rugged, roadworthy exterior and high internal build quality. In addition, it offers a compact 1U rack-mount form factor for a full 32 channels of I/O.   Focusrite's RedNet was the first to offer IP networked audio interfaces for recording studios, education, live sound, and broadcast workflows, combining suitable audio interfaces with the time-tested reliability of the Dante Ethernet-based audio networking system from Audinate. Dante has been in use in the live sound industry for years in exacting applications without missing a single sample.   Dante networking offers a powerful combination of features that make it particularly useful for any Pro Tools|HD production environment. Focusrite's well-respected DC-coupled mic preamplifiers and exacting digital conversion helps to ensure a very high audio quality I/O, while Dante allows it to interoperate fully with Pro Tools|HD and Pro Tools|HDX.   Ethernet-based audio networking technology makes the need for complex, bulky and expensive analogue multi-way cables a thing of the past. Connected to Pro Tools|HD with RedNet HD32R, audio interfaces can be conveniently located anywhere an Ethernet port is available.   FEATURES Allows Dante Ethernet-based audio networking products to interoperate fully with Pro Tools|HD and Pro Tools|HDX Ethernet and power supply redundancy with auto switchover in case of failure and locking connectors Provides the vital link to create an extensive high-quality audio network based on standard Cat 5e or Cat 6 wiring, bringing the latest advances in digital audio networking to Pro Tools|HD Cost-effectively increase audio I/O quality and flexibility with RedNet interfaces Permits multiple workstations to access the same interface hardware and I/O No changes to Pro Tools workflow required – simple, logical assignment of RedNet I/O to Pro Tools|HD inputs and outputs Up to 32 I/O with Pro Tools|HD over single DigiLink connection per RedNet HD32R Additional Avid/Digidesign interfaces may be connected to expansion ports Upgrade to RedNet interfaces while remaining fully compatible with TDM- or AAX-DSP-based plug-ins and saved sessions

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  Saffire PRO 26 is an 18-in, 8-out 24-bit/96kHz Firewire interface designed with the professional user in mind. Its four award-winning Focusrite preamps along with the latest in A-D/D-A conversion technology combine with the powerful Saffire Mix Control software to deliver professional sound quality, flexible routing options and rock-solid reliability. Saffire PRO 26 is ideal for both recording and live applications.   Saffire PRO 26 offers a total of 18 inputs and eight outputs, allowing for an astonishing level of flexibility and versatility. The four mics inputs have switched phantom power; two also include line inputs, accessed via XLR/TRS combination sockets. Two additional TRS line inputs are provided along with a pair of instrument-level inputs on the front panel. Eight channels of ADAT digital input provide connectivity for external multi-channel preamps such as the Focusrite OctoPre MkII, vastly expanding the number of available mic inputs.    Two channels of digital S/PDIF inputs enable connections to additional digital-equipped outboard equipment, while stereo 'loopback' allows two channels of audio to be routed from software applications directly into your DAW. The six rear panel TRS line-level outputs are perfect for multi-channel playback, mixing and monitoring, while there are two independent headphone outputs on the front panel. Two channels of digital S/PDIF outputs are also provided.   Designed with both recording engineers and live performers in mind, Saffire PRO 26 comes in a sleek yet sturdy chassis that will sit neatly on your desktop or fit easily into a bag for transport. Built to last, Saffire PRO 26 can withstand the harshness of the road ? or the rigours of daily studio use. What's more, thanks to Saffire Mix Control - a control software application that runs on the host computer - Saffire PRO 26 is just as powerful in live applications as it is in the studio.    The ultra-low-latency 26x8 DSP mixer/router features flexible output routing and monitoring for custom monitor mixes, as well as intuitive one-click presets to help you set up your session as quickly as possible, whether you're tracking, mixing or monitoring.   Saffire PRO 26 ships with a comprehensive software bundle, so you can start recording straight out of the box. Included is a free DAW - Ableton Live Lite - along with Focusrite's professional Midnight and Scarlett plug-in suites, Novation BassStation virtual synthesiser and 1GB of Loopmasters sample content.

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  Designed with the sophisticated project studio owner or smaller commercial facility in mind, Saffire PRO 40 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain. Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs.   All eight main inputs feature combo XLR/TRS connectors and sense which is in use automatically. Inputs 1 and 2 appear on the front panel and support mic, line and instrument operation, while the remaining six are on the rear panel and offer mic and line input functionality.    In addition to the comprehensive monitoring options described below, there are eight TRS line outputs. In addition, ADAT I/O, stereo S/PDIF I/O and two virtual "loopback" inputs for routing digital audio between software applications are provided. Every mic pre features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel five-step LED metering for each analogue input offers accurate viewing of levels.   Saffire MixControl, the ultra-low-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click options, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.   Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix TRS output features pads for improved sound quality when connected to active monitor speakers, while an 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down.    Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.

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SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner. *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A, Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6  Scarlett 16i16 is a compact, all-in-one studio hub for your instruments and outboard gear. Ideal for artists and producers, 16i16 is equipped with enough I/O to connect all your studio gear. Two of Focusrite's most detailed ultra-low-noise mic preamps, Hi-Z, line, and MIDI connections for your guitars, keys, synths, grooveboxes, and controllers. With 16i16 your headphones, monitors, and line-outs each get their own mix, so you can match the studio setup to the session. Expand your channel count using the S/PDIF or ADAT connections.Air mode, with Presence and Harmonic Drive, gives you that big console sound wherever you record. Auto Gain and Clip Safe make sure you'll never need to worry about your levels. The Hitmaker Expansion software bundle has all the tools you need to record, produce, and release your tracks. And the Focusrite Control 2 desktop and mobile apps enable you to remotely control your Scarlett anywhere in the studio. 16i16 can be powered directly from a computer's USB-C port (3A), so no extra power supply is needed.Features: Two ultra-low-noise preamps 122dB Dynamic Range Auto Gain and Clip Safe Two Air Modes  Control Remotely via mobile app Expandable I/O Included Software: Ableton Live Lite, three months of Pro Tools Artist, or six months of FL Studio Producer Edition recording software, the Hitmaker Expansion bundle (Antares® Auto-Tune® Access, Softube® Marshall® Silver Jubilee 2555, Native Instruments® MASSIVE, Sonnox VoxDoubler, Landr Studio (plus five free masters), Brainworx® bx_console Focusrite SC, Focusrite Red 2 & 3 Plug-in Suite, XLN Audio® Addictive Keys, XLN Audio® Addictive Drums 2: Studio Rock, Relab’s LX480 Essentials, FAST Balancer  Specifications Number of Mic Preamps 2 Phantom Power Yes (Independent) Inst Input 2 Line Inputs 6 Air Mode Yes Auto Gain Yes Clip Safe Yes Line Outputs 4 Headphone Outputs 2 ADAT I/O 1 SPDIF I/O 1 MIDI I/O 1 Loopback Yes Connectivity USB Type-C Protocol USB 2.0 Form Factor Desktop Simultaneous I/O 18 x 18 (including Loopback) A/D Resolution 24-bit/192 kHz Supported Sample Rate 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz Power 3A Bus Powered, 15W External (Optional Includes Scarlett 16i16 audio interface, 1.5m USB-C to USB-C cable, USB-C to USB-A adaptor, External power supply System Requirements Compliant with Mac, Windows PC, Chromebook, USB-C iPad, and iPhone Dimensions 220mm (W) x 155.2mm (D) x 60.5mm (H) Weight 1.25 kg

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  The Scarlett OctoPre is the ideal 8-channel expansion for any Scarlett - or other digital interface with ADAT inputs. ADAT is a simple and easy way of increasing the number of simultaneous recording channels available in your studio. With eight channels of Focusrite's 2nd generation Scarlett preamps and precision A-D conversion at sample rates up to 192 kHz, Scarlett OctoPre is the ideal way of increasing the number of inputs in your studio. It also offers eight balanced line outputs, sourced directly from their respective mic preamps for use on stage in a live environment.   Eight natural-sounding 2nd generation Scarlett mic/line inputs deliver high headroom, plenty of clean gain, low noise and minimal distortion - ideal for tracking drums as well guitars, keyboards, vocals and more. The front panel features two newly-designed instrument inputs with extended headroom. ADAT outputs let you connect to any interface or digital system with ADAT optical inputs, and analogue line outputs let you feed an analogue console at the same time as recording with the digital outputs.   FEATURES Eight natural-sounding 2nd generation Scarlett mic preamps Eight balanced line inputs Focusrite precision A-D conversion up to sample rates of 192 kHz Dual front-panel instrument inputs Pad on every channel for extra headroom - ideal for loud sources such as drums Eight balanced line outputs - ideal for live use Accurate 5-segment LED input metering Simple ADAT connectivity via optical cables 48V Phantom power available on every channel for condenser mics State-of-the-art digital clocking with Word Clock I/O for synchronisation with external devices

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Scarlett Solo makes it easier than ever to record and release your songs. A detailed ultra-low-noise mic pre. Studio-grade converters, with a huge 120dB dynamic range that matches what you'd find in a pro studio. A complete songwriter's recording toolkit includes Pro Tools Artist, Ableton Live Lite, and Focusrite’s Hitmaker Expansion software bundle; featuring Auto-Tune Access for Vocals, Softube Marshall Silver Jubilee 2555 for guitar, Native Instruments MASSIVE synth and more. Air mode lets you record with all the characters of a big studio console. Get great sound through any headphones from Solo’s amped-up headphone output with independent volume control.Features:Scarlett mic pre — Get great sound from any microphone with Solo’s detailed ultra-low-noise mic pre. Hi-Z instrument input — Plug straight in and guitars sound and feel great – perfect for using with amp sims. Huge 120dB dynamic range — Scarlett Solo uses the same converters as Focusrite’s flagship Rednet interfaces, found in countless high-end studios worldwide.  Air Mode — Record with all the characters of a big studio console. Add high-end presence and rich harmonic drive to vocals and instruments. Dynamic Gain Halos — Scarlett’s Dynamic Gain Halos make setting the perfect recording level quick and easy for any mic or instrument. Sounds great with any headphones — Powerful, custom-designed headphone amp with independent level control, for loud, clear, and accurate playback and monitoring. Loopback — Easily create your own samples from computer audio using Scarlett’s virtual inputs. Easy Start — It’s never been easier to get recording. Focusrite’s tried-and-tested Easy Start tool will have you making music in minutes. All the software you need — Includes Ableton Live Lite and Avid Pro Tools Artist, plus the Hitmaker Expansion software bundle with an unbeatable range of record-making studio tools. Focusrite Control 2 — Control your recording session directly from your PC or Mac. Included Software: Ableton Live Lite, Three Month Avid® Pro Tools® Artist Subscription with Complete Plugin Bundle, Three months Splice Sounds membership, Antares® Auto-Tune® Access, Softube® Marshall® Silver Jubilee 2555, Native Instruments® MASSIVE, Sonnox VoxDoubler, Landr Studio (plus five free masters), Brainworx® bx_console Focusrite SC, Focusrite Red 2 & 3 Plug-in Suite, XLN Audio® Addictive Keys, XLN Audio® Addictive Drums 2: Studio Rock, Relab’s LX480 Essentials, FAST Balancer

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  How do you get the broadcast sound your podcast deserves? The answer has never been clearer. Get incredible sound with more than enough gain for any XLR mic – for you and a guest. Capture the conversation in the studio, over the phone or online. Set levels, enhance your sound with one click, and stand out with Vocaster Two in seconds. Get your podcast sounding pro with Auto Gain, Enhance, two mic and two headphone connectors, Bluetooth audio from your phone, and more. Features: Mic Input - Connect any microphone via an XLR cable (included with Vocaster One Studio). 70dB gain range and phantom power control. Headphone Output - Connect your headphones to hear your show mix as the world will. Speakers Our - Record your professional podcast audio straight into your camera to make life easy. (TRS to TRS cable required, not included.) Auto Gain - Hold down the Auto Gain button to have Vocaster listen in and set the correct audio level, so you’re ready to record. Enhance - Bring out the best of your voice in one click with a choice of four voice presets, switchable within Vocaster Hub. Mute - Quickly mute audio to avoid interruptions. Mic Gain - The coloured gain ring gives you instant visual feedback when your voice level is perfect. Volume Control - Keep your volume in check. Specifications Number of Mic Inputs    2 Mic input gain range    70dB  Mic input frequency range    20Hz – 20kHz Number of Headphone Outputs    2 Headphone output frequency range    20Hz – 20kHz  Speaker output frequency range    20Hz – 20kHz  Connectivity    Requires 900mA USB port Phone input & output    3.5mm TRS Mono Camera output    3.5mm TRS Stereo Includes    Vocaster Two audio interface, USB-C to USB-A Cable

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  How do you get the broadcast sound your podcast deserves? The answer has never been clearer. Get incredible sound with more than enough gain for any XLR mic – for you and a guest. Capture the conversation in the studio, over the phone or online. Set levels, enhance your sound with one click, and stand out with Vocaster Two in seconds. Get your podcast sounding pro with Auto Gain, Enhance, two mic and two headphone connectors, Bluetooth audio from your phone, and more. Features: Mic Input - Connect any microphone via an XLR cable (included with Vocaster One Studio). 70dB gain range and phantom power control. Headphone Output - Connect your headphones to hear your show mix as the world will. Speakers Our - Record your professional podcast audio straight into your camera to make life easy. (TRS to TRS cable required, not included.) Auto Gain - Hold down the Auto Gain button to have Vocaster listen in and set the correct audio level, so you’re ready to record. Enhance - Bring out the best of your voice in one click with a choice of four voice presets, switchable within Vocaster Hub. Mute - Quickly mute audio to avoid interruptions. Mic Gain - The coloured gain ring gives you instant visual feedback when your voice level is perfect. Volume Control - Keep your volume in check. Specifications Number of Mic Inputs    2 Mic input gain range    70dB  Mic input frequency range    20Hz – 20kHz Number of Headphone Outputs    2 Headphone output frequency range    20Hz – 20kHz  Speaker output frequency range    20Hz – 20kHz  Connectivity    Requires 900mA USB port Phone input & output    3.5mm TRS Mono Camera output    3.5mm TRS Stereo Includes    Vocaster Two audio interface, USB-C to USB-A Cable

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Special Feature Replaceable bulb Light Type Incandescent Brand Furman Item Dimensions LxWxH 13.5 x 7 x 1 inches About this item Locking collet male BNC connector 12 inches in length Powered by 12 VAC Replaceable bulb

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All of the Classic Series II units are designed with a rear BNC connector to accommodate a GN-LED for rear rack illumination. This flexible 12″ inch lamp provides ample amount of light and can be controlled by an on/off switch located on the front of the unit. In addition to their use with Furman Series II Power Conditioners, the versatile GN-LED will work with a variety of other products in various applications. Get a Furman Gooseneck Light and see what you’ve been missing! Features  Four segment LED light for enhanced illumination Cool, efficient illumination Long lasting LED lights that rarely need replacing Locking collet male BNC connector 12 inches in length Powered by 12 VAC Replaceable head

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The 6 Amp P-1400 AR E delivers a stable 230 volts of AC power to protect equipment from problems caused by AC line voltage irregularities such as sags, brownouts, or overvoltages - all of which can cause sensitive electronic equipment to malfunction or sustain damage. The P-1400 AR E accepts any input voltage from 188V to 270V and transforms it to a constant output of 230V or 240V (switchable), ±10V. Voltages beyond that range may also be converted to usable levels, depending on the range variance. Additionally, the P-1400 AR E is a full-featured power conditioner that filters and purifies AC power, reducing line noise and ensuring optimum performance. FEATURES Surge Protection : Furman’s exclusive SMP technology provides the highest level of surge & spike protection available. Noise Filtration : LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity. Voltage Protection : Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions. Diagnostic Lights : LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised. True RMS Voltage Regulation : True RMS Voltage Regulation delivers a stable 230/240 volts of AC power to protect equipment from problems caused by AC line voltage irregularities. USB Charger : Front panel USB convenience outlets allows you to charge most media devices or power a USB lamp. Voltmeter / Ammeter : Large digital voltmeter / ammeter, with discrete dimmer button, displays line votlage and true RMS current draw. Isolated Banks : Isolated outlet banks minimize inter-component interference and noise contamination. 6 AMP Rating : 6 Amp rating featuring a high inrush magnetic circuit breaker for added protection. 11 Total Outlets : 11 total outlets (10 rear panel outlets and one front panel convenience outlet). BNC Lamp Connector : Rear panel BNC connector powers any standard gooseneck lamp for rear rack illumination. SPECIFICATIONS Maximum Current: 6 amps Line Cord: Captive AWG, 2.5M black cord with IEC Female to Schuko plug BNC Socket w/Switch: 12VAC 500MA maxx (lamp not included) Operating Voltage: 170 to 274 VAC Over-Voltage Shutdown: 275 VAC Nominal Approximate Input Voltage Capture Range: 174 to 264 VAC Spike Protection Mode : Line to neutral, zero ground leakage Spike Clamping Voltage: 375 VAC peak @ 3,000 Amps Response Time: 1 nanosecond Maximum Surge Current: 6,500 Amps Noise Attenuation: 10 dB @ 10 kHz, 40 dB @ 100 kHz, 50 dB @ 500 kHz Dimensions: 19" W x 12" D x 1.75" H (483mm W x 305mm D x 45mm H) Weight: 7 kg. Power Consumption: 5 watts Dimension Packaging Weight : 13.2 kg

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The Furman P-6900 AR E delivers clean, stable power to protect equipment from problems caused by AC line voltage irregularities such as sags, brownouts, or over-voltages; all of which can cause sensitive electronic equipment to malfunction or sustain damage. The switchable output of the P-6900 AR E accepts any input voltage from 188V to 270V and transforms it to a constant output of 230V ±10V or 240V ±10V. Voltages beyond that range may also be converted to usable levels, depending on the range variance.   Additionally, the P-6900 AR E is a full-featured power conditioner that filters and purifies AC power, reducing line noise and ensuring optimum performance. Not only will your equipment perform better with Furman's Linear Filtering Technology (LiFT), but it will also be fully protected by our exclusive Series Multi-Stage Protection (SMP), and Extreme Voltage Shutdown (EVS). This circuitry provides the highest level of power protection available. FEATURES True RMS Voltage Regulation : True RMS Voltage Regulation delivers stable voltage output (selectable between 230V and 240V) to protect equipment from problems caused by AC lne voltage irregularities. Surge Protection : Furman’s exclusive SMP technology provides the highest level of surge & spike protection available. Noise Filtration : LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity. Voltage Protection : Advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions. Diagnostic Lights : LED status indicators warn you when voltage is outside of nominal range or when protection has been compromised. Voltmeter / Ammeter : Large LED voltmeter/ammeter displays incoming voltage and output current draw . Isolated Banks : Isolated outlet banks minimize inter-component interference and noise contamination. USB Charger : Front panel USB convenience outlets allows you to charge most media devices or power a USB lamp. 30 Amp Rating : 30 Amp rating featuring a high inrush thermal circuit breaker for added protection. 11 Total Outlets : 11 total outlets (nine rear panel outlets and two front panel convenience outlet). Dimension Packaging Weight : 2.4 kg

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The Furman PL-PLUS C is the latest generation of Furman's legendary 15 amp power conditioners, featuring Furman's exclusive Series Multi-Stage Protection Plus (SMP+) with Linear Filtering Technology (LiFT) and Extreme Voltage Shutdown (EVS) for ultra-reliable protection of your gear. Front-panel LED metering on the PL-PLUS C lets you keep an eye on your voltage levels and a diagnostic light lets you know your PL-PLUS C is functioning properly. Considering how affordable this level of protection is, you can't afford to not have a Furman PL-PLUS C! FEATURES Maximum Output Current: 15 amps Line Cord: Captive 3/14 AWG, 10' black cord with NEMA 15 plug Pull-out Lights: Two multi-LED, dimmable lamps BNC Socket w/Switch: Rear rack lamp, 12VAC 500MA max (lamp not included) Operating Voltage: 90 to 139 VAC Spike Protection Mode: Line to neutral, zero ground leakage Spike Clamping Voltage: 188 VAC peak @ 3,000 Amps Response Time: 1 nanosecond Maximum Surge Current: 6,500 Amps Noise Attenuation: 10 dB @ 10 kHz, 40 dB @ 100 kHz, 50 dB @ 500 kHz Dimensions: 19" W x 10.5" D x 1.75" H Weight: 12 lbs. Power Consumption: 12 watts SPECIFICATIONS Number of Outlets:8 x Rear, 1 x Front Maximum Output Current:10A Lights:Pull-out dimmable LED lights, Rear panel BNC connector Display:LED Voltage meter Rackmountable:Yes Height:1.75" Width:19" Depth:10.5" Weight:12 lbs. Dimension Packaging Weight : 6.6 kg

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