SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA   - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom - Third party pickup charges to be beared by buyer - Kindly put a remark for self collection / Lalamove in your order - installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges) EAST MALAYSIA ORDERS - Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks time FOR STANDARD DELIVERY Please select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner.  *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working days Waze: Live Music Centre No 20 & 20-1 & 22 & 22A,  Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, Selangor Contact : 0-1-6-5-2-0-1-0-6-6   With modern style, flexible tone and incomparable value, the Jackson X Series Spectra Bass SBX IV takes the adventurous player on a bold bass odyssey, launching a commanding all-new entry in Jackson’s formidable neck-through-body bass lineup.   The offset Spectra Bass body style was innovatively designed with the gigging musician in mind. Its poplar body has a larger upper horn that evenly distributes weight throughout the instrument for perfect balance and playing comfort. The graphite-reinforced through-body maple neck with scarf joint creates formidable sustain, with a speed neck contour, 12"-16" compound radius laurel fingerboard and 24 frets for superior playability.   The SBX IV provides a full-sonic spectrum for even the most versatile and progressive bassists. Dual passive medium-output humbucking pickups create a dynamic foundation with punch, power and note articulation. Wide-ranging tonal command comes from a two-way toggle switch for pickup coil splitting, 3-band active EQ, blend control and volume control with push/pull selector to bypass or engage active circuit for the 3-band EQ. The push/pull selector eliminates the risk of losing sound due to a dead battery. A quick pull on the volume knob bypasses the active circuit, making it easy to regain sound from the bass without the use of battery power.   This four-string bass also features a HiMass™ hardtail bridge that enhances sustain and improves attack. SPECIFICATIONS Body Shape: Spectra Body Material: Poplar Body Finish: Satin Fretboard Material: Laurel Fretboard Radius: 12"-16" Compound Radius (304.8 mm to 406.4 mm) Scale Length: 34" (86.36 cm) No. of Frets: 24 Fretboard Inlays: White Dot Pickup(s): Jackson® Medium-Output Humbucking Bridge: Jackson® HiMass™  Strings: Nickel Plated Steel (.045-.105 Gauges) Pickguard: None Tuning Machines: Jackson® Sealed Die-Cast Hardware Finish: Black

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SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA   - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom - Third party pickup charges to be beared by buyer - Kindly put a remark for self collection / Lalamove in your order - installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges) EAST MALAYSIA ORDERS - Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks time FOR STANDARD DELIVERY Please select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner.  *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working days Waze: Live Music Centre No 20 & 20-1 & 22 & 22A,  Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, Selangor Contact : 0-1-6-5-2-0-1-0-6-6 Key Features Seymour Duncan Nazgul and Sentient pickups Three-piece maple neck-thru construction 27-inch scale length for deep tones 12 to 16-inch compound radius ebony fingerboard   Specifications Product Code: 2919261568 Type: Electric Guitar Body and Bridge Body Finish: Satin Body Material: Nyatoh Body Shape: Warrior Bridge: Jackson HT6 String-Through-Body Hardtail Colour: Satin Black Orientation: Right-Hand Neck and Fingerboard Fingerboard Material: Ebony Fingerboard Radius: 12" to 16" Compound Radius (304.8 mm to 406.4 mm) Fret Size: Jumbo Stainless Neck Finish: Satin Neck Material: 3-Piece Maple Number Of Frets: 24 Nut Material: Graph Tech TUSQ Nut Width: 1.6875" (42.86 mm) Position Inlays: Black Sharkfin Hardware and Electronics: Bridge Pickup: Seymour Duncan Nazgûl Neck Pickup: Seymour Duncan Sentient Case/Gig Bag: Included Gig Bag Configuration: HH Control Knobs: Dome-Style Controls: Volume Headstock: Reverse Jackson Pointed 6-In-Line Special Electronics: Arcade-Style "Kill Switch" Strings: Nickel Plated Steel (.013-.062 Gauges) Switching: 3-Position Toggle (Position 1: Bridge Pickup, Position 2: Bridge And Neck Pickups, Position 3: Neck Pickup) Truss Rod: Dual-Action With Wheel Tuning Machines: Jackson Sealed Die-Cast Locking

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6A co-founder of New York "Big Four" thrash metal institution Anthrax, guitarist Scott Ian has pummeled audiences with his huge sound and formidable chops for close to four decades.Experience the veritable thrash godfather's signature tone with the X Series Scott Ian King V™ KVXT, offering a 24.75" scale length, mahogany body, through-body maple neck with graphite reinforcement and scarf joint. The 12"-16" compound radius laurel or rosewood fingerboard features 22 jumbo frets and pearloid block inlays. Its versatile voice is powered by a pair of Jackson® high-output humbucking pickups. This signature axe also features a Jackson compensated and adjustable TOM-style bridge with anchored tailpiece, Jackson die-cast tuners and pointed 6-in-line-headstock.SPECIFICATION:• Body Shape: King V™• Body Material: Mahogany• Body Finish: Gloss• Fretboard Material: Rosewood• Fretboard Radius: 12"-16" Compound Radius (304.8 mm to 406.4 mm)• Scale Length: 24.75" (629 mm)• No. of Frets: 22 Jumbo Frets• Fretboard Inlays: Pearloid Block• Pickups: Jackson® High-Output Humbucker (Bridge), Jackson® High-Output Humbucker (Neck)• Bridge: Jackson® TOM-Style Adjustable with Anchored Tailpiece• Pickguard: 3-Ply Black/White/Black• Strings: Nickel Plated Steel (.009-.042 Gauges)• Tuning Machines: Jackson® Sealed Die-Cast• Hardware Finish: Gold 

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 Bathe your sound in Spring, Plate or Room Reverb, then add tap-tempo enabled Harmonic, Vibrato, or Sine Wave Tremolo with the press of a button. You can easily change the order of effects or the character of the Tremolo or Reverb with the HYDRA’s smart Alt Controls. You can even create an Infinite Hold Reverb Trail! Save up to three presets with ease using our intuitive save feature. Engage Reverb Trails on the fly, no more internal dip switches. The Hydra can be used with pro remote switching systems and offers both TRS Expression Pedal and External Tap-Tempo inputs. The HYDRA is a complete end-of-pedalboard solution that fits perfectly in any musician’s rig, regardless of genre. Experience next-level processing power in this pedalboard-friendly enclosure. The sky, or more appropriately, the ocean floor, is the limit with the new Keeley Electronics HYDRA! FEATURES Stereo high-fidelity Reverb and Tremolo effect pedal Dreamy and accurate sounding Spring, Plate, and Room Reverbs Vintage-voiced Harmonic, Vibrato, and Sine Tremolo 3 Preset locations Onboard or Remote Tap-Tempo Smart Alt Controls for Shimmer, Spring Age, Room/Hall Size Infinite Hold for Reverb trails Expression pedal can be assigned to any knob Effect Order, Reverb or Tremolo first, switchable on the fly True-Bypass or Trails switchable on the fly 9 Volt DC, 115mA ultra low-current design Made in Edmond, USA

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 Keeley?s oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players an incredible boost that sounded so good and they never turned it off. In fact most often ran two or three on stages like John Mayer!  The Mini Katana boost provides over 35dB of boost, more than enough for the most demanding players and sound reinforcement. The new Mini Katana is now a 4 Mode Booster. With the dual micro switches, you have a total of four sounds possible. Need drive? Simple flip the micro Hi-Gain Switch inside and you've got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap.

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 An aggressive yet smooth clash of fuzz and reverb, the stunning Loomer Workstation Guitar Effects Pedal from Keeley is a pure package of power championing heavy gain, soft focus, long ambient wash, and cascading octave feedback.  Shoegaze has been focused and perfectly balanced in this pedal, which features a decay control so you can set different delay times which gives you a smooth rhythmic reverse.  Players are able to choose from 3 reverb modes - focus, reverse and reverb - and 3 fuzz modes - flat, full and scoop - and easily toggle between them all. The result is an incredibly versatile and performance-focused pedal that should have no issues in taking your sound to the next level and beyond. SPECIFICATIONS Pedal Type: Fuzz and reverb Inputs: 1 x ¼” Outputs: 1 x ¼” Power Source: 9V DC power supply (sold separately) Power Usage: 75mA

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 The new Memphis Sun - Lo-Fi Reverb, Echo and Double-Tracker is Keeley's second studio themed pedal. Like the Keeley 30ms ADT, this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you've not heard before. It's NeoVintage. It's an Echo and Reverb pedal.

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 With the Keeley Monterey you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists. The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds. There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds. *The Monterey Rotary Fuzz Vibe comes in several different graphic designs as these are hand made. The image attached is for reference only.

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 The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. The Neutrino takes your guitar playing and creates an automatic wah sound based on your pick attack!  Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are particularly smooth, giving you an amazing vowel-like tone.  The Keeley Neutrino gives you 3 filter ranges, 2 directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you maintain the highest headroom for your tone.  An incredibly tough build means it will last for many decades to come. Whether you’re in a jam band or playing funk, the Keeley Neutrino V2 delivers incredible vocal-like tone. FEATURES Envelope Filter and Auto-Wah for guitar, bass and keyboard Peak Control: Sets how much “quack” there is, or how smooth you roll Filter Selector: lets you choose between 3 types of filters: High, Low, and Band Pass. Range Switch: HI or LO. Direction Switch: Up or Down True-Bypass, 9 VDC, 25 mA, 100% analog and made in the USA.

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 The Oxblood Overdrive is Keeley's response to everyone cloning the ?Mythical Beast? pedal. Keeley decided to build an original design with a new circuitry that let players blend from perfectly clean to amp-crushing roar, focusing on that impossibly huge and focused midrange that will make any guitar sound incredible. With the Keeley Oxblood Overdrive you can roll off the Drive Control down and get a perfectly clean sound, you can also dial in any amount of distortion and volume to stomp an amp into pure tonal nirvana. The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman. Jack Orman has been a pioneer in the modern world of effects for 20 years. His thoughts and ideas are incorporated by nearly every boutique builder out there. Here is your chance to hear a brand new creation designed to outperform any of the clones. 

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 Introducing Keeley's all new Seafoam Plus Chorus - True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because Keeley have developed a new type of chorus that until now has only been available in expensive DAWs and in studios.  Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.

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 Many say the Phat Mod delivers their favorite tone from a pedal. It’s that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That’s the reason the modified pedal has stayed on people’s boards for nearly 15 years. The Keeley Super Phat Mod is our famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar’s pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren’t exactly right, we moved on and waited to try out other devices.  Well, after all these years Craighton Hale stumbled upon a Toshiba device that had the magic. Our resident guitar hero, Aaron Pierce, known for being very critical of even the most minute nuances, was grinning from ear to ear when he approved this ear-candy final version. We had found the magic device that pushed it over the top. So, we just had to dress it in gold and royal purple. The name badge had to speak of its history and heritage. With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, we feel it will look incredible in any rig. The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase “transparent overdrive” was born of this design! From country pickin’, to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar’s volume control or your pick attack do the work. With the Super Phat Mod, you now have all of our refinements–the very best of tone-shaping electronics and modern features like true-bypass. 

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 The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber. The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the Synth-1. FEATURES Synth Wave Generator – Create fuzzed-out, single note synth sounds Reverse Attack – Volume Swell Effect – put your guitar in slow gear! Chaos Switch – change dimensional triggering and octaves and stuff Filter – shape the EQ and tone of your fuzz wave Wave Selector – change wave modes on the fly with your foot! Control the Blend of your natural guitar and the wave generator Side Mount Expression Jack for TRS control of the Filter Top Mounted Jacks, True-Bypass Designed and Made in the USA

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 This is a reverberation machine that will help you achieve some of the most classic effect sounds.  A great tool to create new textures like never before. There are three modes - Harmonic, Vibrato and Phaser.

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 The Aria Compressor Drive not only offers the most flexible overdrive to date, it also has all the tone and blend features of the Compressor Plus. Players also have the ability to swap the order of the compressor and drive for two very useful drive experiences. For nearly two decades, from nearly every Nashville session-ace to the praise and worship player at church, from Steely Dan, Steve Vai, Johnny Hiland, Daniel Donato, Arianna Powell, to Nicholas Veinglou, the Keeley Compressor and Red Dirt have been a part of these performing, recording, and touring sounds. Now, these two epic tones are together in one stomp box that is easy to use and full of features. FEATURES Dual Mode – Clean and Transparent or Heavy Saturation Clean and Bold in Low Mode – Focused and Sustaining in High Mode Plus Features: Tone and Blend – Perfect for Humbuckers and Single Coils Blend for Manhattan style compressor and Tone for treble boosting Pedal Switcher Ready. Simply connect to and pedal switcher with TRS cables and control each side of the Aria independently Switch the Order of the Compressor and Drive for instant change to feel and response of your combo Use TRS insert cables to place effects between the Compressor and Drive like phasers, wahs, or other dirt boxes

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 Join Keeley's grand entrance into the hallowed halls of psychoacoustic processing?the Aurora Reverb. From the distant echo of cathedrals to 600 pound sheet-metal plate vibrations, to spring reverb coils in a tank. Reverb captures our imaginations and plunges us deeply into our musical psyches. Few effects complement a guitar better than reverb. At Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. yet offering the essentials for tailoring your tone without a dozen knobs to learn. Now achieved and offered proudly with a true bypass, 100% dry analog path, low noise and a 24 bit high-fidelity reverb processor.

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 The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering. The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals!  Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar?s tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet.

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 Robert Keeley and his crew are fans of Zappa. Rabid Fans. This pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser in dynamic with your pick attack and strength.  Then add the Random Stepped Filter with the new “M-Style Synth” bandpass shaping feature, and you have a lead guitarist’s dream tool. If you’re a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do.

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 The Caverns Delay Reverb V2 from Robert Keeley Electronics is a dual-effect pedal combining delay and reverb for the perfect end to any pedal board.It features Keeley’s renowned analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb.  Caverns now comes with a True-Bypass or Trails option giving you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off.  Because of its small and compact design with top-mounted jacks, the New Caverns V2 is a perfect fit for any fly-rig or small board where you have tight space requirements, and it also now has a more open and logical control layout with more space between the foot switches.  The New Caverns Delay Reverb V2 is entirely built in the US, by Keeley’s veteran crew who proudly build the most reliable and road-worthy gear.

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 Compressor pedals are required gear for modern guitarists. The sustain and clarity compression brings to your tone makes it essential.The Keeley Compressor is the most popular boutique compressor in the world.  Now the Keeley Compressor Plus has enhanced features that are simple and straightforward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should.  A Tone Control emphasizes the most sensitive harmonics that can be lost in compression, while a Blend Control retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus is a compressor combined with an expander/sustainer, adding more and more gain as notes fade out. Now you have sustain and compression in one compact pedal!

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 Winner of the 2017 Winner Guitar Player Magazine Editor’s Pick Award, The D&M Drive is a collaboration between pedal maestro Robert Keeley and That Pedal Show's tone authorities Dan Steinhardt and Mick Taylor.  It's effectively two pedals in one: an obsessive boutique overdrive for Dan, plus an independent/stackable boost for Mick that ranges from Katana Boost clean to TS-style midrange grit. Each channel gives you its own Level, Gain, and Tone controls.  So whether you want just a touch of dirt or full-on fuzz-like distortion, the Keeley D&M Drive puts you in complete control. You have control over the switchable order — run the boost into the drive or vice versa and the real magic happens when you run the two pedals together and your amp simply surrenders.  The D & M is entirely built in the US, by Keeley’s veteran crew who proudly build the most reliable and road-worthy gear.

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 Drawing inspiration from David Gilmour's tone to complete the puzzle, the individual pieces that make up the Keeley Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style. Letting your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based. The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds; Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. Like the Monterey, this unit is completely hand built. Including the high-end DSP, everything is hand assembled and soldered by technicians with decades of experience, attention to detail and tone at every point.

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 The DDR combines the most common guitar effects – DRIVE and WET – into one pedal. Choose between two classic overdrives and then pour on some delay or reverb. FEATURES DRIVE Channel – A pair of modified super-drives to choose from. Volume, Tone, and Drive for days! STYLE Switch – Tube-amp Crunch or Lead-channel Sustain WET Channel – three knob delay or reverb with Blend, Decay, and Time Delay/Reverb Switch – Center toggle, WET Mode Select Top-mounted jacks for effect pedal insert or split TRS Insert Switch – side mounted selector True-Bypass or Trails Switch – side mounted selector 9VDC, 100 mA, no battery option Designed and made in the USA

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 The DynaTrem Dynamic Tremolo by Keeley is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth.  The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.

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 Finally you can get those 80’s vintage rack chorus sounds that define killer chorus sounds.  This was not an easy development.  The Dyno My Roto is a tough and difficult thing to accomplish in such a small package and we couldn’t leave good enough alone.  We added a Flanger and a Leslie Cabinet simulator. The magic to the chorus sound in the Dyno My Roto is the three LFOs that give you lush modulations that truly sing out like a chorus of guitars. Most chorus pedals, in fact nearly all, are simply two voice, one straight and one modulated. This offers twice the amount of joy by modulating another voice. That significantly reducing the ability to just hear one voice being affected and smears a couple voices in an effect that is truly enjoyable to listen to. We came up with a new Rotary Cabinet package that give you a Proximity Control.  The Proximity Control controls how far away you are from the spinning speaker cabinet.  This adds a depth and distance to the cabinet and is a touch like a reverb control.  It gives you that spatial expanse that can give you presence or depth in the chorus-like rotations.  Lastly, while we were spinning things, we crafted a RotoFlange sound that has a simple negative feedback control.  Easy to use and gets you the most classic flanger sounds possible. So whether you are going for a Alex Lifeson of Rush tone, a Andy Summers of the Police tone, or an SRV Crossfire rotary tone, we have you covered in one box with the Dyno My Roto.

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 The true-stereo Keeley ECCOS artfully combines a delay pedal and a looper. At the heart of the ECCOS is a neo-vintage delay with unprecedented control over tape-style echoes. Create long and majestic sounding tape flanged delay lines and then switch to the feature-packed Looper to record endless layers of sound!  Dual stomp switches in delay mode are for true-bypass, tap-tempo and even endless feedback – but in looper mode they allow you to record, play, reverse, half-speed and even trigger a “play-once”. Live or as a studio workstation the delay and looper work together giving you endless room for creating and experimenting in a small footprint. With over four years of development on the Quad 24/56-bit Dream DSP, Keeley has reached the pinnacle of delay sound quality with the amazing new tones in the ECCOS. The ECCOS now features Sound on Sound Mode! Sound on sound mode lets you record without erasing the original loop. The volume of the loops degrade over time, recreating a vintage reel to reel recording technique. To set the decay of the loops, hold down the FDBK knob and adjust the Depth control. This alt control comes in handy when using Sound on Sound Mode. The ECCOS features advanced independent switching. The Delay or the Looper can be turned on and off independently. You can start the Looper without a Delay Setting. FEATURES True Stereo Delay and Looper Studio quality delay with tape flanged modulation Features include 3 memory presets, subdivisions, trails, runaway feedback Huge array of tone and time-based controls with the Alt Hold feature Full-featured Looper with reverse and half-speed loop effects 2 minutes of looping in mono, 60 seconds in stereo, Endless layers of recording! True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher Expression pedal assignment over any parameter and in any direction Pro Rig designed, remote control thru 1/4? jacks for live use with pedal switcher systems 100% analog dry signal, audiophile designed input to output Stereo True-Bypass/Trails, switchable on the fly 9 Volt DC, 115mA low-current design Made in Edmond, USA

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 Keeley has finally nailed that high-gain amp-like distortion with their unbelievably efficient Filaments Distortion Guitar Effects Pedal. A full complement of 3 precise EQ controls has helped achieve this long-awaited package, ensuring you are able to dial the pedal into whatever amplifier you are using with no effort.  A credit to the intelligent design and hard work that has gone into producing this pedal, the Filaments reacts and feels just like adding a high-gain channel to your favourite clean tube amp so you can milk those fierce, penetrating tones that would make even the most confident metal head green with envy, all while maintaining a bright presence. SPECIFICATIONS Pedal Type: Distortion Inputs: 1 x ¼” Outputs: 1 x ¼’ Features: 3-band EQ Power Source: 9V-18V DC power supply (sold separately) Power Usage: 10mA

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 Keeley 30ms Automatic Double Tracker. The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments.  Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals. PEDAL SPECS:Effects Type: Chorus

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Andy Timmons’ mysterious-sounding“Halo” effect is a modulated dual-echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning. The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy’s signature “Halo” sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.Tone Factory.Use the Saturate control to add tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy’s unique “Halo” sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects. Run the HALO in stereo for incredible true-stereo imaging. Save your favourite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation.The Sound of Two Delays.Use the HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Our Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat/hold. Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects!Features: Andy Timmons signature “Halo” sound saved as a preset! The HALO functions as 2 delay pedals with up to 1500ms of available delay time –save different sounds to A and B –then switch between the two! 5 delay rhythms including stereo rack BBD and multi-head tape delay. 8 factory presets loaded with new delay and modulation sounds. Status light indicates when you’ve adjusted a knob from home settings. Soft stomp switches for tap tempo, infinite hold, preset save/recall, and more. Remote switching and programmable expression pedal control. DREAM multi-core DSP for stunning sound quality. True-Bypass or Trails. Made in the USA. Specification: Effects Type: Delay /Echo Primary Controls: Time, Level, FDBK, Rate, Depth, Toggle Switch, Stomp Switch A, Toggle Switch B, Status Lights Secondary Controls: FDBK (PRESS) ALT, High Pass Filter, Saturate, Tone, Rhythm Modes (Quarter Note, Dotted Eight, Andy Timmons Halo, Bucket Brigade, Tape Delay) Connectors: 1x 1/4" Mono In, 1x 1/4" Stereo In, 1x 1/4" Mono Out, 1x 1/4" Stereo Out, 1x 1/4" TRS Expression Out, 1x 1/4" TRS Remote Out Input Impedance: 1M Output Impedance: 10K Current Draw: 160mA Power Source: 9V DC Required (Power supply not included)

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 If you’re looking to really capture that feeling of 60s rock & roll then look no further than Keeley’s stunning Hooke Spring Reverb Guitar Effects Pedal. The careful vintage-minded design has led to this pedal featuring a 3-way toggle that chooses between spring, trem-verb and a unique church organ-like fugue mode.  Further control comes with the option to bounce between three new tones, ranging from long decay trem-verb to spring-plate to vibro-spring. The amount of options available is endless, and will surely push your creativity to the next level. SPECIFICATIONS Inputs: 1 x ¼” Outputs: 1 x ¼” Power Source: 9V DC power supply (sold separately) Power Usage: 65mA

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The Parallax offers the delay side of the legendary Caverns paired with unique Shoegaze inspired reverbs of the Realizer in one pedalboard-friendly enclosure. On one side of the Parallax, analogue-style modulated delays create a soft bed of warm repeats, while the other side builds Reverse setting-vibrato swirls (great for those who don’t have a vibrato arm on their guitar) to ambient modulations to form perfect pools of reverb reflection. When both sides are paired together, the Parallax offers the perfect end-of-pedalboard solution for Shoegaze, Ambient, and Experimental tone seekers.Features: Reverb Mode: Soft Focus, Reverse (Reverse Reverb), Hall (Hall Reverb with ascending shimmer) Delay Mode: Off (No modulation, classic analogue-style warm delay), Deep (Heavy, swirling modulation added to the delay trail), Light (Softer, gentle modulation added to the delay trail) Use the Rate, Blend, and Repeats knobs in conjunction with the mode switch to unlock the full palette of Delay sounds in the Parallax SpecificationsCurrent DrawL 75mA+ Input Mono Instrument Input Output Mono Instrument Output Power Requirement 9V Battery or 9VDC centre negative power supply (not included)

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Features: An increased sustain range for even more subtle compression Auto-blend to enhance clarity and note definition A new transient release time that makes hum-buckers sing and single coils pop Automatic tone recovery, a treble clarifier for high compression settings A built-in pre-amp for incredible guitar tone 9 volt, 10mA current draw, designed and built in the USA Plug into the Keeley Electronics Compressor Mini, feel inspired to play and sound your best

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The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was keeley's JTM 45/100® full-stack. (It’s a dead-on reissue Marshall® did with crazy cool custom-made–vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!)The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle. With the Power Toggle switch, you have control over the compression and harmonics. The Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone. The High Power mode has more compression, more harmonics, and a tighter, more defined tone. Old-school crunch in Low Power mode, super lead tones in the High Power mode.Feature: Keeley Engineered Ripe Tide Gain Controls: Volume, Gain, Tone, Power Toggle Power Supply: 9-volt battery (not included)

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Feature: Keeley Engineered Internal Dip Switches Effect Type: Tremolo, Harmonic Tremolo, Pitch Vibrato, Reverb Controls: Rate, Depth, Reverb, Level, Mode Select (R+T Mode, MACK Mode, Harmonic Mode Power Supply: 9V DC Centre Negative 65mA+ Power Supply Required

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Features: 4-in-1 Overdrive and Distortion Two all-new amp-like hybrid tones All analog signal path Switch from Buffered to True Bypass on the fly All new proprietary case shape – manufactured by RKFX in the USA  Specifications Bypass True Bypass/Buffered Footswitch Controls Tone, Drive, Level, Mid-Focus Switch, Clip Switch  Power 9-18V DC Centre Negative Current Draw 27 mA

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  Size: 41” inch Cutaway body 18-frets fingerboard Truss rod : Yes

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SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner. *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A, Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6 The Line 6 Helix multi-effects floorboard processor reaches far beyond anything you've ever experienced. It can be a great addition to your rig, a streamlined controller for your existing system, or an incredible-sounding guitar interface for recording in the studio — it can even replace your entire effects setup!  Equipped with Line 6's new HX modeling engine, Helix will let you hear brand-new models of modern and vintage amps, cabs, mics, and effects — all designed to sound and feel just like the originals. And your rig-integration options are limitless, with Helix's astoundingly comprehensive I/O and routing capabilities. Line 6 has long been at the forefront of the modeling revolution, and Helix is the professional guitar processor Line 6 was destined to create. FEATURES Dual DSP-powered HX modeling engine Over 200 amp, cabs, mic, and effects models 6.2" LCD display 12 touch-sensitive footswitches for editing 10 inputs, 12 outputs (including 4 effects loops) 8-in/8-out USB audio interface 3 expression pedal outs Mic-level XLR input S/PDIF, AES/EBU, and L6 Link digital outputs Capacitive touch-sensitive switches for parameter recall Assignable RGB LED color rings Customizable LCD scribble strips Preset or stompbox modes Integrated looper Solid-aluminum construction Tour-grade footswitches  SPECIFICATIONS Pedal Type:Multi-FX Analog/Digital:Digital Number of Effects:70 (104 with firmware updates), 9 x effects types simultaneously Effects Types:Distortion, Delay, Reverb, Modulation, Pitch shift, Synth filter, Compressor/Limiter, Wah, Impulse Response support Amp Modeling:Yes Number of Models:62 amps, 37 cabs, 16 mics (with firmware updates) Looper:60 seconds (mono), 30 seconds (stereo) full speed Analog Inputs:1 x XLR (mic), 1 x 1/4" (guitar), 1 x 1/4" (aux), 4 x 1/4" (return) Analog Outputs:2 x XLR, 2 x 1/4", 4 x 1/4" (Send) Digital Inputs:1 x Coax (S/PDIF), 1 x RJ45 (Variax) Digital Outputs:1 x Coax (S/PDIF), 1 x XLR (AES/EBU, Link out) MIDI I/O:In, Out/Thru USB:1 x Type B (8 x 8) Headphones:1 x 1/4" Other I/O:2 x 1/4" (expression pedals), 1 x 1/4" (control voltage), 1 x 1/4" (ext amp switching) Expression Control:Built-in Compatibility:OS X 10.10 or later, Windows 7 SP1 Power Source:Standard IEC AC cable Height:3.58" Width:22.05" Depth:11.85" Weight:14.6 lbs.

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SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner. *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A, Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6 For use with Line 6's stomp box modelers and other pedals, the EX-1 Expression Pedal gives you the power to morph between settings on all the pedals. FEATURES 2 preset versions Pitch control Custom wahs Durable construction

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SAME DAY DELIVERY / INSTALLATION SERVICE & SELF PICKUP WITHIN KLANG VALLEY / KL AREA - Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option  'Standard Delivery' and all orders will be shipped out on timely manner. *Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A, Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6 Your pedalboard setup is about to take a huge leap forward, thanks to Line 6's M5 Stompbox Modeler pedal. This compact box contains over 100 stompbox models, so you can easily access distortion, delay, reverb, filter and modulation effects - without having to deal with a mess of pedals and a tangle of cables (not to mention the hassle multiple power supplies can create).  The M5 Stompbox Modeler gives you the kind of brilliant Line 6 effects you've come to expect plus easy-to-use, dedicated parameter control knobs, tap-tempo functionality, and even a built-in chromatic tuner. All this great functionality is packed into the M5 Stompbox Modeler's road-tough metal housing. FEATURES Over 100 stompbox effects Simple one-effect-at-a-time design Dedicated knobs control each effect parameter Tap Tempo syncs for time-based effects Built-in chromatic tuner Analog and MIDI I/O Expression pedal jack Heavy-duty all-metal chassis and footswitches  SPECIFICATIONS Pedal Type:Multi-FX Number of Effects:100 Analog Inputs:2 x 1/4", 1 x 1/4" (Pedal) Analog Outputs:2 x 1/4" MIDI I/O:In/Out Power Supply Included:Yes Height:2.4" Width:6" Depth:6.5" Weight:2.5 lbs.

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SpecificationsModelsModelsSize36? / 38?Weight5.14 lbSystemHILAVA 2.0 SystemMemory/RAM4GStorage/ROM32GScreen3.5-inch touchscreenWireless Technologies2.4/5GHz dual-band WiFi Bluetooth 5.0Pickup System/PreampL3 with high-performance Sharc-DSPBattery Capacity8000mAh/3.8V (New)7000mAh/3.8V Lithium batteryConnecting CableType-C Data Transfer & Microphone SupportCharging Port1.Type-C 5V3A(max) 2.Contact Charging (Space Charging Dock required)Headplate MaterialABSHeadplate Logo StyleGold stampingTuners MaterialZinc Alloy(Ratio 20:1) Designed by LAVA MUSICKnob MaterialZinc AlloyNeck MaterialAirSonic 2 Carbon Fiber CompositeNeck ShapesFlyneckC shape(1-12) to U shape(12-)Neck Width (0-12fret)1.73-2.07inchNeck FinishMatte paintingNut MaterialPPS MaterialSaddle MaterialPPS MaterialSaddle Width2.8 inchSaddle Radius15.14inchFretboard MaterialHPLBack FinishMatte paintingRadius at 12th Fret15.75(inch) RConstructionOne-piece BodyNeck joins body at14 FretFretboard Inlay/DotsMicanite PlateFrets Materialcopper-nickel alloyFrets Number18Frets Size0.05inch height0.1inch widthBridge MaterialHPLTop MaterialSuper AirSonic Carbon Fiber CompositeFretboard Radius15.75(inch) RTop FinishMatte paintingBrace MaterialAirCarbon honeycomb CF structure +Super AirSonic Carbon Fiber CompositeBack MaterialAirSonic 2 Carbon Fiber CompositeWidth at 12th Fret2.07 inchSide MaterialAirSonic 2 Carbon Fiber CompositeSide FinishMatte paintingBindingOne-piece BodyFinishSilver-platedStrings MaterialElixir Nanoweb 012-053Strings Number6Scale Length24 inchStrings Spacing2.2mm 6th-String Fret121.7mm 1st-String Fret12PlekedYesTemperature-4?~194?Humidity10%~90%Bag MaterialWater-resistant high gloss Polyester

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SpecificationsModelsModelsSize36? / 38?Weight5.14 lbSystemHILAVA 2.0 SystemMemory/RAM4GStorage/ROM32GScreen3.5-inch touchscreenWireless Technologies2.4/5GHz dual-band WiFi Bluetooth 5.0Pickup System/PreampL3 with high-performance Sharc-DSPBattery Capacity8000mAh/3.8V (New)7000mAh/3.8V Lithium batteryConnecting CableType-C Data Transfer & Microphone SupportCharging Port1.Type-C 5V3A(max) 2.Contact Charging (Space Charging Dock required)Headplate MaterialABSHeadplate Logo StyleGold stampingTuners MaterialZinc Alloy(Ratio 20:1) Designed by LAVA MUSICKnob MaterialZinc AlloyNeck MaterialAirSonic 2 Carbon Fiber CompositeNeck ShapesFlyneckC shape(1-12) to U shape(12-)Neck Width (0-12fret)1.73-2.07inchNeck FinishMatte paintingNut MaterialPPS MaterialSaddle MaterialPPS MaterialSaddle Width2.8 inchSaddle Radius15.14inchFretboard MaterialHPLBack FinishMatte paintingRadius at 12th Fret15.75(inch) RConstructionOne-piece BodyNeck joins body at14 FretFretboard Inlay/DotsMicanite PlateFrets Materialcopper-nickel alloyFrets Number18Frets Size0.05inch height0.1inch widthBridge MaterialHPLTop MaterialSuper AirSonic Carbon Fiber CompositeFretboard Radius15.75(inch) RTop FinishMatte paintingBrace MaterialAirCarbon honeycomb CF structure +Super AirSonic Carbon Fiber CompositeBack MaterialAirSonic 2 Carbon Fiber CompositeWidth at 12th Fret2.07 inchSide MaterialAirSonic 2 Carbon Fiber CompositeSide FinishMatte paintingBindingOne-piece BodyFinishSilver-platedStrings MaterialElixir Nanoweb 012-053Strings Number6Scale Length24 inchStrings Spacing2.2mm 6th-String Fret121.7mm 1st-String Fret12PlekedYesTemperature-4?~194?Humidity10%~90%Bag MaterialWater-resistant high gloss Polyester

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SpecificationsModelsModelsSize36? / 38?Weight5.14 lbSystemHILAVA 2.0 SystemMemory/RAM4GStorage/ROM32GScreen3.5-inch touchscreenWireless Technologies2.4/5GHz dual-band WiFi Bluetooth 5.0Pickup System/PreampL3 with high-performance Sharc-DSPBattery Capacity8000mAh/3.8V (New)7000mAh/3.8V Lithium batteryConnecting CableType-C Data Transfer & Microphone SupportCharging Port1.Type-C 5V3A(max) 2.Contact Charging (Space Charging Dock required)Headplate MaterialABSHeadplate Logo StyleGold stampingTuners MaterialZinc Alloy(Ratio 20:1) Designed by LAVA MUSICKnob MaterialZinc AlloyNeck MaterialAirSonic 2 Carbon Fiber CompositeNeck ShapesFlyneckC shape(1-12) to U shape(12-)Neck Width (0-12fret)1.73-2.07inchNeck FinishMatte paintingNut MaterialPPS MaterialSaddle MaterialPPS MaterialSaddle Width2.8 inchSaddle Radius15.14inchFretboard MaterialHPLBack FinishMatte paintingRadius at 12th Fret15.75(inch) RConstructionOne-piece BodyNeck joins body at14 FretFretboard Inlay/DotsMicanite PlateFrets Materialcopper-nickel alloyFrets Number18Frets Size0.05inch height0.1inch widthBridge MaterialHPLTop MaterialSuper AirSonic Carbon Fiber CompositeFretboard Radius15.75(inch) RTop FinishMatte paintingBrace MaterialAirCarbon honeycomb CF structure +Super AirSonic Carbon Fiber CompositeBack MaterialAirSonic 2 Carbon Fiber CompositeWidth at 12th Fret2.07 inchSide MaterialAirSonic 2 Carbon Fiber CompositeSide FinishMatte paintingBindingOne-piece BodyFinishSilver-platedStrings MaterialElixir Nanoweb 012-053Strings Number6Scale Length24 inchStrings Spacing2.2mm 6th-String Fret121.7mm 1st-String Fret12PlekedYesTemperature-4?~194?Humidity10%~90%Bag MaterialWater-resistant high gloss Polyester

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Specifications Models Models Size 36? / 38? Weight 5.14 lb System HILAVA 2.0 System Memory/RAM 4G Storage/ROM 32G Screen 3.5-inch touchscreen Wireless Technologies 2.4/5GHz dual-band WiFi Bluetooth 5.0 Pickup System/Preamp L3 with high-performance Sharc-DSP Battery Capacity 8000mAh/3.8V (New)7000mAh/3.8V Lithium battery Connecting Cable Type-C Data Transfer & Microphone Support Charging Port 1.Type-C 5V3A(max) 2.Contact Charging (Space Charging Dock required) Headplate Material ABS Headplate Logo Style Gold stamping Tuners Material Zinc Alloy(Ratio 20:1) Designed by LAVA MUSIC Knob Material Zinc Alloy Neck Material AirSonic 2 Carbon Fiber Composite Neck Shapes Flyneck C shape(1-12) to U shape(12-) Neck Width (0-12fret) 1.73-2.07inch Neck Finish Matte painting Nut Material PPS Material Saddle Material PPS Material Saddle Width 2.8 inch Saddle Radius 15.14inch Fretboard Material HPL Back Finish Matte painting Radius at 12th Fret 15.75(inch) R Construction One-piece Body Neck joins body at 14 Fret Fretboard Inlay/Dots Micanite Plate Frets Material copper-nickel alloy Frets Number 18 Frets Size 0.05inch height 0.1inch width Bridge Material HPL Top Material Super AirSonic Carbon Fiber Composite Fretboard Radius 15.75(inch) R Top Finish Matte painting Brace Material AirCarbon honeycomb CF structure + Super AirSonic Carbon Fiber Composite Back Material AirSonic 2 Carbon Fiber Composite Width at 12th Fret 2.07 inch Side Material AirSonic 2 Carbon Fiber Composite Side Finish Matte painting Binding One-piece Body Finish Silver-plated Strings Material Elixir Nanoweb 012-053 Strings Number 6 Scale Length 24 inch Strings Spacing 2.2mm 6th-String Fret12 1.7mm 1st-String Fret12 Pleked Yes Temperature -4?~194? Humidity 10%~90% Bag Material Water-resistant high gloss Polyester

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SpecificationsModelsHILAVA Operating SystemSize36 inchWeight4.17lbSystemHILAVA 2.0 SystemMemory/RAM4GStorage/ROM16GScreen3.5-inch touchscreenWireless Technologies2.4/5GHz dual-band WiFiBluetooth 5.0Pickup System/PreampL3 with DSP processorBattery Capacity5000mAh/3.8V Lithium batteryConnecting CableType-CData Transfer & Microphone SupportCharging Port1.Type-C 5V3A(max)2.Wireless Charging (AirFlow Wireless Charger required)Headplate MaterialHPLHeadplate Logo StyleScreen-paintingTuners MaterialMatte Zinc Alloy (Ratio 15:1)Knob MaterialMatte PlasticNeck MaterialOkoumeNeck ShapesC shape(1-12) to U shape(12-)Neck Width (0-12fret)1.7-2.11inchNeck FinishMatte paintingNut MaterialPPS MaterialSaddle MaterialPPS MaterialSaddle Width2.8inchSaddle Radius15.14inchFretboard MaterialHPLFretboard Radius15.75(inch) RWidth at 12th Fret2.11inchRadius at 12th Fret15.75(inch) RConstructionMechanical JointNeck joins body at14 FretFretboard Inlay/DotsMicanite PlateFrets Materialcopper-nickel alloyFrets Number18Frets Size0.05inch height 0.1inch widthBridge MaterialHPLTop MaterialHPLTop FinishNot paintedBrace MaterialSpruceBack MaterialHPLBack FinishNot paintedSide MaterialHPLSide FinishNot paintedBinding45°cuttingFinishSilver-platedStrings MaterialPhosphor Bronze 12-053Strings Number6Scale Length23.5inchStrings Spacing2.3mm 6th-String Fret121.8mm 1st-String Fret12PlekedNoTemperature-4?~122?Humidity10%~90%Bag Materialsplash-proof polyester

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The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.

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Designed to give the player a total command and control over a spectrum of different gains and harmonic distortions from Classic fat rock tones to jangly indie lines, and everything in between. The MONOLITH delivers expressive gain even at low levels. With a very pleasing dynamic response to pick attack the harder you dig, the more expressive it gets. Even at high gain level, when you hit it hard you can still hear every note of big chords as well as the nuances of intricate lead lines.Key Features Low battery consumption Solid metal chassis construction 3 modes based on classic sounds Excellent consistent load for passive Volume pedals

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The Spiral Array – it’s a Chorus pedal with a difference… It is actually three distinctly different chorus pedals in one box. THE SPIRAL ARRAY houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off the 1979 Roland Dimension D and the renowned uber rich sounding 1985 Dytronics Tri Stereo Chorus, All in one box.   Key Features 3 Distinct Modes Analogue, Digital & Tri Stereo Chorus PSU Available Transparent Expression Pedal Control Solid Metal Chassis Construction

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Reverb is evocative of space – a note contains pitch, but reverb contains place. Without reverb you have no idea where you are. Every note has been played it is what happens between the notes that is special. The Secret Path is a beautiful pedal – crafted reverbs for Spring and Plate, reminiscent of the heyday of classic amp and studio tones combined with modern day sound quality and reliability. Plus - The Secret Path – a deep, dark, mesmerising ambience with a sublime, brooding, dynamically evolving shimmer.Key Features Solid metal chassis construction 3 different modes: Spring, Plate & The Secret Path Excellent consistent load for passive Volume pedals Expression Pedal Control Enhanced mode includes Modulation

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