Universal Audio UAFX Lion '68 Super Lead Amp PedalWant to plug into some legendary British crunch? If so, plug into the Universal Audio UAFX Lion ’68 Super Lead Amp pedal. It serves up one of the most realistic emulations of the legendary Super Lead we’ve ever heard here at Music Bliss. Moreover, this stompbox is really three amps in one: a Super Lead, a Super Bass, and the coveted Variac’d “brown” sound that erupted in the late 1970s. You also get three speaker options. You’ll be blown away at how closely the Lion re-creates the sound of a cranked tube amp recorded in a live room, thanks to UA’s unparalleled mic, cab, and Dynamic Room Modeling technology. Further, like all the pedals in UA’s UAFX series, the Lion allows you to bypass your amplifier’s preamp when the pedal is engaged via the special “4-cable” mode. If you’re craving greater control, the Lion sports Bluetooth compatibility to connect to Universal Audio’s UAFX app to edit hidden parameters and access artist presets. Finally, the Lion ’68 Super Lead also boasts state-of-the-art analog and digital circuitry, analog dry-through, and a high-quality buffered bypass.FEATURES Authentic end-to-end replication of the '68 Super Lead amplifier 3 amps in 1: a Super Lead, a Super Bass, and the Variac'd "brown" sound 3 separate speaker/cab/mic options for a wide range of different tonal flavors 3 bonus cabs are provided when registering the Lion 4-cable mode bypasses your amplifier's preamp when the pedal is engaged USB-C port for firmware updates Bluetooth-compatible for access to Universal Audio's UAFX app Save and access presets using the right footswitch SPECIFICATIONS Pedal Type:Amp Emulation, Boost Analog/Digital:Digital Channels:2 Form Factor:Pedal EQ:3-band EQ, Presence Presets:1 x Onboard Amp Modeling:3 x Speaker models, 3 x Cabinet emulations, 3 x Amp models Distortion/Overdrive:Overdrive Inputs:2 x 1/4" TS Outputs:2 x 1/4" TS USB:1 x USB-C (firmware updates) Bypass Switching:Buffered Features:Mono/Stereo, 4-cable mode, Bluetooth v5.0 Software:UAFX Control mobile app Power Source:9V DC (400mA) power supply (sold separately) Height:2.56" Width:3.62" Depth:5.55" Weight:1.24 lbs. Dimension Packaging Weight : 1.0 kg 

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Universal Audio UAFX Orion Tape Echo PedalEmerging from Universal Audio's flagship Starlight Echo Station, the UAFX Orion Tape Echo puts authentic EP-III-style effects right under your foot. This guitar effects pedal not only gives you a glorious cache of magical delay effects, but it also exquisitely captures the original hardware's analog preamp for beautifully fat, boosted tones. You get three tape modes, arming you with a trio of distinctive sonic colors, along with a Wonk control for modulated repeats and wow-and-flutter artifacts. Integrating the Orion Tape Echo with the rest of your guitar rig is a breeze, thanks to selectable true- or tails-bypass switching, switchable preamp emulation, and analog dry-through. Few things are as ear-grabbing as a '70s-style tape echo, and the Universal Audio UAFX Orion Tape Echo packs the sound of one of the most iconic vintage tape delays ever built into a classy, pedalboard-friendly stompbox.FEATURES Packs authentic EP-III tape echo-style effects into a convenient stompbox 3-way Tape switch with Mint, Worn, and Old modes Wonk knob gives rise to modulated repeats and wow-and-flutter artifacts Emulates the sound of the original hardware's built-in solid-state preamp Switchable true- or tails-bypass switching to retain your delay trails when you bypass the pedal Preamp on/off switch shuts off the preamp emulation but leaves the echoes active Analog dry-through control makes integration with any guitar rig easy USB Type-C port makes system updates a breeze SPECIFICATIONS  Pedal Type: Echo Analog/Digital: Digital Effects: Tape Machine Delays: Mint, Worn, Old Max Delay Time: 700ms Inputs: 1 x 1/4" Outputs: 1 x 1/4" USB: 1 x USB-C (updates) True Bypass: Yes, switchable to Trails mode Software: UAFX Control App Power Source: 9V DC (250mA) power supply (sold separately) Height: 2.29" Width: 2.58" Depth: 4.75" Weight: 0.65 lbs. Dimension Packaging Weight : 1.0 kg

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Universal Audio OX Stomp Dynamic Speaker Emulator Stereo PedalBuilding off Universal Audio’s industry-defining Ox unit, the Ox Stomp Dynamic Speaker Emulator is a single-pedal solution for perfectly produced guitar tones. Simply pair the Ox Stomp with your preferred amp-in-a-box or digital amp modeler to elevate your tone with 22 masterfully emulated speaker/cab combinations, which are powered by Universal Audio’s cutting-edge Dynamic Speaker Modeling. Ox Stomp’s two 3-position mic switches allow you to pair any of its six vintage mic replications to achieve the recorded cab tone of your dreams, and you can also choose an additional mic for your Room control. No produced guitar tone is complete with a slew of effects, so Ox Stomp also boasts an extensive array of delay, compression, reverb, modulation, and EQ parameters accessible via the UAFX Control app. The 6-position rig knob ties it all together, giving you instant access to six of your favorite cab/mic/effect combinations. Whether you’re running a UAFX amp pedal or any other form of amp modeler, Ox Stomp will transform your tone with record-ready studio sonics! FEATURES The most authentic sounding speaker, cab, mic, and room tones ever emulated in a stompbox Authentic speaker modeling including speaker breakup, drive, and cone cry Over 100 curated RIGs perfect for any amp emulator or genre for endless inspiration Studio-quality effects including genuine UA 1176 compression, plate reverb, EQ, and stereo delay (dual, crossover, ping-pong) for perfectly produced tones UAFX Control app for fine-tuning mics, effects, and footswitch configurations Silent switching, buffered bypass, analog dry through SPECIFICATIONS Pedal Type: Speaker Emulator Analog/Digital: Digital Amp Modeling: 22 x speakers, 6 x microphones Inputs: 2 x 1/4" TS (line/Hi-Z) Outputs: 2 x 1/4" TS USB: 1 x USB-C (updates) Bypass Switching: Buffered Bypass Software: UAFX Control app Power Source: 9V DC (400mA) power supply (sold separately) Height: 2.56" Width: 3.62" Depth: 5.55" Weight: 1.3 lbs. Dimension Packaging Weight : 1.0 kg

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  The compact (yet feature-laden) Vox StompLab IIG is perfect for musicians who want a ton of tones in a small space. Using the same sound engine as Vox VT+ amps and ToneLab multi-effects unitsthe StompLab offers 100 gig quality presets for any style of music. An intuitive and easy to navigate layout makes the StompLab perfect for seasoned pros and beginners. You can create your ideal sound choosing from over 100 types of programmable effects. Cut down the gear clutter onstage with the Vox StompLab IIG.     FEATURES   100 preset patches for all styles of music Rugged metal housing Expression pedal lets you control volume and effects parameters Over 100 tweakable effects to create your own sounds with Built-in tuner and headphone amp Runs on 4 x AA batteries or optional AC adapter     SPECIFICATIONS   Pedal Type:Multi-FX Number of Effects:104 Amp Modeling:Yes Number of Models:104 Analog Inputs:1 x 1/4" Analog Outputs:1 x 1/4" Power Supply Included:No Batteries:4 x AA Height:2.24" Width:5.7" Depth:4.92"

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  The compact (yet feature-laden) Vox StompLab IIB is perfect for musicians who want a ton of tones in a small space. Using the same sound engine as Vox VT+ amps and ToneLab multi-effects unitsthe StompLab offers 100 gig-quality presets for any style of music.   An intuitive and easy to navigate layout makes the StompLab IIB perfect for both seasoned pros and beginners. You can create your ideal bass sound choosing from 60 types of programmable effects. Cut down your gear clutter onstage with the Vox StompLab IIB.     FEATURES   100 preset patches for all styles of music Rugged metal housing 61 tweakable effects to create your own sounds Built-in tuner and headphone amp Runs on 4 AA batteries or optional AC adapter     SPECIFICATIONS   Pedal Type:Multi-FX Inputs:1 x Instrument Outputs:1 x 1/4" Batteries:4 x AA Power Supply Included:No Height:2.24" Width:5.7" Depth:4.92" Weight:1.3 lbs.

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Features: Full suite of Amp & Cabs  Wide range of effects Build-in Looper USB Audio Interface with PC/Mac Editor Metal chassis with colour LCD

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GP-200LT is the LITE version of the GP-200, a swift drifting, a smooth racing. With its compact size and portable design, this burden lifter allows you to pick out your favorite sound and clear out just enough physical space, making it easy to fit into any pedalboard, and help you mix and match with any setup you prefer.   Features Compact size, uncompromised sound quality The same HD modeling technology and platform used on the GP-200 deliver the pure, organic tones 24-bit 44.1kHz audio conversion Over 240 high quality effects 140+ legendary guitar/bass/acoustic amps, cabinets 100+ dynamic/distortion/frequency/modulation/delay/reverb effects Supporting 20 user IRs storage 256 patch slots (100 factory, 156 user) Up to 11 freely movable modules in the effect chain able to work simultaneously 180-second looper 100 high quality drum patterns Sensitive built-in chromatic tuner 4.3-inch TFT LCD presents an intuitive, user-friendly multi-language UI 4 customizable LED footswitches with 3 footswitches templates, applicable for various situations Independent headphone volume knob, making GP-200LT a perfect desktop effects processor/audio interface Diverse I/Os matching with diverse needs USB Type-C connection audio interface compatible with Win/Mac/iOS/Android systems 6-in 4-out USB Audio supports Re-amp and Loopback Intuitive Win/Mac editor Rugged cast metal chassis DC 9V power supply   Specifications A/D/A Converter: 24-bit high performance audio Sampling Frequency: 44.1 kHz SNR: 110dB Module: 11, can be used simultaneously Patch Memory: 256 Patch slots, 100 Factory Patches Looper: 180 seconds of record time Drum Machine: 100 Patterns MIDI(IN/OUT/THRU): 1/8″ TRS MIDI connectors   Analog Input Connections Guitar Input: 1/4″ Unbalanced (TS) Input Impedance: 4.7M Ohms (A.GT), 1M Ohms (E.GT), 10k Ohms (Line) Return Input: 1/4″ Unbalanced (TS) Return Input Impedance: 100k Ohms Aux Input: 1/8″ Stereo (TRS) Aux Input Impedance: 10k Ohms Analog Output Connections L/R Balanced Outputs: 1/4″ TS jacks L/R Output Impedance: 1k Ohms Send Output: 1/4″ Unbalanced (TS) Send Output Impedance: 1k Ohms Headphone Output: 1/8″ Stereo (TRS) Headphone Output Impedance: 22 Ohms   Digital Connections USB Port: USB 2.0 Type-C Port USB Recording Specification Sample Rate: 44.1 kHz Bit Depth: Supports 16-bit or 24-bit    Size and weight Dimensions: 253mm(W) x 165mm(D) x 56mm(H) Unit Weight: 1.25 kg

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GP-200JR is a new product of the 2nd generation platform of Valeton GP series, a compact HD modeling multi-effects processor. As you can see, compared with the GP series flagship model GP-200, the GP-200JR has significantly reduced its size, but it also retains the screen, knob and button required for human-machine interaction, the complete interface, and the sensitive and efficient built-in pedal. While ensuring its portability, it ensures its functionality to the maximum extent to apply to different performance scenes.     In terms of tone, based on the second generation of GP series digital platform and HD modeling technology, it provides 11 freely movable effect modules and more than 240 patches from world-renowned classic speakers, IRs and effect units are built in. The GP-200JR also offers looper, drum patterns, tuner, and the editor software of Windows/Mac or directly plays as an audio interface compatible with multiple platforms (Windows/Mac/iOS/Android), escorting immeasurable convenience to your songwriting, practice and recording. GP-200JR compact but complete, still built for the stage.     Features Less bulky with unyielding experience The same HD modeling technology and platform used on the GP-200 delivers the pure, organic tones 24-bit 44.1kHz audio conversion Over 240 high quality effects 140+ legendary guitar/bass/acoustic amps, cabinets 100+ dynamic/distortion/frequency/modulation/delay/reverb effects Supporting 20 user IRs storage 255 patch slots (99 factory, 156 user) Up to 11 freely movable modules in the effect chain able to work simultaneously 180-second looper 100 high quality drum patterns Sensitive built-in chromatic tuner 3 customizable LED footswitches with 3 footswitches templates, applicable for various situations 4.3-inch TFT LCD presents an intuitive, user-friendly multi-language UI 6-in 4-out USB Audio supports Re-amp and Loopback Built-in expression pedal controlling up to 3 effect parameters Diverse I/Os matching with diverse needs 1/4" TS instrument input 2* Unbalanced 1/4″ TS outputs 2* Balanced XLR outputs 1/4″ Unbalanced FX LOOP I/O for connecting other gears 1/8″ headphone output Stereo 1/8″ Aux Input 1/4″ TRS EXP/FS jack USB Type-C connection audio interface compatible with Win/Mac/iOS/Android systems Intuitive Win/Mac editor Rugged cast metal chassis DC 9V power supply

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AD/DA: 24bit/48kHz Maximum project saving: 99 Maximum recording storage: about 7 hours Recording format: WAVE(24bit, 48kHz, stereo) Drum rhythm: 100 or more Playback modes：SERIAL or FREE MIDI(IN/OUT): 1/8" TRS MIDI connectors INPUT(L/R): 2x1/4" Unbalanced (TS) Input Impedance: 1MΩ OUTPUT(L/R): 2x1/4" Unbalanced (TS) Output Impedance: 4.7kΩ USB Port: USB 2.0 Type-C Port Dimensions: 81mm(W)x162mm(D)x61mm(H) Unit Weight: 606g Power Requirements: DC 9V, 500mA, Center negative   Key Features 24bit/48kHz high performance audio Two-channel inputs and two-channel outputs ，supports mono and stereo devices INPUT-L have two modes for connecting a microphone or an instrument Two foot switches (LOOP 1/LOOP 2) can independently control the recording and playback of LOOP 1 and LOOP 2 Overdub supports doubling the length of the bottom track by integer multiples Two Loop playback modes: SERIAL and FREE The built-in storage space for 99 recording projects, and store up to 7 hours of stereo files Built-in 100 new rhythm patterns including metronome Supports drum SYNC function Supports external footswitch to control drum machine You can import and export recording projects and update firmware with supporting software via USB Rugged cast metal chassis DC 9V power supply

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The first in the Mako series, the D1 is a powerful multi-function delay with five, studio grade, high-fidelity, custom tuned programs. The programs are Digital, Mod, Vintage, Dual and Reverse. Each can be tuned and tweaked with modulation, tone, age, and subdivisions.The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control and on-board presets. A workhorse of a delay that is just as ready for the road as it is the studio.Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth.The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings.Specifications Dimensions 4.9” x 2.52” x 2.64” Power 9VDC (300mA minimum)

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The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions.The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes.The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets. A workhorse of a delay that is just as ready for the road as it is the studio. Features: Added stereo width control giving the D1 two different widening types – Panning and Haas Stereo Effect. Revised the Reverse program for a stronger effect. Revised the Vintage program to emulate a tape delay. Added USB functionality for firmware updates via walrusaudio.io. The D1 comes in an anodized silver finish with black, dark green, red, orange and purple ink. The enclosure’s exact size with knobs is 4.9” x 2.52” x 2.64”. Power requirements are 9VDC (300mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included

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Tastefully updated in all the right places, the Luminary V2 expands its watchful eye for versatility in many genres and musical tastes. Features: Refined octave volume knobs Lengthened attack time Revised envelope low-pass filter Tremolo effect on flutter knob Added Smart Momentary Bypassing The Luminary is a powerful polyphonic quad octave generator with features for creating inspiring symphonic gusts of sound. Operating on the Analog Devices Sharc platform, the Luminary gives you the ability to dial in any combination of four separate octaves including -2, -1, +1, and +2, the user can craft many different complex sounds and textures with crystal clear and immediate octave tracking. The Luminary has three onboard presets available for saving your go-to sounds, as a well as live mode. This means the user can have up to four custom sounds available at any moment. Get epic steel sounds with the modulation control unengaged. You’ll find more experimental options with the filter control or a tremolo effect with the flutter control. Couple the Luminary with an expression pedal to expand its creativity even more.

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The Lillian is a true bypass, all analogue, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like Rate, Width, Feedback, and D-P-V blend, the Lillian is packed with a wide array of analogue phaser goodness waiting to be dialled in. The “Stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6. The D-P-V knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect. Top-mounted input, output, and power jacks, as well as soft switch relay bypassing, make the Lillian fit well on your board and ensure smooth operation for years to come.Borrowed from the Julia, the unique blend between Dry, Chorus and Vibrato has also been provided on the Lillian. Blend between Dry, Phase Shifted, and Vibrato (labelled d-p-v on the pedal). The Dry-Phase-Vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional Phaser setting. Set it to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations. Dimensions: 4.77” x 2.9” x 2.3”. Power: 9VDC (30mA minimum) Power supply not included

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The Kangra Filter Fuzz is a true bypass, two-in-one pedal that provides a thick and spatty octave fuzz, and a psychedelic filter thats great for sweeps, frequency boost or even envelope filter sounds. The filter can run independently, or with the fuzz feeding into it. This is no rhythm player’s fuzz. Dig in and play dirty with aggressive fuzz lead lines that’ll rip time and space apart at the seams.SNL Guitarist and fuzz fanatic, Jared Scharff, approached Walrus Audio about doing a modern filtered and fuzz inspired by his favorite vintage fuzz pedal, the Kay Fuzz Tone.The art was inspired by a once in a life time expedition Jared took to the Kangra Valley near the Himalaya Mountains. It was there his journey inspired new ideas that can only approximated by the Kangra Filter Fuzz. The pedal comes in Prismatic Powder "Peach Ice Cream" enclosure with art by Adam Forster in white and blue inks.Dimensions: 4.77" x 2.6" x 1.39"

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The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass cut toggle switch for dialing in low end. Features: Increase of gain on tap. Adjusted volume control making it easier to dial in unity gain. Altered tone control for improved high frequency response. Added gate control via internal trim pot to tame noise, or to achieve the spatty "dying battery" tones. Killer new artwork and a new coal sparkle powder coat on the enclosure. Brushed Aluminum knobs

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 Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features.Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.The Lag knob lets you set the center delay time that the LFO modulates. From smooth and tight modulation at lower settings, to a warbling detune at maximum, the Lag knob adds a new dimension to the traditional chorus/vibrato landscape.The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna. Traditional mono chorus sounds can be heard with the knob set around noon. Pitch vibrato is found in the full clockwise position. The ground in between offers unique blends of chorus and vibrato not commonly found on other chorus pedals.When both outputs are connected, set the DCV knob to full counterclockwise to send your dry signal to the mono output and vibrato signal to the stereo output for a traditional stereo chorus sound. Explore other variations by turning the DCV knob up slightly to add some vibrato signal to the dry output changing the stereo image.The Julianna contains all of the sounds and controls that the Julia has but adds these deluxe features: Tap Tempo Control: Set the rate of the LFO with the Rate knob or the tap tempo switch Stereo In/Out Jacks: Run mono in/mono out, mono in/stereo out, stereo in/stereo out Momentary Secondary LFO Speed: Ramp up or slow down to a second LFO rate. Drift Function: Gently speed up and slow down the LFO rate. Kinda like having a little robot inside your pedal moving the Rate knob up and down Random LFO Shape: In addition to sine and triangle, Julianna adds a random wave shape option to modulate the pitch of your signal Tap Division: Select quarter note, quarter note triplet or eighth note multiplier to scale a tapped in tempo Expression Control: Control Depth, Rate or both with an expression pedal External Tap In

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The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster.Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape.

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Walrus Audio is a collective of artists, musicians and engineers who have been inspired by sounds created by their favourite companies, whether it's the perfect breakup on an overdrive, a thick, punchy distortion, an endlessly sustained reverb, or a self-oscillating delay, they have, through trial, error and continual sonic tweaking, come up with a range of guitar pedals as versatile as they are functional.Built from the ground up, with the Emissary Walrus Audio has developed a new 2-in-1 boost to help make leads stand out, slides sing, fingerpicking come to life and to push tube amps into great natural breakup. The Emissary Parallel Boost features two independent boost circuits running in parallel. Use one or the other by itself, or mix any combination of both by turning up each knob to the desired level. The top knob controls the volume for the “bright” boost circuit. This is a clean, high headroom JFET boost, with a slight emphasis on higher frequencies to liven up your tone. The bottom knob controls the volume for the “mid” boost circuit. This circuit features a targeted boost at either 1kHz or 800Hz selected by the toggle switch.

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A tone tweakers delight, the EB-10 works as a preamp, EQ and boost with three available presets to meticulously craft your guitar's sound allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch. Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had.  FEATURES Dimensions: 3.68” x 4.67” x 1.547”Power Requirements: 9VDC, center negative (100mA minimum)

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A tone tweakers delight, the EB-10 works as a preamp, EQ and boost with three available presets to meticulously craft your guitar's sound allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch.Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had.Features: Dimensions: 3.68” x 4.67” x 1.547” Power Requirements: 9VDC, center negative (100mA minimum)

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The Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo. The Reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound. The Descent offers you eight controls to precisely hone in your perfect reverb. In addition, the user can use an auxiliary momentary switch in the fav input to switch the pedal on/off and/or save presets. If you have an already crowded pedal board, you can set your Descent at the back of the board and run a small SPST switch to the front of the board so you don’t lose valuable real estate. The Fav input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters of each control and then fade in and out the those controls by moving your foot up or down on the expression pedal.

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Walrus Audio is a collective of artists, musicians and engineers who have been inspired by sounds created by their favourite companies, whether it's the perfect breakup on an overdrive, a thick, punchy distortion, an endlessly sustained reverb, or a self-oscillating delay, they have, through trial, error and continual sonic tweaking, come up with a range of guitar pedals as versatile as they are functional. With low, mid, and high EQ bands to boost or cut to your tastes, the Walrus Audio Defcon4 Preamp/EQ/Boost pedal is a great way to tailor your tone for any setting. Just a few knob turns brings out the best in any guitar, whether it has humbuckers or single-coil pickups.

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The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.

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For Ages, overdrive has been the one effect vital for so many. It’s used to charge through front lines of the mix and deliver a clear message that won’t soon be forgotten to its loyal listeners. Ages is a massively versatile overdrive machine standing at the ready for any amp and pickup combination that is thrown at it. An overdrive with innovative features that can stand on its own and stack well with other drives, Ages is ready to stand its ground and convey an unforgettable sound.The five-position rotary knob offers the following gain states: Low-gain mode with symmetric silicon soft clipping. Compressed and smooth. Low-gain mode with symmetric LED soft clipping. Pushed, open, and sparkly. High-gain mode with symmetric silicon soft clipping. Increased saturation and tight. High-gain mode with symmetric LED soft clipping. Saturated, punchy and big. High-gain mode with symmetric silicon hard clipping. Heavy compression, thick and chewy.

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Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Heads up – it sounds amazing. After endless hours of research on the vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modelled after the projector’s tone. The Bell and Howell 385 gracefully lends itself to creating an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked. This was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as it’s grandfather. The amp has this as well but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps. The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stompbox. This means it is extremely sensitive to how hard you dig in – just like the amp. Features: The 385 comes in a matte black finish with yellow ink featuring the original artwork of a vintage Belle and Howell 385 projector ready to give you the dynamic tone you’ve been searching for. The die-cast enclosure’s exact size is 4.77" x 2.6" x 1.39”. Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.  

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The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.   Features: The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink. The enclosure’s exact size with knobs is 4.9” x 2.52” x 2.64”. Power requirements are 9VDC (300mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included

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The Warhorn / Ages combines one of Walrus Audio's oldest and newest overdrives into one enclosure. The Warhorn side gives you a more-transparent overdrive with symmetrical or asymmetrical clipping options, while the Ages five-state overdrive gives a huge range of low- and high-gain tones. The pedal was created in support of Reverb's first feature-length documentary, "The Pedal Movie," on the history and culture of effects pedals. Features: The Warhorn comes in a “prismatic gold” enclosure with white, cream and black ink. 1 x 1/4" In, 1 x 1/4" Out The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.

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The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a large range of tweaking and shaping options for your original tone. The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.

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The Slötvå Multi Texture Reverb is a variant of the Slö but adds on the ability to create and save three presets. Save your favorite dreamscapes by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain. The Slötvå allows players to create lush, modulated, sleepy, and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail. Combine deep modulation with long washy trails and experience, the Slötvå.   Features: The Slötvå comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit. The die-cast enclosure’s exact size is 4.77" x 2.6" x 1.39”. Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.

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The Transit is a True Bypass Looper system useful for organizing your pedalboard and giving your pedals the benefit of True Bypass. The Transit can also be used to create a Signal Loop, which may contain any number of pedals all activated by a single switch. These pedals are effectively True Bypass as well. The Deluxe Transit Clickless True Bypass Switcher contains the same abilities as the Standard Transit Looper, however, it features a clickless switching system that provides an unprecedented amount of silence when turning on and off the channels

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Walrus Audio is a collective of artists, musicians and engineers who have been inspired by sounds created by their favorite companies, whether it's the perfect breakup on an overdrive, a thick, punchy distortion, an endlessly sustained reverb, or a self-oscillating delay, they have, through trial, error and continual sonic tweaking, come up with a range of guitar pedals as versatile as they are functional.   The Walrus Transit 5 is a True Bypass Looper system useful for organizing your pedalboard and giving your pedals the benefit of True Bypass. The Transit can also be used to create a Signal Loop, which may contain any number of pedals all activated by a single switch. These pedals effectively become True Bypass as well, so you get totally silent switching, and your original signal never loses any of its integrity.

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Use the 2-channel remote switch to control the Descent and Vanguard's two foot switches.This feature allows you to place the Descent at the back of your pedal board and run the small remote control switch to the front of your board; freeing up real estate on your board’s front row.To use the Remote option with this 2-channel remote switch, a TRS cable is required.

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Inspired by the beautifully jagged, red-sand desert landscape of Monument Valley, the Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago. With different combinations of the rate, division and shape knobs and tap tempo, everything from traditional tremolo to inspiring unique waveforms will help you carve new paths that you won’t hear anywhere else. Harken back to vintage tones inspired by Fender Brownface amps in Harmonic mode. A low-pass and high-pass version of your guitar signal are modulated opposite of each other, or 180º out of phase (high and low frequencies rise and fall opposite of each other). The result is a warm, almost “chewy” tremolo. The Division knob can be set to quarter, triplet, eighth and sixteenth. Wave shapes can be controlled via the Shape knob. You can move between Sine, Square, Ramp, Lumps and Monument Mode (random). A special feature on the Monument is the bypass switch also has a momentary function. When the switch is in off position, press and hold to temporarily activate the effect to add a moment of texture. Releasing the switch turns the effect off. Setting the depth knob at 0 and the volume knob above unity creates a clean boost.

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The R1 is an extremely powerful and versatile multi-function reverb that can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program can be tuned and tweaked and then saved to one of nine on-board presets.The R1 boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control, and up to nine on-board presets (128 via MIDI). Players of all styles and genres will be able to find eternal inspiration with the R1.The R1 can save up to nine on-board presets, and up to 128 are accessible via MIDI. On-board presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap at the same time. You will see the right LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple, indicating you have edited the preset.The R1 employs a powerful reverb engine that allows for the true preset spillover. When you switch presets, the new preset loads, and the previous preset is allowed to decay naturally.The R1 has three different bypass modes: True Bypass DSP+True Bypass (trails) DSP Bypass (trails) Specifications Dimensions 4.9” x 2.52” x 2.64” Power 9VDC (300mA minimum)

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The Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago. The Monument returns in a smaller form factor with new features, like assignable expression control and rate ramp up. Changes to the V2 are as follows: Converted to smaller enclosureExpanded capability of side jack: now supports external tempo or can function as expression control over Rate, Depth, Shape, or Tap Multiplier and is assignable on the fly. See manual for detailsImproved tremolo response across all ratesTop mounted jacksInspired by the beautifully jagged, red-sand desert landscape of Monument Valley, the Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago. With different combinations of the rate, division and shape knobs and tap tempo, everything from traditional tremolo to inspiring unique waveforms will help you carve new paths that you won’t hear anywhere else.  SPECIFICATIONS Dimensions: 2.9" W x 2.3" D x 4.77" LPower Requirements: 9VDC, Center negative, (100mA minimum)

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  The Badwater is a bass tone magnification device sonically highlighting what makes bass so crucial to music. The all-in-one bass pre-amp and DI features optical compression, overdrive, and a four-band EQ section. Enhance your bass rig’s capabilities and dial in everything from warm cleans, gritty chords, punchy drive, or bright and crisp slap sounds. The Badwater gets its name from the Badwater Basin in Death Valley, California, the lowest point in the U.S. below sea level. Like the basin it’s named after, the Badwater holds the foundation for the lowest frequencies and saltiest licks in song creation. Features: Versatile and powerful tone sculpting tool for bassists of all styles. Optical comppression for smooth, added sustain. Blendable drive control with three different voicing options. Boost/Cut EQ section. +/- 12dB on low and high controls and +/- 10dB on Mid, LMF, and HMF controls. Sweep 500 Hz to 2.4 kHz through the Low Mid & LMF controls and 3.5 kHz to 7.5 kHz on High Mid & HMF controls. Ground lift to isolate the GND pin on XLR to help reduce hum if present. 1/4 inch instrument signal & XLR line-level output options. Outputs run simultaneously for direct and on-stage connections.

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The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top-mounted jacks, soft switch bypassing and updated art from Adam Forster.  A special feature of the Julia is the Lag control. The Lag knob lets you set the centre delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape.    Features: Updated for 2020 with top-mounted Jacks, soft bypass switch and new art All analogue chorus and vibrato Where most chorus/vibe pedals give you a toggle to flip between chorus and vibe, Julia offers a blend parameter to use up all the space in between the two effects; moving from fully dry to chorus, to full vibrato. The Lag parameter sets the delay time of the modulation You can manipulate rate, depth, and wave shape as well 9-volt DC, Center Negative, <100mA minimum Made in the USA Dimensions: 4.77” x 2.9” x 2.3”

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  The Slötvå Multi Texture Reverb is a variant of the Slö but adds on the ability to create and save three presets. Save your favourite dreamscapes by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain. Features: Tap Tempo Control Stereo In/Out Jacks Momentary Secondary LFO Speed: Ramp up or slow down to a second LFO rate Drift Function: Gently speed up and slow down the LFO rate Random LFO Shape: In addition to sine and triangle, Julianna adds a random wave shape option to modulate the pitch of your signal  Tap Division: Select quarter note, quarter note triplet or eighth note multiplier to scale a tapped in tempo Expression Control: Control Depth, Rate or both with an expression pedal External Tap In 9-volt DC, Center Negative, 100mA minimum Made in the USA Dimensions: 4.77” x 2.9” x 2.3”

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The Iron Horse is our take on a classic distortion circuit that’s thick, punchy, riffy, and rowdy. With the help of the Si/LED (Silicon/LED) knob and wide range of the distortion knob, this true bypass, high-gain behemoth can be finely tuned for clear overdriven sounds or let the reigns loose for a full-on distorted onslaught.Top mount jacks with soft switch bypassing and art by David Hüttner complete the package for a pedal board-ready distortion machine.Features: Top-mounted jacks Soft relay true bypass on/off Fixed volume drop-off when the distortion knob is at minimum Re-imagined the hard clipping toggle as a blend style potentiometer, that allows you to blend between symmetrical silicon and diode clipping for a new variety of tones

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Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with a tight response and multiple distortion textures. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker-ripping sounds. Features: 5-position rotary knob that offers the following gain states 9-volt DC, Center Negative, 100mA minimum Made in the USA Dimensions: 4.77” x 2.9” x 2.3”

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The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping with ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine-tune the tone of the reverb's decay.   Features: Feature-rich reverb with 4 algorithms. Hall, Plate, Lo-Fi & Sonar Easily go from small room reverb to, a large ambient atmosphere  Low, medium and high options for Modulation Sustain switch allows for even longer decay for moments of added ambience Bypass switch features a momentary function. Press and hold to temporarily activate the pedal 9-volt DC, Center Negative, 100mA minimum Made in the USA Dimensions: 4.77” x 2.9” x 2.3”

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 The Mira is a true bypass optical compressor offering studio-grade sound sculpting and sustain packed with controls you’d normally only find on studio units.Mira also offers in-depth control over Attack, Release, Ratio, and a Make-Up knob to help maintain unity levels after your signal has been compressed. Use the Blend knob to mix in your compressed sound with your clean tone to maintain note clarity while offering increased sustain.Look to the Mira as your new always-on pedal. Even at low settings, not only will you hear rich, full clarity in your notes, but you’ll feel the difference in its response. Features: The Mira comes coated in a smoky grey enclosure with Cream, Orange, Red, and Dark Blue ink with art by Adam Forster. True bypass Power requirements are 9VDC, centre negative (200mA minimum). Runs internally at±15VDC. The use of an isolated power supply is recommended for powering all Walrus Audio Pedals Daisy chain power supplies are not recommended The power supply does not include Dimensions: 4.77" x 2.6" x 2.28” (Including knobs)

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