SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6FEATURES 5-Input Mixer Supports USB Drives and Bluetooth 60W, 1-Output Amplifier Euroblock, RCA, and 1/4" Inputs Euroblock Outputs Per-Channel Bass and Treble Controls Voice-Activated Ducking Front-Panel Display and Controls Configurable Output Routing   SPEICFICATIONS  Max Output Power per Channel into 4 ? or 8 ?; 1kHz, ? 0.5% THD - VMA160: 60W VMA1120: 120W VMA1240: 240W Insertion Loss (70V & 100V outputs) 1dB maximum Number of Inputs 5 Number of Outputs 1 Tone Controls (Bass and Treble non-detented potentiometers on each channel) Bass +/-14dB @ 50Hz; Treble +/-14dB @10kHz Input Sensitivity (to obtain full rated power into 8 ? load) Mic Input: 5.5mVRMS Line Input: 1.3VRMS RCA Input (stereo in): 130mVRMS Frequency Response (measured at 2.83VRMS into rated load impedance at any output) 4/8 ? Output: 20Hz - 20kHz, +/-2dB; 70V/100V Outputs: 80Hz - 15kHz +/-3dB Total Harmonic Distortion (THD) (measured at 2.83VRMS into rated load impedance at any output) Power Amp Output: <0.5%, 20Hz - 20kHz Signal to Noise Ratio (Ref. Rated Power, mixer levels @ min., master volume @ max. A-weighted) >76dB Input Impedance (nominal) Mic: 400 ? Line: 20 k? (balanced) RCA: 50 k? Phantom Power 27VDC Crosstalk (reference rated power, volume at mid position, 1kHz) -70 dB Nominal AC Line Voltages 100V, 120V, 220V, 220-240V, 50/60 Hz Minimum Load Impedance (Low Impedance Output, 70V Output, 100V Output) VMA160: 4 ?, 80 ?,160 ? VMA1120: 4 ?, 40 ?, 80 ? VMA1240: 4 ?, 20 ?, 40 ? Operating Temperature/Humidity 0°C to 35°C @ 95% R.H. (non-condensing) Storage Temperature -20°C to 85°C Net Weight VMA160: 19.4 lb (8.8 kg) VMA1120: 20.2 lb (9.2 kg) VMA1240: 25.5 lb (11.6 kg) Dimensions Width: 17.0 in. (432 mm) Depth: 16.3 in. (415 mm) Height: 3.5 in. (88 mm) Shipping Weight VMA160: 24.6 lb (11.2 kg) VMA1120: 25.5 lb (11.6 kg) VMA1240: 30.8 lb (14 kg)  

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6effective line of Mixer/Amplifiers with low impedance functionality (4?, 8?) and high impedance 70V and 100V output. They are designed with convenient and flexible features to be used by commercial integrators worldwide, ideal for emerging markets.   Features • 8 inputs with 2 outputs of 60 or 120-watts of power • Independent bass and treble controls for each output channel • 100V and 70V output, or 4?/8? • Paging Chime, and Priority muting • Works with JBL CSR-V wall controllers • Balanced mic/line inputs; RCA (.775V) inputs • Rack mounting hardware included Specifications    Max Output Power per Channel into 4 ? or 8 ?; 1kHz, ? 0.5% THD - VMA260: 60W VMA2120: 120W Insertion Loss (70V & 100V outputs) 1dB maximum Number of Inputs 8 Number of Outputs 2 Tone Controls (Bass and Treble non-detented potentiometers on each channel) Bass +/-14dB @ 50Hz; Treble +/-14dB @10kHz Input Sensitivity (to obtain full rated power into 8 ? load) Mic Input: 5.5mVRMS Line Input: 1.3VRMS RCA Input (stereo in): 130mVRMS Frequency Response (measured at 2.83VRMS into rated load impedance at any output) 4/8 ? Output: 20Hz - 20kHz, +/-2dB; 70V/100V Outputs: 80Hz - 15kHz +/-3dB Total Harmonic Distortion (THD) (measured at 2.83VRMS into rated load impedance at any output) Power Amp Output: <0.5%, 20Hz - 20kHz Signal to Noise Ratio (Ref. Rated Power, mixer levels @ min., master volume @ max. A-weighted) >76dB Input Impedance (nominal) Mic: 400 ? Line: 20 k? (balanced) RCA: 50 k? Phantom Power 27VDC Crosstalk (reference rated power, volume at mid position, 1kHz) -70 dB Nominal AC Line Voltages 100V, 120V, 220V, 220-240V, 50/60 Hz Minimum Load Impedance (Low Impedance Output, 70V Output, 100V Output) VMA260: 4 ?, 80 ?,160 ? VMA2120: 4 ?, 40 ?, 80 ? Operating Temperature/Humidity 0°C to 35°C @ 95% R.H. (non-condensing) Storage Temperature -20°C to 85°C Net Weight VMA260: 25.5 lb (11.6 kg) VMA2120: 29.3 lb (13.3 kg) Dimensions Width: 17.0 in. (432 mm) Depth: 16.3 in. (415 mm) Height: 3.5 in. (88 mm) Shipping Weight VMA260: 30.8 lb (14 kg) VMA2120: 34.5 lb (15.7 kg)  

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6 Features • 8 inputs with 2 outputs of 60 or 120-watts of power • Independent bass and treble controls for each output channel • 100V and 70V output, or 4?/8? • Paging Chime, and Priority muting • Works with JBL CSR-V wall controllers • Balanced mic/line inputs; RCA (.775V) inputs • Rack mounting hardware included Specifications    Max Output Power per Channel into 4 ? or 8 ?; 1kHz, ? 0.5% THD - VMA260: 60W VMA2120: 120W Insertion Loss (70V & 100V outputs) 1dB maximum Number of Inputs 8 Number of Outputs 2 Tone Controls (Bass and Treble non-detented potentiometers on each channel) Bass +/-14dB @ 50Hz; Treble +/-14dB @10kHz Input Sensitivity (to obtain full rated power into 8 ? load) Mic Input: 5.5mVRMS Line Input: 1.3VRMS RCA Input (stereo in): 130mVRMS Frequency Response (measured at 2.83VRMS into rated load impedance at any output) 4/8 ? Output: 20Hz - 20kHz, +/-2dB; 70V/100V Outputs: 80Hz - 15kHz +/-3dB Total Harmonic Distortion (THD) (measured at 2.83VRMS into rated load impedance at any output) Power Amp Output: <0.5%, 20Hz - 20kHz Signal to Noise Ratio (Ref. Rated Power, mixer levels @ min., master volume @ max. A-weighted) >76dB Input Impedance (nominal) Mic: 400 ? Line: 20 k? (balanced) RCA: 50 k? Phantom Power 27VDC Crosstalk (reference rated power, volume at mid position, 1kHz) -70 dB Nominal AC Line Voltages 100V, 120V, 220V, 220-240V, 50/60 Hz Minimum Load Impedance (Low Impedance Output, 70V Output, 100V Output) VMA260: 4 ?, 80 ?,160 ? VMA2120: 4 ?, 40 ?, 80 ? Operating Temperature/Humidity 0°C to 35°C @ 95% R.H. (non-condensing) Storage Temperature -20°C to 85°C Net Weight VMA260: 25.5 lb (11.6 kg) VMA2120: 29.3 lb (13.3 kg) Dimensions Width: 17.0 in. (432 mm) Depth: 16.3 in. (415 mm) Height: 3.5 in. (88 mm) Shipping Weight VMA260: 30.8 lb (14 kg) VMA2120: 34.5 lb (15.7 kg)  

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. Modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation.  The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted.  The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo.  The Type toggle allows you to select between a clearer digital-voiced delay and darker analogue-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analogue-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position.  The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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  The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA. Feature: Power Supply: 9V DC Negative Center power and  Power Consumption: 70mA Dimensions: 4.42” (L) X 2.38” (W) X 1.22" (H)

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up.  Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavours not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.Feature: Power Supply: 9V DC Negative Center power and  Power Consumption: 70mA Dimensions: 4.42” (L) X 2.38” (W) X 1.22" (H)

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.In 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high-frequency and low-frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on the harmonic trem effect.Features: Volume - Controls the overall volume of the pedal. Left is less, right is more. Tons of volume on tap. Rate - Controls the rate of the tremolo. Left is slower, right is faster. Depth - Controls the depth of the tremolo. Left is less, right is more. Type Toggle - Switch down is a harmonic tremolo, switch up is a standard tremolo.   Specifications Input 1/4” jack on the right side of the pedal  Output 1/4” jack on the left side of the pedal  Power Requires 9V DC negative centre power and consumes ( Do not use more than 9V DC) Current Draw 70mA

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.In the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.The JHS Pedals 3 Series Octave Reverb runs on 9V DC negative center power and consumes 65mA.Features: Verb: Controls the amount of reverb. Left is less, right is more Octave: Allows you to blend the octave amount in the reverb. Left is mild, right is more extreme. Decay: Controls the length of the reverb trail. Left is shorter, right is longer Up/Down: Selects if the reverb octave is one octave up or down.

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6FEATURES:• MIX: Controls the mix of echo and clean signal, left is less, right is more• SPEED: Controls the length of the delay time from 100ms to 330ms, left is shorter, right is longer• FEEDBACK: Controls the feedback of the delay signal, adjusting the number of repeats from fewer (left) to more (right), toggle switch selects light or heavy modulation with speed tied to delay time, shorter settings run faster and longer settings slower for vintage oil-can style warbleSPECIFICATION:• Power: 9VDC negative center power• Current Draw: 65mA• Dimensions: 4.42” x 2.38” x 1.22”

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive.  The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power, consumes 9mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H).

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.Feature: Power Supply: 9V DC Negative Center power and  Power Consumption: 70mA Dimensions: 4.42” (L) X 2.38” (W) X 1.22" (H)

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 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail.  Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambience. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone.  The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power, consumes 74mA and measures 4.42” (L) X 2.38” (W) X 1.22" (H). 

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.FEATURES:• VOLUME: Controls the overall volume of the pedal, left is less, right is more• INTENSITY: Controls the modulation depth, left is less, right is more• SPEED: Controls how the rate of modulation, left is slower, right is faster• ROOM: Switch down is standard effect, switch up adds a roomy reverbSPECIFICATION:• Power: 9VDC negative center power• Current Draw: 65mA• Dimensions: 4.42” x 2.38” x 1.22”

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The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.Features: Volume: Controls the overall volume of the pedal. Left is less, right is more Body: Controls the overall brightness of the tone. Left is darker, right is brighter Drive: Controls the amount of drive or gain. Left is less, right is more Gain Toggle: Gives you two options for different gain types. Down is more saturated and compressed with slightly lower volume. Up is more open and crunchy with higher volume Power: Requires 9V DC negative centre power and consumes 12mA

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.FEATURES:• MIX: Controls how much clean signal is blended with the wet (delayed) signal, left is more dry signal, right is more wet signal• TAPE SPEED: Controls the length of delay effect from 15ms to 950ms• REPEATS: Controls how many repeats occur after you play, left is less, right is more• FLUTTER: Switch down is standard effect, switch up introduces mild modulation reminiscent of vintage units with mechanical wearSPECIFICATION:• Power: 9VDC negative center power• Current Draw: 65mA• Dimensions: 4.42” x 2.38” x 1.22”

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The 424 Gain Stage gives all the elastic, lo-fi tone you get from plugging a guitar rig straight into a TASCAM® Portastudio® 424. Now in pedal form, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists. FEATURES:• Volume (Corresponds to Portastudio® Master): Controls the output volume, left is less, right is more, on the Portastudio 424 this is the MASTER fader• Gain 1 (TRIM): Sets how much preamplification will be added to the input signal, on the Portastudio 424 this is the TRIM control• Gain 2 (CHANNEL): Sets the volume level of the second gain stage, on the Portastudio 424 this is the CHANNEL fader• Bass: Cuts or boosts bass frequencies, left is less, right is more• Treble: Cuts or boosts the treble frequencies, left is less, right is more• Silent soft touch switching with a buffered bypassSPECIFICATION:• Power: 9VDC center negative power• Current Draw: 50mA• Input: Top ¼” right jack• Output: Top ¼” left jack• XLR Output: Balanced output which can be used as a direct-out straight into a mixer or interface, the 1/4” output and XLR output can be used simultaneously• Switch: Dip switch on the left side of the pedal, use to lift ground if hum/buzz occurs with XLR output• Dimensions: 2.6” X 4.8” X 1.6”

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 The Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.  Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you'd send your signal.  Because the pedal has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.

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 The Angry Charlie has become a staple of the JHS line, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig makes it a popular choice for all genres.  And unlike many other British amp-in-a-box pedals, it sports a 3-band tone stack to help nail those warm yet searing tones and boundless sustain. Gluttons for high-gain overdrive/distortion that has a British flavour will love the Angry Charlie V3. FEATURES Turns any amp into a screaming Marshall stack Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob Drive and Volume control interact the same as a master volume amp head Back off your guitar’s volume to control your gain levels without losing clarity This pedal requires standard 9V DC Negative power, consumes 11mA, and measures 2.6"x4.8"x1.6".

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Features: Volume - Controls the overall volume of the pedal. Left is less, right is more EQ - The EQ control is an active tilt EQ. Noon is flat. Turning to the left boosts lows and cuts highs, while turning to the right boosts highs and cuts lows Speed - Controls the rate of the vibrato. Left is slower, right is faster Depth - Controls the depth of the vibrato. Left is less, right is more Bypass Footswitch - Left footswitch turns the effect on and off. Preset Footswitch - Right footswitch changes the preset to A or B. On power up the default is preset B. Each preset has the same speed and depth range and allows you to create two different switchable settings 

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 The Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer.  It's important to know that the Bonsai is not a "box of mods," it is exact replications of these nine units all housed in one box! When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has. This pedal requires standard 9V DC negative power, consumes 20 mA, and measures 2.6"X4.8"X1.6".

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 If you’ve ever split your guitar’s signal with a passive device, adapter, or even certain effects pedals, you know that the results can sometimes be muddy and lifeless because they simply cut your tone in two, sending one half one way and the other half the other way.  Adding JHS' Buffered Splitter to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Putting the Buffered Splitter on your board will give you your tone back. FEATURES Small size is ideal for saving pedalboard space Can easily be mounted underneath your board Built rugged Black powder coating keeps the buffer hidden in the background This pedal requires standard 9V DC Negative power, consumes 19mA, and measures 3.6"x1.5"x1"

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 With the Charlie Brown V4 amp-in-a-box, put a thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45. FEATURES Turns any amp into a gritty JTM45 stack Go from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knob Drive and Volume control interact the same as a master volume amp head Back off your guitar’s volume to control your gain levels without losing clarity Fine-tune your tone with controls for Bass, Middle, and Treble Active controls boost and cut their selected frequencies Stacks beautifully with overdrive pedals for even more shades of grit This pedal requires standard 9V DC Negative power, consumes 9mA, and measures 2.6"x4.8"x1.6".

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 The Cheese Ball is JHS's faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz/distortion sound.  In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way.  The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale. SPECIFICATIONS Power:    Standard 9V DC Negative Power Consumption:    9mA Dimensions:    2.6" X 4.8" X 1.6" 

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 The Clover is an end-all preamp/boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound.  No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp/boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. From country, rock, metal and even acoustic, The Clover covers every base. In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp FEATURES Push your small wattage amp into natural rich overdrive and distortion Find sounds in your larger more powerful wattage amp that you have never heard before Strat and Tele players can use the Clover to create extra punch, depth and dynamics Les Paul and humbucker players can find clarity, bite and definition galore  SPECIFICATIONS The XLR output is identical to the 1/4” output. Has up to +24dB of gain (X16.4) (EQ Flat). Treble +/- 15dB shelving filter at 10kHz Middle +/- 15dB peaking filter at 1.3kHz Bass +/- 15dB shelving filter at 270Hz (3dB freq) Lo cut engaged -3dB point at 212Hz Input impedance >1M ohm Output impedance = 520ohms Current draw at idle = 45.5mA

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 The Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.  FEATURES Addition of an Output transformer Safely Passes 48v Phantom Power EQ Shift Knobs for precision EQ control Hi/Lo Switch for ultra clean headroom 100% available clean signal even on acoustic guitar Silent switching, aka no "switch-pop" Runs on standard 9V DC Neg power 

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 In 1968, the Beatles’ Revolution sent a piercing guitar tone through the speakers of the world. This tonal technique of plugging a guitar straight into a mixing console is now referred to as Direct-In Distortion. The JHS Pedals Crayon gets you these legendary tones faster and in a more guitarist-friendly way than ever before. The JHS Pedals Color Box is amazing. It’s powerful, it’s versatile, it sounds stunning as a guitar pedal or as a recording preamp, and sometimes, it’s a bit too much for guitarists. That’s why the Crayon was created. This straightforward pedal harnesses the exact same gritty preamp tones of the Color Box and puts them in a smaller stomp with a simplified control layout.  Three knobs control the gain, output, and tone of the pedal, while a Hi-Pass switch accesses even more aggressive characters. If you’re one of the musicians who is madly in love with those straight-to-console fuzz tones but don’t need all the extras, the JHS Pedals Crayon was made just for you.

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  The Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need. The right side is the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The left side of the Double Barrel is JHS' best-selling Morning Glory V4 overdrive.  When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the order switching toggle that lets you decide what pedal comes first in the signal chain. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7" X 3.7" X 1.5" 

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 The Emperor V2 absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice.  Spread its warm tones or icy sheen to a pristine-sounding stereo rig or utilize an external expression pedal to cop realistic rotary speaker sounds on a blues gig. This pedal requires standard 9V DC Negative power, consumes 57 mA, and measures 2.6"x4.8"x1.6".

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 The folks at JHS Pedals have a pedal that gives you the tone that has long eluded your white-knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster. With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo/Hi toggle. FEATURES Simple yet effective tool to boost/cut the perfect amount of midrange frequencies Sweepable midrange frequency to find the perfect EQ to slice through any mix Turn any amp or pedal into a totally different ghastly monster Don’t forget the Volume Boost This pedal requires standard 9V DC Negative power, consumes 13mA, and measures 2.6"x4.8"x1.6"  SPECIFICATIONS Will boost +10dB with EQ flat Total Harmonic Distortion 0.007% Signal to noise ration 83dB +/- 15dB boost or cut Sweepable center frequency from 400Hz to 7.5kHz Switchable Q (LO-gentle broad, HI-peaking tight)

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SAME DAY DELIVERY / INSTALLATION SERVICE SELF PICKUP WITHIN KLANG VALLEY / KL AREA- Please select shipping option 'Own Courier' for same day delivery / self-collect at showroom- Third party pickup charges to be beared by buyer- Kindly put a remark for self collection / Lalamove in your order- installation request (Piano and Drum) which is available within Klang Valley / KL area (Additional Charges)EAST MALAYSIA ORDERS- Sea Shipping will be arranged for bulky items, usually takes 3-4 weeks timeFOR STANDARD DELIVERYPlease select shipping option 'Standard Delivery' and all orders will be shipped out on timely manner.*Kindly take note that the courier services are beyond our control, estimated delivery time is around 2-7 working daysWaze: Live Music CentreNo 20 & 20-1 & 22 & 22A,Jalan BRP 1/6, Bukit Rahman Putra, 47000 Sungai Buloh, SelangorContact : 0-1-6-5-2-0-1-0-6-6The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.FEATURES:• 10 Year Anniversary Special Edition Mod• Polished aluminium finish with Expandora-style knobs• Updated Scottish flag-inspired icon• Improved Gain Control• Enhanced High-End Clarity• Increased Volume Headroom• Refined Toggle Switches• Diode Choice EnhancementSPECIFICATION:• Power: 9 V SDC• Current Draw: 64 mA• Dimensions: 2.6” x 4.8” x 1.6”

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 The JHS Pedals Kodiak Tremolo is the newest addition to JHS' tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. This pedal requires standard 9V DC Negative power, consumes 10mA, and measures 2.6"x4.8"x1.6".

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The JHS Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors.The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never-before-heard “JHS Mode”. Push that button for more gain and a mid frequency boost to send you leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about.If you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.Specifications Power Standard 9V DC Negative Center Power Consumption 4mA Dimensions 5.68" x 3.62" x 2.0" Weight 0.85lbs

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  n 1973, effects legend Craig Anderton and John Lang launched Seamoon Inc., releasing their flagship fuzz pedal the same year: the Fresh Fuzz. Initially, a faulty enclosure design caused these plastic Bakelite pedals to shatter when guitarists stomped on them, so Seamoon began re-casing them in metal enclosures within a few months. Despite inaccurate reviews that the Fresh Fuzz was “thin sounding,” it gained popularity and has been used extensively by artists like Tom Scholz (Boston) and guitar virtuoso Eric Johnson. This is a JHS tribute to the rarer single op amp 741 version (Version 1). Features: Gain - Controls overall output volume. Left is Less, right is more. Bite - Controls the amount of fuzz, Left is less, right is more JHS Mode - "Bright" switch, greatly increases the treble frequency response   Specifications Connections 1/4” output jack, 1/4” output jack Power Requirements Uses 9V DC Negative Center (Do not use more than 9V DC), 9V battery Current Draw 4mA Dimensions 5.68" × 3.62" × 2.0" Weight 0.85 lbs              

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 The JHS Crimson is an exact replica of Mike Matthew's Red Army Overdrive (based on Electro Harmonix's legendary Big Muff), allowing you to own a unique part of fuzz history.   The controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never before heard “JHS Mode”. Push that button for a mid-frequency boost that forces your sound through the mix.  If you love the tones of the Smashing Pumpkins, Wilco, Sonic Youth, David Gilmour, White Stripes and Dinosaur Jr, then this is the pedal for you. SPECIFICATIONS Power    Standard 9V DC Negative Center Power Consumption    4mA Dimensions    5.68" x 3.62" x 2.0" Weight    0.85lbs

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 The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought-after circuits. Kay Musical Instruments was founded by Henry “Kay” Kuhrmeyer on July 1, 1931. Although Henry quickly shifted production focus to all types of stringed instruments (including basses, violas and guitars), they didn’t enter the guitar pedal market until the late 1960s with a series of knobless, treadle-based delightfully odd plastic pedals. Each of these four units (the Fuzz-Tone F1, Tremolo T1, Wah Wah W1 and Bass Boost B1) was housed in knobless, treadle-based enclosures allowing one parameter of each effect to be adjusted by foot. The Kay Fuzz Tone was most likely released in late 1968/early 1969. Initially designed as a low-cost version of the Shin-ei/Univox Superfuzz, this fuzz is one of the Edge’s go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. They’ve even added knobs and an expression pedal output for those who want to use it as it was originally intended.Features: Volume - Controls overall output volume. Left is less, right is more.  Frequency - Controls the frequency response. Left is darker, right is brighter.  JHS Mode - Increases the fuzz level with more pronounced mids.   Specifications Connections 1/4” output jack , 1/4” output jack, Expressing TRS input Power requirements Uses 9V DC Negative Center (Do not use more than 9V DC), 9V battery Current Draw 4 mA Dimensions 5.68" × 3.62" × 2.0" Weight 0.85 lbs

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The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought-after circuits. In the mid-’60s, the world’s first nuclear company, Victoreen Instruments, launched Jordan Electronics. They started out manufacturing transistorized guitar amps and debuted the first commercially successful U.S.-based plug-in effect at the 1966 NAMM Show, the Boss Tone, though it didn’t hit the market until 1967. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone (a true testament to the ingenuity of Jordan Electronics’ owner, George Cole, and head engineer, Bob Garcia). The original unit is a small 1¾ by 2¼ inch moulded plastic box that plugs directly into the guitar’s output jack. Unfortunately, plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so JHS created a floor-based pedal that features the same unique tone.Features: Volume - Controls overall output volume. Left is less, right is more.  Attack - Controls the amount of fuzz. Left is less, right is more. JHS Mode - Boosted gain with less compression and increased mid-range dynamics.

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 The JHS Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly.  The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”. This mode sends the Smiley into high gain / gated fuzz territory that you may never want to come back from.  If you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn. SPECIFICATIONS Power    Standard 9V DC Negative Center Power Consumption    4mA Dimensions    5.68" x 3.62" x 2.0" Weight    0.85lbs

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 The Supreme is an exact replica of the rare black and grey Univox Unicord Super-Fuzz. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11.  The controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost.  If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it.  SPECIFICATIONS Power:    Standard 9V DC Negative Center Power Consumption:    4mA Dimensions:    5.68" x 3.62" x 2.0" Weight:    0.85lbs

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Taming a screaming-loud tube amp doesn’t always require bulky and expensive load boxes and attenuators. The JHS Pedals Little Black Amp Box takes care of the job while being able to fit into the palm of your hand. Simply run it through your amp’s effects loop and control the amount of signal you send to your amplifier’s power section. You’ll love the way the Little Black Amp Box lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. FEATURES Small size is ideal for saving pedalboard space or even setting on top of your amp Can easily be mounted underneath your board Built rugged Black powder coating keeps the buffer hidden in the background This pedal does not require power and it measures 3.6"x1.5"x1"

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 Though it’s a fairly nondescript-looking piece of gear, JHS' Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard.  By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away.  And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard.

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 The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple: a single pedal that offers up an echo/slap delay and a boost that can also be used as an always-on enhancer.  So here we are, an easy-to-use boost/echo 2-in-1 pedal with a small footprint that fits into any rig with ease. We’d love to go on and on about The Milkman, but its beauty is in its simplicity and tone of course. If you play country, rockabilly, swing, surf, or any other style of good old American twang, you need a slap echo and you need a boost. You need The Milkman. This pedal requires standard 9V DC Negative power, consumes 100mA, and measures 2.6"x4.8"x1.6".

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 The Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit.  Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards. FEATURES Small size is ideal for saving pedalboard space LED indicator tells you which ¼” you have selected Can run perfectly without power Built rugged This pedal is passive but requires standard 9V DC Negative power for the LED to function and it measures 3.6"x1.5"x1".

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 Welcome to the next generation of tiny Fuzz that you turn on with your foot or the Mini Foot Fuzz V2 as the folks at JHS like to call it.  Though this little purple guy may have a toy-like appearance, you will quickly realize the sounds that come from this box are no child’s play. From gated, low-gain splat to almost infinite sustaining buzz, the Mini Foot Fuzz V2 covers a lot of ground with very little fuss and a whole lot of attitude. This pedal requires standard 9V DC Negative power, consumes 3 mA, and measures 3.6"x1.5"x1"

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 Non-transparent overdrive that goes down as smooth as your grandaddy’s White Lightning. Thick rich mids, clear top end, the best bass response of any drive we make, more volume than you will ever need, and the ability to do medium/high gain overdrive like nothing you’ve ever heard make this a hard habit to kick. Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need. The Moonshine V2 is still the core tone of the version one and retains the simple Volume, Tone, and Drive knobs. However, on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone! The simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful coloured boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. This pedal requires standard 9V DC Negative power, consumes 30mA, and measures 2.2"x4.8"x1.6".

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